
Despite the sad fact that Warren Hellman (lower right), the financier/music fanatic who created and fully funded the big San Francisco annual, free, weekend long Hardly Strictly Bluegrass festival, passed away last December at the age of 77 due to complications from leukemia, the wonderful festival in Golden Gate Park that he is responsible for lives on in his absence. And this year's Hardly Strictly Bluegrass, happening this weekend Friday to Sunday, Oct 5th to 7th, is one that Hellman would definitely have approved of.

This year's Hardly Strictly (the festival's twelfth year) boasts another rich and diverse lineup that includes such artists as Elvis Costello solo, Chuck Prophet & The Mission Express (Friday), The Chieftains, Jimmie Dale Gilmore & Butch Hancock, Les Claypool's Duo De Twang, The Cowboy Junkies (all on Saturday), Patti Smith and her band, The Knitters, and Doug Sahm's Phantom Playboys featuring Dave Alvin, Boz Scaggs, Steve Earle, Jimmie Vaughan, and Delbert McClinton (all on Sunday's lineup). That list of acts is amazing in and of itself. But the fact that those artists only amount to small fraction of the total number of acts scheduled over the three day fest at the six different stages between Hellman Hollow and Lindley Meadows makes it even more mind-boggling.


and free 


like to see consistently every year at the festival is Gillian Welch. Gillian Welch consists of (duh) Gillian Welch (vocals, banjo, guitar) and David Rawlings (vocals and guitar). Rawlings is a phenomenal guitar player, with quick runs and showman's style. Still, he fairly rarely speaks onstage. Maybe that's why the "group" is called Gillian Welch and his name is not included except in liner notes, despite that he has cowritten almost every song on their records. Once I saw them play at The Fillmore and David took lead vocals at one point as they played a fantastic, slow and sad version of "Girls Just Wanna Have Fun." I loved how unexpected it was, not just that David was singing, but his song of choice. Check out a similar performance of the song in Nashville:
sound as though they were written ages ago in the old time-y South, when they were actually written within the last 10 years or so by a California girl and a New England guy who have now planted themselves in Nashville. Their style is super Americana-y and my favorite aspect of their songs are the tight harmonies they include in almost every track. When I hear Gillian and David's songs I am also reminded of how important melodies and hooks are to songwriting, and how much most music these days is lacking either of those elements.

