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The Nature Boy and The Island-aire: Digging Exotica's Wild Roving Mystics

Posted by Kelly S. Osato, October 10, 2012 03:32pm | Post a Comment
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If there's one thing an appreciation of music micro-genres has taught me it's this: work in a record store long enough and you'll eventually get into everything. Being predisposed to an appreciation of all things nautical by nature and developing a fondness for "theme" restaurants during my formative years it was only a matter of time before I would incur an full-on addiction to Exotica. At first I admit I mostly overlooked the jazz elements inherent to the genre, however pleasantly tropical, but obsession has a funny way of broadening ones taste for the far flung and curiously obscure. While I cannot trace my collection back to one single acquisition I can proclaim without a doubt that this squaw has stalked the warpath for Exotica, in all it's varied and as-yet-unconfirmed aspects, for quite some time. I'm so hot for it I'm on fire and, with that admonition out of the way, I'm pleased to report that a vinyl reissue of Eden Ahbez's seminal contribution to the genre, Eden's Island: The Music of an Enchanted Isle (out on Moi J'Connais/Black Sweat via Mississippi Records), is once again gracing the selections in Amoeba Music's Lounge section at long last!

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A beach-bummin' beatnik guru by nature, Eden Ahbez was famous for three things: penning the pop/jazz standard "Nature Boy" (made famous by one Nat King Cole), looking a lot like Jesus (both on the original Eden's Island cover art, circa 1960 above on the left, as well as the updated screen-printed jacket housing the current reissue pictured above right), and thriving on a diet consisting of  raw fruit and vegetables, living outdoors with his family beneath the first L of the Hollywood sign in the grassy Los Angeles wilderness. His music is a strange arrangement of piano, flute, and exotic percussion instruments fused with nature sounds (rolling surf, the creak of a wood-masted sailboat, squawking birds, breezy gusts of wind), and features a mixed chorus or Ahbez's own cheesy vocal musings, waxing poetic about a snake-chasing mongoose, living in an old shack by the sea, fires on the beach, and knowing "the thrill of loneliness" -- charming, to the last.

Eden Ahbez - "Full Moon"


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Ports O' Call: Paradise is Spinning (at 33 1/3 rpm)

Posted by Kelly S. Osato, February 22, 2011 12:00am | Post a Comment
What do you get when two nerds from the same record store meet regularly to discuss all manner of music, art and general enjoyment over rum flights and multiple cocktails at San Francisco's best stocked "tiki" lounge? Hmmm, somehow I can't rememeber...
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...oh right, "Ports O' Call" --- three hours of uninterrupted Exotica mixed live on the wheels of steel as a part of Amoeba's weekly, in-house "Mandala" DJ series! DJ Martin Baxter Lyman (a.k.a. Amoeba jazz-man extraordinaire, Mr. Scott Walker) and DJ Long Gone Gamelan Gong (that's me!) will be exploring the experimental themes and concepts of Polynesian infused grooves from the founding fathers of Exotica and their Tiki temple grounds to popular Hapa Haole and Surf styles, with respect to native influences inherent to and modern music influenced by the genre. So if all sounds Exotica are your thing then this Friday, February 25th, from 6 to 9pm is the best time for you to come down to Amoeba Music in San Francisco to do a little vinyl treasure hunting while we mix up some island fever inducing south seas sonic realness. Requests welcome!

Martin Denny & Si Zentner "Tiki" from Exotica Suite