I recently wrote an essay taking a perverse perspective on this comic book called Fukitor. It mixes questionable views on sex and race in a comedic manner that, I believe, undermines any straightforward reading of the book as mere support for white male power (the straightforward approach caused a brief controversy here and here). But, because it clearly revels within genres that are exploitative, the comic could hardly be thought to be clearly promoting good progressive values, either. Without a doubt, the book contains images of bigotry, but it's no more a sympathetic portrayal of white male privilege than a film like Fight for Your Life. All the white men in the book are knuckledragging imbeciles, but the comic (like said film) uses the bigotry for comedy, which is just too much for some people.
Being a fan of exploitation and not a fan of bigotry, it seems to me that the disagreement over exploitative imagery has more to do with the political demands one places on art rather than any necessary disagreement over politics itself. I don’t need to agree with the ideology of the art (whether or not it’s actually the view of the artist) to find some enjoyment there. In fact, like Groucho Marx, I'm skeptical of anyone who pats me on the back. Karns’ critics, however, seem to oppose his comics based on the fact that they aren’t expressing a correct view. I’m not the least bit sympathetic, for example, to Martin Wisse’s view on transgression ('transgression' being the word for 'exploitation' that lends it intellectual respectability):