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Amoeba Bloggers' 50 Favorite Albums of 2013

Posted by Billy Gil, December 31, 2013 02:20pm | Post a Comment

We've been compiling our Best of 2013 lists for a while now. Here's the combined efforts of Amoebloggers who submitted their favorite albums of 2013, compiled in a quasi-scientific fashion.

1. My Bloody Valentine - mbv

my bloody valentine mbv amoebaIt should come as no surprise that the favorite record of the year from a bunch of record store geeks was My Bloody Valentine's long-awaited return with mbv.

"A year heavy with vets, but no one had anybody more excited than My Bloody Valentine (this guy included.) The logical follow-up to Loveless – 22 years later – and it’s a total stunner. mbv is MBV doing what they do best, and quite certainly, it was worth all those delays and the epic wait. It has familiarity that’s instant, but still pushes guitar rock into new terrains like no one else can." —Aaron Detroit

 

 

2. The Knife - Shaking the Habitual

the knife shaking the habitual amoebaThe Knife's divisive fourth studio album was a favorite amongst those who were up for the challenge from the Swedish experimental duo.

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Amoeba Electronic's 2013 Best of LPs

Posted by Oliver / Matt / Jordan, December 19, 2013 02:58pm | Post a Comment


Thanks for supporting Amoeba and reading the Amoeba Electronic blog in 2013. Like us on Facebook for daily updates and feel free to hit us up with any requests/feedback. Without further ado, here are our Best LPs of 2013, compiled by Oliver, Matt and Jordan. 

 

ADR - Chunky Monkey LP Cover20. ADR - Chunky Monkey

Hippos In Tanks

While visual artists have been quick to adapt to the internet's Babel of information, musicians have been slow to comment directly on the vast digital buzz. Hippos In Tanks, as a label, has admirably pushed this conversation forwards while also displaying a fierce devotion to the traditional mediums of CD and vInyl. James Ferraro's "Farside Virtual" (Hippos In Tanks, 2011) was seen as a comment on emerging personality types in the face of rampant technoconsumerism, but in retrospect, can be seen as Ferraro's first step out of the cassette underground into sleeker rnb/hip-hop influenced production Gatekeeper's "Exo" had them abandoning the Carpenter-esque VHS aesthetics of their previous releases, even hiring internet artist Tabor Robak to create a playable game for reach song. The most successful effort in creating a musical analog to endless internet-meme driven communication is ADR's "Chunky Monkey". 

The record succeeds first and foremost because Aaron David Ross (1/2 of the Gatekeeper) is a completely badass producer. I woudn't be suprised if legitimate pop production is in his future based off of the seemingly effortless genre tourism on display here. Opener "Casual Friday" places  samples of sitcom saxaphones against a loping 303 and eerie processed piano that could be lifted from a Prologue release. "Sumo" seems to be an oblique comment on 90s boom-bap, while "What It Takes" could be lifted from a sinister Sprite commercial. "Stray Dog Strut" could be seen as ADR's reading of Sly and Robbie digidub, but in this tune, the comment on internet culture is palpable. In the midst of innocuous and expertly produced genre-exercises, ADR is prone to interrupt with unsettling samples (e.g. a screaming chorus of roller coaster riders) to fray the edges. The effect has an uncanny resemblance to cruising through life with 15 tabs open.

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50 Essential Albums Released in 2013

Posted by Aaron Detroit, November 30, 2013 02:45pm | Post a Comment

Aaron Detroit, Buyer at Amoeba Hollywood. I've worked in Hollywood for nine years, but started my time with Amoeba - way back in 1998 -  at the San Francisco store. Here is my extensive list of new essential listening, released in 2013. There is a wide range of genres and artists represented here because musical passion shouldn't be static!

1. The Knife - Shaking the Habitual
The Knife Shaking the Habitual    


After a seven-year hiatus (not including 2010’s collaborative opera with Matt Sims and Planningtorock,) the Swedish sister/brother duo crafted something utterly singular with this sprawling, conceptual, yet immensely thrilling triple-LP. Habitual lyrically challenges gender constructs and unchecked privilege against visceral (and sometimes monstrous) techno that also refuses any box you throw over it. 

