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MILES DAVIS' KIND OF BLUE HONORED BY THE HOUSE

Posted by Billyjam, December 15, 2009 12:16pm | Post a Comment
Miles Davis Kind of Blue
As reported by the Associated Press (AP), Washington has decided to commemorate jazz great Miles Davis' album Kind of Blue. The House voted (409 to 0) yesterday to honor the landmark fifty year old recording's contribution to the genre. Kind of Blue, originally released by Columbia Records in August 1959, featured Davis along with saxophonists John Coltrane and Julian ''Cannonball'' Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb.

Michigan Democrat Rep. John Conyers, who sponsored the measure, said that Davis and the other album contributors ''made musical history and changed the artistic landscape of this country and in some ways the world.'' Indeed, the album's influence has been far reaching, influencing all types of music far beyond just jazz, including Latin, rock and hip-hop. And over the years many musicians have done their renditions or reinterpretations of Kind of Blue, including Portland, OR blip artist Andy Baio, who earlier this year recorded an inspired 8-Bit reinterpretation of the album that he retitled Kind Of Bloop.

Below is a video honoring Kind of Blue's fiftieth anniversary made in conjunction with Legacy Recordings' recent releasing of the album's Collector's Edition Box set which is available at Amoeba Music. 


Miles Davis - Kind of Blue 50th Anniversary

KIND OF BLOOP: 8-BIT REINTERPRETATION OF MILES DAVIS

Posted by Billyjam, October 19, 2009 03:24pm | Post a Comment
Kind of Bloop
Done out of pure reverence for the great late Miles Davis,  musician Andy Baio  recorded an inspired 8-Bit reinterpretation of Davis' jazz classic Kind of Blue, in recent months. Aptly titled Kind Of Bloop, journalist/musician Baio writes of the inspired composition on his blog, "I've always wondered what chiptune jazz covers would sound like. What would the jazz masters sound like on a Nintendo Entertainment System? Coltrane on a C-64? Mingus on Amiga?"

Baio says that in his extensive research of such jazz classic 8-Bit covers he was only able to find four jazz covers ever released: ast0r's version of Coltrane's Giant Steps and Charlie Parker's Confirmation, Sergeeo's own Giant Steps cover, and Bun's version of Coltrane's My Favorite Things.

Portland, OR based Baio, who describes himself as a journalist/programmer and the CTO of Kickstarter, then invited the aforementioned Ast0r and Sergeeo, along with the chiptune artists Virt, Shnabubula, and Disasterpeace, to collaborate with him on a track-by-track remake of the classic Miles Davis album. The Amoeblog recently caught up with Baio to ask him about the project and the crowdfunding platform Kickstarter.kind of blue

Amoeblog: How did you first get the idea to reinterpret Kind of Blue?

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Miles Davis' Kind Of Blue

Posted by Whitmore, August 17, 2009 11:27pm | Post a Comment

So I use to run this illegal bar, a speakeasy, and the specialty of the house was your traditional Vodka or Gin martini -- straight up, a couple of olives or a tiny pickled onion or a sliver of a lemon peel, no frills but a damn, damn good martini and never, ever a frigging apple pomegranate fusion monstrosity.
 
(H. L. Mencken once said the martini was "the only American invention as perfect as the sonnet," and I’d like to keep it that way. And since I’m on the subject... a martini should be stirred not shaken. Sorry Mr. Bond, but all you are ordering up is some weakass drink, watered down by melting shards of ice. Once and for all, a martini should be stirred, never shaken and served in a painfully cold glass.)
 
Anyway, the best part of the night was always after hours, around 4 or 4:30 in the morning. At that hour it was always quiet, I was relaxed, the patrons were relaxed, folks just sat around -- the trouble of the day or week was behind them, the stress of trying to get laid had more or less strayed, at least momentarily, though sex springs eternal and with the new dawn you knew at least one fresh scheme would soon ascend, prospectively. The soul, body and mind, conceivably worn to the bone, inevitably found a re-energized oomph in a good drunken conversation over one last martini. I loved the pretension almost as much as I loved that time of the day. And the perfect music to play at that hour was always, always Miles DavisKind of Blue.
 
Well, 50 years ago today, August 17, 1959, Kind of Blue was released on Columbia Records, in both mono and stereo, catalogue number CL-1355. The recording sessions took place earlier in the year in New York City, on March 2 and April 22, and featured soon to be legends all: Miles Davis on trumpet, pianists Bill Evans and Wynton Kelly, and John Coltrane and Cannonball Adderley on saxophones, with drummer Jimmy Cobb and bassist Paul Chambers.
 
So cool, so beautiful, so perfect, contemplative, sleek and sophisticated. Kind of Blue soars into uncharted space; five decades ago it stretched the boundaries and the very definition of jazz. Davis’, along with arranger Gil Evans’ modal experimentations abandoned the traditional song concept of chord changes to support a melody in favor of musical scales, re-inventing improvisation and a sound that would dominate the form of jazz for rest of the century. And though exact numbers have never quite been formulated, Kind of Blue has been cited as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum. But beyond numbers, Kind of Blue is regarded by many critics as the greatest jazz album of all time and Miles Davis's masterpiece.