Amoeblog

We cannot walk the floor at night in peace -- a look back at Perry Boys

Posted by Eric Brightwell, May 29, 2013 04:56pm | Post a Comment
Fred Perry

18 May was the 104th birthday of Fred Perry. As someone who'd generally rather poorly play any sport than watch others, no matter how good, this occasion in and of itself didn't mean much to me. Fred Perry was, I've read, a great tennis player but I reckon his name conjures up images of tennis shirts rather than tennis players. And for anyone remotely aware of youth subcultures, Fred Perry shirts have been part of many style tribes' uniforms. In fact, Fred Perry was so popular with a Mancunian tribe that arose in the late 1970s that they came to be known as "Perry Boys."


A BRIEF HISTORY OF TENNIS SHIRTS

Rene LaCoste and Fred Perry
Lacoste (left) and Perry (right) in their creations (image source: Modern Gentleman Magazine)


The tennis shirt was invented in 1929 by French tennis star Jean René Lacoste but Fred Perry introduced several innovations to the article of clothing. As with Lacoste, Fred Perry shirts only came in white when they were introduced in 1952. The now signature twin-tipping was reportedly introduced to placate the demands of West Ham United football fans. When members of the Mod subculture adopted the shirt, more colors were added to cater to their tastes. (Fred Perry also invented the modern wrist sweatband although there's no excuse for wearing those off the court). 

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SF DJ Dance Party Temptation Pays Tribute to Manchester's Rich Musical Legacy

Posted by Billyjam, December 18, 2010 11:23am | Post a Comment
"And God Created Manchester (Pt 1)" from Rock Family Trees

As the above excerpt from the the Rock Family Trees series about the history of the Manchester music scene (see Pt 2 and Pt 3) nicely outlines, and as most of us Smiths/Joy Division etc. fans already well know, Manchester, England has an incredibly rich musical legacy. It spans several decades with a seemingly never ending stream of talented bands and artists including (to name but a handful) New Morrissey, Manchester UnitedOrder, The Stone Roses, James, 808 State, The Durutti Column, The Happy Monday, The Inspiral Carpets, The Fall, Autechre, The Ting Tings, and Herman's Hermits.

Also well aware of this are the music loving folks who throw the ongoing Bay Area electro/80's/indie/goth themed Temptation party. So for tonight's (sure to be hella fun) Temptation party at Cat Club, the theme is Manchester and that's what the DJs will be spinning all night long. I caught up with Temptation DJ/promoter DJ Damon, who co-produces the Bay Area club night with Dangerous Dan and Skip, and who holds a special place in his heart for Manchester's rich musical history to ask him about tonight's party and Manchester music in general.

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IAN CURTIS WOULD'VE APPROVED

Posted by Billyjam, July 15, 2009 01:54pm | Post a Comment
Joy Division
I think Ian Curtis, the late, great lead singer of Joy Division, would have approved of this Caribbean steel band cover of Joy Division's classic song "Transmission." It's by Steel Harmony and was part of Jeremy Deller's Procession from a couple of Sunday afternoons ago in Ian Curtis' hometown of Manchester England. Although, judging by the reaction, or lack thereof, by most of the crowd, I would say that this inspired cover went mostly underappreciated. 

To compare this instrumental steel band version with the original version, below is the band performing it live 33 years ago in Salford, Greater Manchester. "Transmission" was played onstage in the film 24 Hour Party People (available on DVD at Amoeba) in a scene where Curtis suffers an epileptic fit. Orginally a single, the studio version of the song can be found at Amoeba on several Joy Division releases, including the JD collections Substance and The Best of Joy Division. There are also several live versions out there, including one on Joy Division: The Peel Sessions, recorded in 1979. Over the years numerous other artists have covered the song, including UK electropop stars Hot Chip, the Minnesota slowcore group Low, and of course, most recently Steel Harmony.

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St. Louis Union

Posted by Eric Brightwell, July 10, 2008 09:24pm | Post a Comment
St. Louis Union were a Manchester six piece fronted by impeccably-coifed singer, Tony Cassidy. Shortly after forming they won a Melody Maker beat contest in 1965 which scored them a deal with Decca. They were billed as "THE Group on the Northern Soul Scene." Their sound was centered around Alex Kirby's tenor saxophone and Keith Millar's electric guitar backed by some serious organ by Dave Tomlinson, John Nichols on bass and Dave Webb on the skins.

Their live set was built around "Turn On Your Lovelight," "Woke Up This Morning," "Every Day I Have the Blues" and "Get On the Right Track Baby."

Their name seems to be a reference to the St. Louis Union Station, a train station famous, like many things in St. Louis, as having been the biggest and busiest thing in its field way back when. Its archways are designed so that one can whisper into them and someone else can hear you clearly on the other end, a design feature with no apparent practical applications, save simple amusements in a simpler time. It was largely built of limestone taken from Indiana, probably just to remind the Hoosiers who's boss, as the state of Missouri is entirely made of limestone and they're the nation's leader in lime production.


Truman having a laugh at St. Louis Union Station

In the 1970s, the station was bought by Amtrak. They ended operations soon afterward and relocated their operations to a building the unhealthily train-obsessed refer to as Amshack. Now it's a mall where tourists watch the guys at the Fudge Factory put on a show and the Footlocker has a basketball hoop with the backboard autographed by the D.O.C.

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20th Anniversay of the Second Summer of Love -- Madchester and the Baggy Explosion

Posted by Eric Brightwell, June 12, 2008 09:00pm | Post a Comment

The Second Summer of Love

It was 20 years ago today (well, this coming summer, which is just around the corner) that what was known as The Second Summer of Love occurred. England's youth fell in love with Ecstasy, which they combined with a taste for Chicago House Music and the results made history. As is often the case, the fashions of 20 years ago (in this case, the 1960s) became fashionable again. Tye dye and peace symbols abounded on teens around the world. Thousands of people started attending massive Acid House raves. A feeling of pacifistic and environmental optimism swept much of the planet (or maybe that was just my teenage outlook). The Factory label's Hacienda nightclub featured DJs and bands which mixed disco, house, hip-hop, electro and indie rock. Soon, other northern clubs followed their lead, such as Boardwalk, Devilles, Isadora's, Konspiracy, House, Soundgardens, Man Alive, The International, Bugsy's and The Osbourne Club. And the hooliganish Casuals tuned in and begat Acid Casuals.

Madchester, So Much to Answer For

Half a world away in Columbia MO, I used to listen to KCOU, which would play lots of Acid House and Belgian New Beat. It was the first contemporary music that I was into as it was happening. My parents only played soul, bluegrass, jazz and classical records. Then I discovered the Doors, T Rex and the Beatles through the radio. And after discovering College Radio, a new world opened up. I would dance (in private) on the hearth in the living room to these strange, new sounds and hope that my mother wouldn't ask what the hell that stuff was all about because I couldn't really explain its hold on me, although it's debt to my beloved Kraftwerk was evident. Our exchange student, Alexis Poul, found an Acid House button at JFK which was, of course, a smiley face with the words "acid" and "house" printed on them. Alexis told me that all anyone listened to in France was house music. And when I went there, in '89, it was true. Even the buses played house.

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