 

These New Puritans Field of Reeds



2. These New Puritans - Field of Reeds
   
 No guitars, no dubstep breaks, no angular post-punk posturing. Jack Barnett & Co. look to 20th century composers and Fado for inspiration on their third LP. Woodwinds, brass, field recordings, a magnetic resonator piano and additional vocals from Portuguese vocalist Elisa Rodrigues move TNP into a whole other category of artist, far away from the faceless NME hordes they once mingled with. 
 
3. David Bowie - The Next Day
 
 David Bowie The Next DayQuite honestly, it’s his best since his last great LP --33 years ago--Scary Monsters. This isn’t anything but Bowie being himself, but the emotional weight of his lyrics give the new tracks a vitality missing from much of his work in the previous decade. It’s exhilarating throughout, with most of his famous tropes (Space!!) sounding somehow fresh. New classics like the title track, “Dirty Boys,” the Scott Walker-nodding “Heat,” plus the stellar Bowie-doing-Morrissey-doing-his-best-Bowie moment on “You Feel So Lonely You Could Die.” 
 

Holden The Inheritors

Now This Is A Young Man's Summer Vacation

Posted by Gomez Comes Alive!, September 9, 2013 11:00pm | Post a Comment
Now this is a young man's summer vacation
Now this is a young man's summer vacation..

To someone who works as much as I do, summer is just a mere acknowledgement than a season. For instance, It is summer because it’s hot. It’s summer because the sun is out later and it’s because people are wearing less clothing. There is no summer vacations or lightening of loads for this working guy, just a little more sweat than usual.

However, this year I did take a summer vacation from this blog. The plan was to reenergize and come up with a fresh perspective of what to write about and whether I should continue to do so. It really hasn’t worked. Almost four months later, I still struggle in front of the computer thinking what I should write about. Clearly, there are better writers than myself, not only from all the great music blogs, newspapers and magazines from around the world, but within our pool of talented writers that work for Amoeba as well. They can write about the same artists and genres that I can, and with more eloquence and detail. Still, I don’t think that most of these writers have their hands in as many musical pies as I do. I came to realize that is my strength. I’m ashamed to admit that I’m the equivalent of one of those annoying foodies that can pontificate about the wonders of food cooked with liquid nitrogen then geek out on KFC Mac & Cheese. In the end, that what keeps me writing about music, the simple love of it.

So, I made it a point to listen to more music than usual, not pigeonhole myself and just enjoy what I enjoy. The following are some releases I really dug over the summer.

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June 15 - New Electronic/ Dance CD Releases

Posted by Oliver / Matt / Jordan, June 15, 2010 01:18pm | Post a Comment



Wolfgang Voigt
Freiland Klaviermusik
Kompakt

Wolfgang Voigt returns to stranj for his left-of-center Kompakt label offshoot, Profan. As GAS, Voigt composed ethereal, blue-hued, deep-forest metaphysical techno 'head music', but now under his own name he injects the dance floor with a dose of well tempered madness. If you like your techno birthed out of a slightly crooked disposition, thought provoking and borderline psychotic, please check this out.












Ellen Allien
Dust
BPitch Corp

Berlin's first lady of techno drops a solid release for 2010. Her trademark razor-sharp spooky production is complete with bleeps n bells, throbbing bass house, squidgy electro tech-pop, and even what could be taken as an homage to the Exorcist theme.











Ichisan and Nakova
Yugo Tempo
Nang

Between them, duo Ichisan & Nakova have toured the cream of the new disco stables with releases on Nang, Eskimo and Airtight. They present their debut album together for Nang, collecting thirteen Balkan disco grooves spiked with sparkling spacewise synths, cosmic guitar licks and dubbed basslines for the connoisseurs. Fans of Lindstrom, Ilija Rudman or Todd Terje should have a peek.

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