Mummy Dearest

Posted by Eric Brightwell, April 15, 2009 06:06pm | Post a Comment

Mummy films
are unique among classic monster movies in that they're neither primarily based upon myths or literature. Only Isaac Henderson's 1902 play, The Mummy and the Hummingbird and Bram Stoker's 1903 novel, Jewel of the Seven Stars, have inspired cinematic adaptations (the latter spawning four to date) with its subject of an archaeologist attempting to revive a mummy. There were a few examples of the mummy in literature, as with Edgar Allan Poe's "Some Words with a Mummy," Théophile Gautier's The Romance of a Mummy, Ambrose Pratt's The Living Mummy, Louisa May Alcott's "Lost in a Pyramid or, The Mummy’s Curse" and Sir Arthur Conan Doyle's "Lot No. 249" and "The Ring of Thoth" all deal with mummies, albeit not always in a horror setting, and have never even loosely been adapted into film.

The rise of mummy films seem to be directly related to a then-widespread interest in archaeology and, more specifically, an enduring western vogue for Orientalism and fascination with the Near East.  Several major discoveries in the field of Egyptology occurred in the 20th century and helped renew and increase interest in one the the planet's oldest, most complex and enduring civilizations. Yet fascination with Egyptian mummies, with their tantalizing ties to the ancient past, never really translated into a healthy monster subgenre, only sporadically rising to the level of more continually popular monsters like vampires and ghosts.

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Posted by phil blankenship, March 31, 2009 07:56pm | Post a Comment
Frightmare Horror VHS  Frightmare horror movie

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Vestron Video VA 3026

[Insert wordless visual here.]

Posted by Job O Brother, March 30, 2009 03:55pm | Post a Comment
silent film

Not to lure you away from the safe and nurturing environment that is the Amoeblog, but, for those of you interested in reading it with your eyes, here is a link to a recent interview I had with one of my favorites, Marianne Faithfull.

Now then, on to a topic that is not oft spoke of; that is, silent films. Amoeba Music Hollywood has a small but rich silent film section which, at this writing, is located on the mezzanine. I’m taking this opportunity to advocate a greater appreciation and exploration of this antiquated genre.

For many people, silent films are a known but ignored craft, as though the technological progress that married sound to film rendered the silent precursors an inferior product. While I do hail “talkies” as a wonderful invention, I still feel there is much joy to be had in silent cinema. If nothing else, knowing a bit about it can be enough to get you laid by art-school chicks taking a break from experimenting with bisexuality.

louise brooks

The first silent I saw that rocked me was the tragic drama Pandora’s Box [original, German title: Die Büchse der Pandora]. Released in 1929 and directed by Austrian Georg Wilhelm Pabst, it stars the gorgeous and gifted Louise Brooks in the lead role.

Another gem I treasure is Wings, the first film to win an Academy Award for Best Picture (and the only silent film to do so). Released in 1927 and directed by William A. Wellman, it stars Clara Bow, the quintessential flapper icon, and has a cameo by not-yet-superstar Gary Cooper.

The Jigoku Aesthetic: Hell as Excessive Specular Mediation

Posted by Charles Reece, March 8, 2009 08:42pm | Post a Comment









jigoku hell

Try not to hate

jigoku hell

Love your mate
Don't suffocate on your own hate

Zombie Island Massacre

Posted by phil blankenship, February 12, 2009 08:31pm | Post a Comment
Zombie Island Massacre horror movie  Zombie Island Massacre vhs on Media Home Entertainment

Zombie Island Massacre plot synopsis

Zombie Island Massacre

Media Home Entertainment M981
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