Amoeblog

Smithsonian Should Acquire CBGB Awning At Sotheby's Auction & Loan To Grammy Museum's Ramones "Birth of Punk" Exhibit

Posted by Billyjam, December 2, 2016 02:31am | Post a Comment

The awning from bygone punk mecca CBGB's, to be auctioned off next week by Sotheby's, deserves to remain in the public domain. Rather than go to some private collection, it would be wonderful if the historic  315 Bowery club awning were  acquired by the Smithsonian Institution. In turn it could then be loaned out to exhibits such as the ongoing Ramones exhibit "Hey, Ho! Let's Go: Ramones and the Birth of Punk" at the Grammy Museum in Los Angeles through March 2017. More than any other act closely associated with CBGB's in its 70's heyday (Television, Patti Smith Group, Talking Heads, Blondie, Dead Boys etc.), The Ramones most epitomized the legendary punk/new wave club whose initials stood for stood for Country, Bluegrass and Blues. The late great quartet of Joey, Johnny, Dee Dee and Tommy Ramone were like the house band in the beginning.

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Happy Thanksgiving! 21 Songs to Show Your Gratitude

Posted by Billy Gil, November 24, 2015 05:32pm | Post a Comment

thanksgiving music list

Led Zeppelin – “Thank You”

 

Big Star – “Thank You Friends”

 

Andrew Gold – “Thank You for Being a Friend”

 

Drake – “Thank Me Now”

 

Otis Redding – “I Want to Thank You”

 

ABBA – “Thank You For the Music”

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New Fela Kuti Vinyl Box Set Announced, Curated by Brian Eno

Posted by Billy Gil, August 12, 2014 10:15am | Post a Comment

fela kuti box set vol. 3Knitting Factory will release their third set of vinyl reissues by Afrobeat legend Fela Kuti Sept. 29, assembled by Brian Eno.

This set will include the albums London Scene (1971), Shakara (1972), Gentleman (1973), Afrodisiac (1973), Zombie (1976), Upside Down (1976) and I.T.T. (1980). It will also include a 12-page booklet with an intro by Eno, song lyrics and contributions by Afrobeat historian Chris May, Pitchfork reports.

Vol. 1 of the Kuti sets was curated by The Roots?uestlove while Vol. 2 was curated by Ginger Baker.

Eno and Talking Heads famously used Afrobeat and Kuti as an inspiration for the classic Talking Heads album Remain in Light, which Eno produced. Watch Eno talk about his longtime enthusiasm for Kuti’s music in the video below:

10 Bands We'd Like to See Reunite

Posted by Billy Gil, January 29, 2014 11:11am | Post a Comment

Two of our favorite bands of all time — OutKast and Slowdiveare officially reuniting. OutKast announced it a couple weeks back, with news that the Southern rap legends will headline Coachella and play Governernor’s Ball in New York, though it seems likely we’ll see another Big Boi album before a new OutKast album (and we’re OK with that!). Meanwhile, shoegaze titans Slowdive yesterday confirmed rumors (that they themselves flamed) that they’d reunite, playing Primavera in Barcelona in May and “a couple of gigs,” including a show at Village Underground in London May 19 (better book your tickets now!), in order to raise funds for a new LP.

With those two reunions locked down, we thought we’d turn our attention from bands we liked that reunited to bands we’d like to see reunite.

Talking Heads

talking heads amoebaThis one seems a no-brainer. They exactly been quiet since they first broke up in 1991, from briefly “reuniting” onstage in 2002 to play three songs for their Rock and Roll Hall of Fame induction, to David Byrnes solo career (including a one-off album with St. Vincent), to the other members’ activity, including The Heads and Tom Tom Club. And the band seems more popular and prescient than ever. So, everyone’s still alive and working.

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Wild Beasts Trekking Through California

Posted by Billy Gil, October 11, 2011 05:49pm | Post a Comment
One of my favorite bands of the past few years has to be Wild Beasts. Captivatingly beautiful yet harrowingly strange, there just aren’t many bands around like Wild Beasts. If you haven’t heard them, think Talk Talk/Talking Heads style percussive yet atmospheric rock with the theatrical falsetto of singer Hayden Thorpe and intoning howl of bassist Tom Fleming booming and flooding over everything.
 
Their earliest stuff had a freewheeling quality that made it seem like they were daring you to turn it off or keep listening to find out where they’d go next. First single “Brave Bulging Buyoyant Clairvoyants” from Limbo, Panto starts as this bouncy guitar jam until you hear the weirdest voice ever, like razors on chalkboard — that would be Thorpe’s dandified growl. That song used to be like a litmus test for me to see how much people would be willing to hear something that kind of smacks you around a bit and can’t sit nicely in the background.


“We were kind of small town boys really,” Fleming says of their early days. “It’s a bit of naiveté. We just thought people would get it.”

Things changed for 2009’s Two Dancers, which saw the band rein in the ruckus and focus on grooves and tunefulness. People took notice — the formerly renegade and challenging band suddenly appeared on year-end lists aplenty and got the band nominated for a Mercury Prize.

“It didn’t change a thing in terms of the music we’re making,” Fleming says. “But when you’re heading people like Mark Ronson saying they like Wild Beasts, it’s like, what on earth? When did this happen?”

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