Disintegration] they thought I was being 'willfully obscure', which was an actual quote from the letter [received from the band’s label at the time, Elektra]. Ever since then I’ve realized that record companies don't have a fucking clue what The Cure does and what The Cure means."
- Robert Smith
, from the book Never Enough: The Story of the Cure
by Jeff Apter
Twenty (and some change) years later we know that The Cure
’s label bosses were indeed wrong; Disintegration
is celebrating its 20th anniversary (a year late actually – the album was released in May 1989) with the release of a remastered 3-CD deluxe edition and remastered 2LP. Today, the album remains in the unique position of being both widely considered the group’s masterpiece among fans as well as their most commercially successful LP (containing their biggest US hit, “Love Song," which peaked at #2 on the Billboard
There haven’t been a multitude of complaints over the years about the mastering of the album, so no surprise here that the main disc is just a bit louder than the original. The real appeal of the 3-CD set is the bonus material…and there is a lot of it! The second disc of rarities is compiled by Robert Smith himself (who was the only original member left in the band by the time Disintegration
was released --Lol Tolhurst
having been booted by group
consensus before its completion) and is largely made up of his instrumental home demos and band rehearsals for the album. It seems like a superfan-only venture with these lo-fi takes sans vocals, but these tracks reveal themselves to be a cohesive and seamless vision even in their infancy; The vocal-free band demo for the title track reveals an even more urgent forward flow than the album cut, with drops of synth gently shimmering in an ocean of flanged-out bass. “Esten,” a previously unissued demo of a never-before-released song (of which there are 4 here), is a bit more lively and feral than its siblings that eventually found a home on the album, perhaps a bit more like their 'willfully poppy' tracks from the Head on the Door
-era. The absolute stand-out from the Rarities
disc, however, is a solo home demo by Smith covering Wendy Waldman
’s “Pirate Ships.” It is a gorgeous lilting sea shanty-like lullaby with ocean sound effects, harmonium and a lovely understated vocal from Smith. With the refrain of “Far away/Far away child,” the track could be culled from one of the several rumored-but-never-surfaced children’s albums Smith has allegedly recorded.