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Pick Up Free Tickets for 'Kurt Cobain: Montage of Heck' at Amoeba Hollywood April 22

Posted by Amoebite, April 20, 2015 11:20am | Post a Comment

kurt cobain montage of heck posterUPDATE: 4/22 AT 1:15PM

WE ARE SOLD OUT OF FREE PASSES. You can still purchase passes to the 8pm screening (and additional showings Fri/Sat featuring Brett Morgen) at the Arclight.

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Amoeba is excited to present a special screening of the documentary Kurt Cobain: Montage of Heck at the ArcLight followed by a Q&A with director Brett Morgen and former Soundgarden manager Jeff Suhy on April 25 at 8 p.m. Get a free ticket by visiting Amoeba on April 22 and asking at the Information Counter (one ticket per person, while supplies last).

Tickets to the Q&A screening are also available for purchase now via ArcLight, Hollywood. The film opens for a limited run at ArcLight Hollywood on April 24.

The film about the late Nirvana frontman premiered at the 2015 Sundance Film Festival to rave reviews about how it humanized the seemingly mythical musician. Courtney Love specifically picked Morgen to make the film and said watching it helped their daughter, Frances Bean Cobain (who is also the film’s executive producer), come to terms with her father’s death, Love told V Magazine.

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San Francisco International Film Festival Features Cibo Matto Live & More

Posted by The Bay Area Crew, April 14, 2015 05:12pm | Post a Comment

The 58th San Francisco International Film Festival runs April 23 – May 7 at multiple theaters in SF and at the PFA in Berkeley. This year, SFIFF features some amazing musical events and films along with the nearly 200 films and live events. Here are three not-to-be-missed musical films and events co-sponsored by Amoeba Music.

CIBO MATTO (USA, 2014, 120 min)
May 5, 8:00pm, Castro Theater
Cibo Matto’s hip-hop infused, electro pop burrowed deep into our collective earholes throughout the 1990s, becoming a symbol for the new post-genre musical cool. Experts at establishing mood and always up for an experimental challenge, the duo has developed new musical soundtracks to a number of wild and abstract short movies to be played in this one-time-only performance. Anchoring the screenings are two rare presentations of films made in 1970. First is Yoko Ono's incredible Fluxus epic Fly, which features a fly roaming a woman's body. Second is a modern re-staging of celebrated Bauhaus artist Oskar Schlemmer’s Triadic Ballet—a movie that will blow your mind with its campy costumes, weird choreography, and sheer delight.

LOVE & MERCY (USA, 2014, 120 min)
May 1, 6:15pm, Sundance Kabuki Cinema
May 4, 2:00pm, Sundance Kabuki Cinema
This powerful musical biopic tells Beach Boy Brian Wilson’s dramatically compelling story in—to use ancient recording jargon—two tracks. In the 1960s as the band rides surf music onto the charts, a creatively restless Wilson (Paul Dano) writes the songs that will become Pet Sounds, but alienates himself from other band members. The 1980s Wilson (John Cusack) is a shell-shocked man trying to emerge from an overmedicated isolation with the love and mercy of a good woman.

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Check out the Indian Film Festival of L.A. April 8-12

Posted by Amoebite, March 26, 2015 05:11pm | Post a Comment

Indian Film Festival of Los Angeles

We’re proud to be a sponsor of the 13th Annual Indian Film Festival of L.A., taking place April 8-12 at the ArcLight Hollywood. Tickets are on sale now.

IFFLA showcases features, shorts and documentaries created by emerging Indian filmmakers and seasoned auteurs. Amoeba is sponsoring a screening of the smash film TAAL on April 11 at 9:30pm. Buy tickets to that screening here.

taal film



As part of the festival’s “Bollywood By Night” series, TAAL the soundtrack by A.R. Rahman is considered one of the best in Bollywood history. Originally released in 1999, the film, about a star-crossed pair of a wealthy young man and the daughter of a folk singer who fall in love, is directed by Subhash Ghai and stars Anil Kapoor, Aishwarya Rai Bachchan, and Akshaye Khanna.

Watch the trailer below:

The festival features 25 films, including four world premieres, seven North American premieres, two U.S. premieres and 10 Los Angeles premieres, hailing from six different countries and in 10 different languages. Other highlights include the world premiere screening of comedy One Crazy Thing, directed by IFFLA alum Amit Gupta (Jadoo) and featuring BAFTA “Breakthrough Brit” winner Ray Panthaki, and the Los Angeles premiere of Academy Award-winner Danis Tanovi’s latest film, the political thriller Tigers, starring Bollywood heartthrob Emraan Hashmi.

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Sin You Sinners: Joe Sarno's Civilized Sexploitation

Posted by The Bay Area Crew, March 9, 2015 05:18pm | Post a Comment

Sin In The Suburbsby Rebecca Burgan

In the wake of the new wave art house boom of the 1960s, sexploitation films and art films mimicked each other’s aesthetics to market to a wider audience. American auteur Joseph W. Sarno (1921-2010) produced a prolific catalog of softcore films in the '60s and '70s. Hoping that the hardcore genre was short-lived, Sarno found his niche in the arty sexploitation world, where dramatic lighting, complex sensitive characters, and female sexuality dominated. His technical skills and quick production time set him apart from other directors in the genre, whereas those with a comparable technique would have gone on to mainstream films. He directed his actors to express their anxieties and passions through realism, capturing gritty sexual emotion in its immediacy. He was a master of sexual cinematic verisimilitude.

Sarno’s films emphasize women’s relationships and women’s pleasure, whereas the men are more objectified as instruments to help achieve the female orgasm—a fairly fresh feminist notion at the time. Visual focus during orgasm was often directed at facial expressions rather than a tight zoom on some tight penetration. The sincerity of the sexual experience is revealed more intimately by the face. Gustav Machaty's 1933 Czechoslovakian art film, Ecstasy, starring Hedy Lamarr, was still pre-Code but was banned in America and in Germany by Hitler. Audiences watched Lamarr’s titillating nude body traipse through the woods and skinny dip in the lake, leading up to a moment of sexual ecstasy revealed only through a close-up on her pained face. The director employed an inspired technique of realism to achieve the right expressions from her—poking her rump off screen with a safety pin. The film was banned because of her scandalously debauched motivation for pleasure: cheating on her gross old husband. The censors decreed, you had to be married to revel in such pleasure and make faces like that. More intimate and revealing than a nude bathing scene, the close-up disturbed the Production Code censors in America, who considered even a safer, morally balanced edit of the film to be too indecent for audiences. The film was basically buried, and Lamarr was only allowed to work again if she cleaned up her act.

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15 Unconventional Romantic Films

Posted by Billy Gil, February 9, 2015 05:03pm | Post a Comment

15 unconventional romantic films amoeba

Love is complicated stuff. You can keep your Love Actuallys and Sleepless in Seattles—these movies don’t sugarcoat relationships and explore them in raw and fantastical ways. Here are 15 we’re into, in no particular order.

Harold & Maude (1971)

harold and maude dvd“What could be better than a black comedy romance between a suicidal teen and a feisty 79-year-old widow? NOTHING. It’s one of the best stories ever. I never feel like killing myself after seeing this movie!” – Super Cooper

 

Wristcutters: A Love Story (2006)

wristcutters a love story amoebaWhat is Purgatory, exactly? Writer/director Goran Dukic imagines it as a slightly shittier version of real life, except no one can smile and your car seat might have a black hole in it. Such is the setting for an unlikely story in which suicide victims seek love in the interim afterlife.

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