-- By doubleay
Seattle-based artist Mackned has been making waves in the digital realm of underground hip-hop for several years and is now looking to extend his reach with the release of his debut album, Born Rich. The duality of Mackned’s rapping and vocal capabilities have garnered his digital releases tens of thousands of views, generating a ton of buzz in the underground scene. The multifaceted artist’s dynamic vocals and songwriting skills present a substantial depth to his music that is often not heard in other artists’ works in underground rap music. A talent to be reckoned with, Mackned typically has his hands on all aspects of his music. Whether writing, rapping, singing, or producing, he’s constantly working to create. Both his countless solo releases and stand out collaborations with his Thraxxhouse group have driven him to connect with reputable rappers along the likes of Chief Keef, Larry June, and Nacho Picasso, and producers Ryan Hemsworth and Tommy Kruise. After making a name for himself in the digital underground, Mackned seeks to conquer beyond with his album debut. To find out more about Born Rich and the man behind the project, I interviewed Mackned.
Amoeblog: Tell me about your debut album, Born Rich. Who were you working with and where were you recording?
Mackned: Well, I was working with Flavr Blue. I had a lot of homies in the studio with me help writing and it was all just so organic. A lot of the album was recorded in NYC which made it brazy. Besides myself, my go-to engineer is Parker Joe who is one of the trio Flavr Blue. There were a couple features on there including my big homies up in Canada and some others. Keyboard Kid co-produced the track “Born Rich” on the album, which I thought was cool seeing how he’s in my group Thraxxhouse.
-- By doubleay
The Scientists were likely both grunge's inventors and the genre's first supergroup (members had previously played in Cheap Nasties, Slick City Boys, and Victims). However, if one hears “grunge supergroup” they more likely think of Temple of the Dog, a one album wonder the members of which had previously played in Seattle grunge bands including Soundgarden, Green River, and Skin Yard (as well as the not-really-grunge one album wonders Mother Love Bone and not-at-all Seattle - since they were from San Diego - Bad Radio). Mad Season, when they're remembered, are that other grunge supergroup.
Mad Season arrived pretty late on the scene, toward the end of 1994. In April of that year, Kurt Cobain had killed himself but alternative and music had by then long ceased to be anything remotely underground and was resolutely mainstream. In 1992, MTV had replaced 120 Minutes host Dave Kendall with, Lewis Largent and the program, which had previously showcased a host of bands playing diverse music became a parade of bands whose members dressed like Largent, in shorts, combat boots, flannel, and backwards baseball cap. If that wasn't mainstream enough, MTV also launched the ironically named Alternative Nation as a showcase for the manufactured corporate guitar rock favored by soulful dudebros (eg Candlebox and Stone Temple Pilots).
In 1993 Marc Jacobs had served up grunge realness on the catwalk for Perry Ellis -- five years after Martin Margiela had pretty much done the same thing, serving up a fantasy of homeless fashion for the one percent. By 1994 pre-ripped jeans and combat boots were part of a uniform adopted by the knavescene and celebrities like Brad Pitt, Johnny Depp, and Keanu Reeves. Their female counterparts, such as emaciated supermodel Kate Moss, were used to promote heroin chic. After not having heard any interesting new American rock in what seemed like forever, I gave up on it. I would hear the names of new bands, including Toadies, Seven Mary Three, Sky Cries Mary, Jars of Clay, Primitive Radio Gods, Eels, DC Talk, Duncan Sheik, Sister Hazel, Local H, and more. All would have their champions but like every Steven Spielberg movie since Raiders of the Lost Ark, if I gave any a chance I'd almost certainly be underwhelmed.
(((6)) is making the northward trek!!
$5 21+ 9:00
Psychopomp Presents @
$7 21+ 9:00
THREAT @ the Mercury
$6 21+ 9:00
Religious As Hell & SES presents @ New Frontier Lounge
$5 21+ 9:00
$5 21+ 9:00
Of course, you can mail order (((6))) newest 12" Pick Up from Amoeba Music Hollywood.
Secret Society of the Sonic SixBlame and Blood from Pick Up EP
Headless Lizzy & Her Icebox Pussy Chasm Creeper
At this past weekend's WFMU Record Fair in Manhattan I ran into Josh Wright, who along with Matt Sullivan co-owns the amazing Light In The Attic Records (LITA). The music fanatical duo had trekked out from their Seattle base to set up a table to sell some of the latest releases from LITA's impressive catalog (lots of lovely vinyl) and also to give away cool freebie sample CDs.
Scroll down to see the Amoeblog interview with Josh in which he talks about some of the new and upcoming releases from the unique label known for its lovingly compiled catalog of reissues of forgotten music by such greats as Rodriguez, funk goddess Betty Davis (above), and pop-psych outfit The Free Design. LITA were featured on the Amoeblog back in May of this year when they undertook their West Coast Road Trip that included stops at Amoeba. The label also releases new music from contemporary acts, including an EP and LP from the Seattle/Tacoma pop/rock/rap outfit The Saturday Knights', Mingle, that featured the great opening track and single "45" (see video below). Another contemporary act on LITA is Austin, Texas psychedelic rock group The Black Angels.
As Josh mentioned in the Amoeblog video interview below, some of the exciting new releases include the aforementioned Betty Davis and the Black Angels, seventies reggae artist Noel Ellis, keyboard/xylophone artist Emil Viklicky, 60's/70's Czech female vocalist Marta Kubisova, and the various artists release Reggae to Toronto: Soul Funk & Reggae: 1967 - 1974.