Cornelius' Fantasma gets Deluxe Vinyl Reissue and Full-Album Tour

Posted by Kelly S. Osato, August 2, 2016 10:46pm | Post a Comment
cornelius fantasma reissue deluxe vinyl us tour full album performance
Over the last few decades selector, producer, and multi-instrumentalist Keigo Oyamada has earned international renown for consistently dabbling in and dishing out albums bursting with busy layers of ingenious pop culture regurgitations and delightfully distorted experiments in sound and vision. Arguably the most enduring and timeless of these is Fantasma—the third solo album he created as Cornelius, released in the U.S. on the Matador label in September of 1997. Back then, it seemed that nigh on every bit of Japanese pop culture was perfectly hep in some way or another, and Matador was killing it in 1997 by pushing not only Fantasma, but also records from "world's loudest" garage rockin' power trio Guitar Wolf and Cornelius' fellow champions of Tokyo's Shibuya-kei pop scene Pizzicato Five, thus solidifying said (literally "Shibuya-style") 90s pop movement as "a thing" trending stateside.

Original Video from 1997 release of Cornelius Fantasma:

Nearly twenty years have flitted by, yet Fantasma sounds just as fresh as its first mic check. To attempt to describe its sound is to strap oneself into the ride once more, for the album plays like a carnival thrill ride of edits, commanding you to let go and let the whole thing take you from beginning to end, climbing up and careening over, under and through a myriad of genres, implements of music making, seemingly endless samples, bleep-bloops and obvious nods to movies like Planet of the Apes, Amadeus, and bands like The Beach Boys and My Bloody Valentine. And when the ride comes to a complete stop, there often remains a curious feeling of having been thrust through a familiar yet foreign fantasyland looking-glass. Perhaps that is the very definition of Fantasma.

Takako Minekawa emerges from a thriteen year hiatus with Ponytail guitarist Dustin Wong

Posted by Kelly S. Osato, June 20, 2013 05:26pm | Post a Comment
takako minekawa dustin wong tropical circle new album 2013 collaboration japanese pop j-pop shibuya kei cornelius kahimi karie

Sometimes the wait for new material from a beloved recording artist can feel like an eternity, especially when their last album presaged a significant shift in one's personal musical tastes. In February of 2001 I picked up Takako Minekawa's Maxi On! on a heavy vibe-induced hunch (the cover art called to me for reasons I'll never understand -- this kind of thing happens to me all the time) and it forever changed the quality of pop music I seek and enjoy. I spent the next few years digging into her extensive back catalog, digesting it rapidly while anticipating a new release that never came. So began my fascination with an artist that had seemingly just shelved her career as a keyboard-collecting, color obsessed, cat-loving experimental electro-pop singer/songwriter indefinitely.
takako minekawa dustin wong new record album 2013 toropical circle j-pop experimental pop rock electro guitar keyboard
Twelve years later and I honestly can't remember the last time I checked Minekawa's near dormant website for news or scoured the interwebs for any new transmissions indicating fresh airs from one of my forever favorite recording artists. Then the other day a co-worker (and kindred spirit who knows me very well) uttered the words, "hey, have you seen that new Takako Minekawa album? We have two!" Gobsmacked. Yes, gobsmacked is the best word for my reaction to this query. No, I hadn't seen it. I hadn't heard it or heard of it, but I am listening to it, again, right now, all fifty seven minutes.

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Piko Piko - A look at Picopop on the 34th birthday of Yellow Magic Orchestra's debut

Posted by Eric Brightwell, November 25, 2012 12:44pm | Post a Comment
Yellow Magic Orchestra (1978)

Back in 1978, on 25 November, pioneering Japanese group, Yellow Magic Orchestra released their influential, eponymous, debut full-length. The album and group are widely credited with being very influential on the development of several music genres, including ambient, chiptune, electrohip hop, house, J-pop, synthpop, and techno, to name a few. 

The band (also known as YMO) were also on influence on another Japanese scene that emerged around the dawn of the 21st Century, picopop (or ピコポップ). Bands and performers such as EeL, Hi-Posi, Motocompo, Plus-tech Squeeze Box, Sonic Coaster Pop, and Strawberry Machine updated the shibuya-kei (渋谷系) style popularized in the 1990s by Cibo MattoCorneliusFlipper's Guitar, Pizzicato Five, and Original Love by adding some good, old fashioned, electro elements with a sensibility that often recalls YMO.

On the 2nd Day of *J-Pop* Christmas: Pizzicato Five's ode to Christmas Eve

Posted by Kelly S. Osato, December 24, 2011 12:00am | Post a Comment
It's Christmas eve! What are you waiting for? Invite an angel to your table or wrap your limbs around a loved one and do the spirit of the season right. If you know anything about Christmas in Japan you know that it's got more to do with making babies than last minute fried chicken and creamy white strawberry cakes! Here's Pizzicato Five with their ode to the eve, "Le 24 Decembre"