muck anymore -- except in chat rooms on the internet. Mr. Bubble, who always refused to give his actual age, was believed to be in his mid fifties.Born in North Dakota, Mr Bubble was created by the entrepreneur Harold Schafer (1912 - 2001), who founded the Gold Seal Company during The Second World War. Schafer also invented Glass Wax and Snowy Bleach; each of these brands became the number one selling products in the world in their respective categories by 1960. In 1986, Schafer retired and sold his Gold Seal Company.
Ascendia Brands, the Hamilton, New Jersey based present day owners of Mr Bubble and makers of health and beauty products such as Baby Magic and Calgon, said they have filed a voluntary petition for reorganization under Chapter 11 bankruptcy protection and are seeking a buyer for the business. Reports say Ascendia and five affiliates listed debt of $279 million and assets of $194.8 million as of July 5 in Chapter 11 documents filed in U.S. Bankruptcy Court.
So tonight, when you slip into your bath with your glass of sherry or a cup of chamomile tea, think of what Mr Bubble used to sing to filthy and grubby kids everywhere, “I’m Mr. Bubble and you can watch me pop!”







not, these are unfamiliar melodies incessantly repeating, tumbling about, until my slipping weak-ass sagacity cracks. Musicians tend to more susceptible to earworms, and it probably doesn’t help that I listen to scraps of songs all day at Amoeba as a I comb over the piles of used, alien 45’s littering my office. Yesterday, for example, I played snippets of possibly three hundred different singles just trying to figure what is what and what is not. I seem to have survived the experience, at least for the moment; in any case I won’t know until the next ghostly notes infest my synapses. Unfortunately some melodies or musical moods are so perfectly defined; my simpleton’s grey matter is rather easy prey to an e
arworm assault. For the last couple of weeks I’ve been re-watching all 29 episodes of David Lynch’s 1990 -1991 television show Twin Peaks. And no, the Twin Peaks Theme is not the exact piece of music bouncing around my skull, but Twin Peaks is the source of the latest spell.
y -- Benny Goodman, Tommy Dorsey, Ben Pollack and Ray Noble. While on the road with Noble in 1939 he wrote the classic instrumental "Harlem Nocturne." Inspired by the work and sound of the Duke Ellington Orchestra, this sexy/sultry tune has since then been recorded hundreds of times by artists such as Charlie Barnet, Glenn Miller, Sam "The Man" Taylor, Stan Kenton, Earl Bostic (a major hit in 1956), Johnny Otis, The Viscounts (whose version is perhaps the raunchiest!), Edgar Winter, King Curtis and The Lounge Lizards. "Harlem Nocturne" was also used, years later as the theme to the television show Mickey Spillane's Mike Hammer.
collapse of the demagogic and Constitutionally reckless Joseph McCarthy. Often referred to as television's "finest hour”, Murrow takes apart McCarthy’s campaign, showing it to be nothing more than unsubstantiated accusations and persecution towards anyone with a different point of view. By mainly playing recordings of McCarthy himself bullying witnesses and making cockeyed speeches, See It Now showed what they felt was the most dangerous risk to democracy-- not suspected Communists working in the government, but McCarthy’s actions themselves. The broadcast received tens of thousands of letters, telegrams and phone calls running 15 to 1 in favor of Murrow.
persecuting is a very fine one and the junior Senator from Wisconsin has stepped over it repeatedly. His primary achievement has been in confusing the public mind, as between internal and the external threats of Communism. We must not confuse dissent with disloyalty. We must remember always that accusation is not proof and that conviction depends upon evidence and due process of law. We will not walk in fear, one of another. We will not be driven by fear into an age of unreason, if we dig deep in our history and our doctrine, and remember that we are not descended from fearful men -- not from men who feared to write, to speak, to associate and to defend causes that were, for the moment, unpopular.