Tickets on Sale for Beserktown II With Thee Oh Sees, Royal Trux and More

Posted by Billy Gil, July 13, 2015 04:00pm | Post a Comment

beserktown II tickets

Tickets are now for sale for Beserktown II, taking place at the Observatory in Santa Ana Aug. 14-16. Single-day passes are $55 and a three-day pass is $125, and you can pick them up now at Amoeba Hollywood while supplies last with only a $2 service fee.

The punk-heavy show features such bands as Thee Oh Sees, Royal Trux, Total Control, Destruction Unit, Fucked Up, Lust for Youth, Sheer Mag, Black Bananas, White Lung and more. It's being put on by our friends at KXLU.

Check out our episode of "What's In My Bag?" with Black Bananas below, featuring Jennifer Herrema, also of Royal Trux, as well as an episode with Damian "Pink Eyes" Abraham of Fucked Up:

MiDNiTES FOR MANiACS' Rock N' Roll Triple Bill With Director Penelope Spheeris In Person At SF's Castro Theatre

Posted by The Bay Area Crew, April 27, 2015 04:02pm | Post a Comment

On Friday, May 8th, our pals at MiDNiTES FOR MANiACS present a tribute to director Penelope Spheeris at San Francisco's historic Castro Theatre and it is a triple bill fit for the Rock N' Roll Hall of Fame. After decades of bootlegs, hearsay, and double-talk rumors, Spheeris's The Decline of Western Civilization films have finally been digitally restored and will receive their first official release since the 1980s. It also happens to be the 23rd anniversary of Spheeris's comedy Wayne's World, so catch that on the big screen too! Spheeris will be in attendance and on the Castro stage for a live Q&A session.

Admission is only $13 for all three films. Advance Tix are on sale HERE!

Here's what's happening that night:

7:00pm: The Decline of Western Civilization (1981)
Decline of Western CivilizationWorld Theatrical Premiere of DCP Restoration! Written & Directed by Penelope Spheeris

The world theatrical premiere of the seminal Punk classic features jaw-dropping performances by the Germs, X, Black Flag, Fear, Circle Jerks, Alice Bag Band, Catholic Discipline, along with brutally honest interviews with the young punks of Los Angeles circa 1980. Spheeris's stark camerawork captured this moment-in-time better than any film from the era and it's time to celebrate it in all of its purposeful unglory. Digitally restored picture and sound presented in a brand new DCP print courtesy of Spheeris Films. Preceded by a fistful of punk themed 35mm trailers. Q&A with Spheeris following the film.

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All-Female Bands of the 1970s -- Happy Women's History Month!

Posted by Eric Brightwell, March 4, 2015 09:31pm | Post a Comment
All Female Bands of the 1970s

I wrote a post on all-female bands from the 1910s-1950s, and a post covering all-female bands of the 1960s -- here's my attempt at a conclusive A-Z (and other alphabets) of all-female bands of the 1970s. Details are often sketchy or non-existent and as always corrections and contributions are appreciated!


Die Atztussis were an anarcho-punk band from the Kreuzberg section of West Berlin, active at least as early as 1979 when they played the Antifaschistischen Festival. The members were Cordula (vocals), Kiki (bass), Menusch (guitar), and Petra (drums).


'B' Girls in 1977 (image source: Rodney Bowes)

Album Picks: Father John Misty, Punk 45

Posted by Billy Gil, February 10, 2015 10:46am | Post a Comment

Father John Misty - I Love You, Honeybear

father john misty i love you honeybear lpFather John Misty’s fearless second record builds on his folk-rock sound with orchestral touches, genre diversions and direct, conversational lyrics that cut through singer/songwriter clichés. The title track introduces Beatlesesque melodies and weeping steel guitar to prepare you for the scope of the record. J. Tillman starts going into crooner mode with the spectacular “Chateau Lobby #4 (in C for Two Virgins),” his crushed-velvet vocals singing over a sweeping, country-symphonic arrangement, but his lyrics nicely keep the romanticism from getting too gooey (“I wanna take you in the kitchen/Lift up your wedding dress someone was probably murdered in”). “True Affection” takes a sharp turn into MIDI-electro-dream-pop, with some Fleet Foxes-style harmonies keeping things grounded in Tillman’s wheelhouse. “The Night Josh Tillman Came To Our Apartment” takes another turn, this time into Velvets-third-album twinkling indie pop, while Tillman calls out an airheaded groupie (“She says like, literally, music is the air she breathes,” he sings hilariously). Tillman’s lyrics work so well because of their specificity—you feel like you’re watching him break hearts at a local bar when he sings “Why the long face? Blondie, I’m already taken,” over a sultry Southern sway on “Nothing Good Ever Happens At The Goddamn Thirsty Crow.” Such subject matter could read as self-serving, if not for the album’s more self-effacing tracks, like “The Ideal Husband,” in which Tillman admits various wrongdoings, petty or otherwise, over nervy rock ‘n’ roll; or “Bored in the USA,” a piano ballad that seems to mock Tillman’s own first-world problems of alienation and dullness (“Save me, white Jesus!” is an awesomely cutting exclamation). Tillman’s refusal to do anything in a typical way while still keeping the music highly polished helps I Love You, Honeybear to never feel indulgent. Rather, it’s an extraordinarily giving album, as Tillman’s honesty and strength as a songwriter and performer has grown immeasurably. It’s easily one of the best albums of the year thus far.

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50 Essential Albums Released in 2014

Posted by Aaron Detroit, December 5, 2014 09:20am | Post a Comment

Aaron Detroit, Buyer at Amoeba Hollywood. I've worked in Hollywood for ten years, but started my time with Amoeba - way back in 1998 -  at the San Francisco store. Here is my extensive list of new essential listening, released in 2014. There is a wide range of genres and artists represented here because musical passion should not be static.

1. Swans - To Be Kind (Young God)
To Be Kind, Swans’ 3rd LP since their 2010 reformation (and 13th overall,) is an unlikely triumph after 2012’s seemingly unmatchable masterpiece, The Seer. Any trepidation one might have about the sprawling triple-LP’s intimidating track lengths should evaporate under it’s hypnotizing ebb-and-flow of mental blues, super-honed grooves, manic clatter and hushed passages; all of which are eventually crushed by monolithic waves of majesty. Nothing short of classic.

 2. Carla Bozulich - Boy (Constellation)
Boy is Carla Bozulich’s (of Ethyl Meatplow, Geraldine Fibbers and Evangelista-renown) 3rd solo affair, but in a lot of ways it feels like her first. Bozulich pours her famed, devastating whiskey-voice into a cocktail of funeral country, death blues and industrial noise that sticks to your guts. Carla herself refers to this LP as her “pop record,” and if that's a true description, we could sure use a whole lot more “pop” albums like Boy. Don’t overlook this one.

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