This set will include the albums London Scene (1971), Shakara (1972), Gentleman (1973), Afrodisiac (1973), Zombie (1976), Upside Down (1976) and I.T.T. (1980). It will also include a 12-page booklet with an intro by Eno, song lyrics and contributions by Afrobeat historian Chris May, Pitchfork reports.
Eno and Talking Heads famously used Afrobeat and Kuti as an inspiration for the classic Talking Heads album Remain in Light, which Eno produced. Watch Eno talk about his longtime enthusiasm for Kuti’s music in the video below:
Two of our favorite bands of all time — OutKast and Slowdive — are officially reuniting. OutKast announced it a couple weeks back, with news that the Southern rap legends will headline Coachella and play Governernor’s Ball in New York, though it seems likely we’ll see another Big Boi album before a new OutKast album (and we’re OK with that!). Meanwhile, shoegaze titans Slowdive yesterday confirmed rumors (that they themselves flamed) that they’d reunite, playing Primavera in Barcelona in May and “a couple of gigs,” including a show at Village Underground in London May 19 (better book your tickets now!), in order to raise funds for a new LP.
With those two reunions locked down, we thought we’d turn our attention from bands we liked that reunited to bands we’d like to see reunite.
This one seems a no-brainer. They exactly been quiet since they first broke up in 1991, from briefly “reuniting” onstage in 2002 to play three songs for their Rock and Roll Hall of Fame induction, to David Byrne’s solo career (including a one-off album with St. Vincent), to the other members’ activity, including The Heads and Tom Tom Club. And the band seems more popular and prescient than ever. So, everyone’s still alive and working.
One of my favorite bands of the past few years has to be Wild Beasts. Captivatingly beautiful yet harrowingly strange, there just aren’t many bands around like Wild Beasts. If you haven’t heard them, think Talk Talk/Talking Heads style percussive yet atmospheric rock with the theatrical falsetto of singer Hayden Thorpe and intoning howl of bassist Tom Fleming booming and flooding over everything.
Their earliest stuff had a freewheeling quality that made it seem like they were daring you to turn it off or keep listening to find out where they’d go next. First single “Brave Bulging Buyoyant Clairvoyants” from Limbo, Panto starts as this bouncy guitar jam until you hear the weirdest voice ever, like razors on chalkboard — that would be Thorpe’s dandified growl. That song used to be like a litmus test for me to see how much people would be willing to hear something that kind of smacks you around a bit and can’t sit nicely in the background.
“We were kind of small town boys really,” Fleming says of their early days. “It’s a bit of naiveté. We just thought people would get it.”
Things changed for 2009’s Two Dancers, which saw the band rein in the ruckus and focus on grooves and tunefulness. People took notice — the formerly renegade and challenging band suddenly appeared on year-end lists aplenty and got the band nominated for a Mercury Prize.
“It didn’t change a thing in terms of the music we’re making,” Fleming says. “But when you’re heading people like Mark Ronson saying they like Wild Beasts, it’s like, what on earth? When did this happen?”
One day at Amoeba Hollywood I proclaimed that Aztec Camera's 1983 release High Land, Hard Rain was one of the best records of the '80s. This single statement eventually led to over 200 Amoebites ranking their top 10 favorite albums from the ‘80s.
From the beginning we realized that it was impossible for most of us to condense our favorites from all genres into a tiny top ten list. So, we limited our lists to Rock/Pop and its sub-genres like punk, metal, goth, and new wave. Even so, it was a difficult selection process because not only are there hundreds of amazing records to consider, there is also the added dynamic of time.
The '80s were a long time ago and the music has had many years to gestate. We have a deep sense of nostalgia and sentiment with these albums as our fondest memories are associated with them. These are albums we LOVE.
Sometimes my cats are so cute, it annoys me. Especially if they’re being passively cute – you know, just laying in a sunbeam, exposing their bellies – not even trying, but so effwording adorable it just pisses me off and makes me want to stomp them.
It reminds me of when you see a girl who’s so fine, she almost becomes a villain. Like she’s doing it just to torment you. Like, wow you are the most beautiful creature I’ve ever seen you asshole.
Is there anyone out there with technical know-how who lives in LA that can help me put together my podcast? You must be house-broken, not say mean things about diet Coke, know how to record and broadcast a podcast, and never trick me into getting addicted to heroin (please).
I’m drinking kiefer and listening to Lil’ Kim. Don’t take it personally.
I’m concerned, a teeny bit, about the phenomena of cute cats on the Internet. Increasingly, I’m seeing how the no-fail excitement of kitty-cams and what-not is impacting, not only the World Wide Web, but TV commercials as well. Word is out, and cat footage has gone viral on our screens like AIDS on the prettiest boys of 1984.
Now I’m listening to Jayne County and the Electric Chairs. I’m out of kiefer, so I’m drinking coffee.