Hey you! Valentine’s Day is just around the corner. Like it’s next week. We’ll leave the chocolates and stuff to you, but we’ve got your music covered. Pick up any of these releases to help you seal the deal. Or to just enjoy quietly on your own with some white wine. That sounds great, actually.
This compilation CD was just released and features some of Turner’s best songs, focusing on her comeback from 1983’s Private Dancer and on. Songs include a cover of Al Green’s “Let’s Stay Together,” “What’s Love Got to Do With It,” “The Best” and more.
As part of the ongoing Amoeblog series honoring Women's History Month (Which ends today, March 31st), this blog is the second part of the two celebrating women blues artists. The first, earlier this week, focused on women from the classic blues era (circa 1920s), while this one takes a look/listen at women blues artists spanning the decades since.
Koko Taylor "Blues Never Die" (1975)
Big Mama Thornton "Bumble Bee Blues" (with Muddy Waters Band, 1966)
"When you in trouble blues is a girl's best friend" singsKoko Tayloron her 1975 recording of "Blues Never Die" (audio above). Taylor, like many of the longtime blues women here (including Big Mama Thornton, whose track "Bumble Bee Blues" with Muddy Waters Band is also above) have also been categorized over the years as rhythm and blues, rock & roll, and jazz. The late great Etta James, who we lost just two months ago, is an example of a blues artist who was also classified as jazz, rhythm & blues, rock n roll, and gospel too. A 1992 concert version of her singing "I'd Rather Go Blind" - written by Ellington Jordan and co-credited to Billy Foster but first recorded by Etta James in 1968 - appears above. As we know, the moving song has in the years since become a standard for countless artists to cover.
Among the "good" of this year's Black History Month was Robert Glasper's excellent Black Radio album on Blue Note released Feb 28th, 2012
Maybe it's because this is a leap year that Black History Month 2012, which ended two days ago, seemed a little out of whack. Or maybe it was because it was a Black History Month that started on a really bad note when, on the morning of Feb 1st, the tragic news that Don Cornelius of Soul Train fame had taken his own life was the first thing we were to read about. That was bad enough but this tragic news came hot on the heels of the world losing a string of other black music/cultural icons, including in just the preceding two weeks both Etta James and JImmy Castor. And then, of course, ten days later, on the eve of the Grammys, the whole world was taken aback with the shocking news that Whitney Houston had died at age 48. Not exactly a great time to joyously celebrate black history!
Wow. What a sad week it has been for blues, R&B, and funk fans with the passing of Jimmy Castor, Johnny Otis, and then yesterday morning (Jan. 20th) more sad news arrived with word that Etta Jameshad died in Riverside, California following complications from leukemia, which she had been undergoing treatment for for some years. She was 73 years of age but was just about to celebrate her 74th birthday next week.
Born in LA and raised in the Fillmore District of San Francisco, Etta James (who won four Grammys in her lifetime) was loved by music fans worldwide and was inducted into both the Blues Hall of Fame and the Rock and Roll Hall of Fame. Her music could be filed under blues, R&B, rock and roll, and even jazz sometimes (her album Mystery Lady: Songs of Billie Holiday won her a jazz Grammy). Even though James is best known for her soothing soulful rendition of "At Last," I personally always thought of the singer, who I saw in concert many times and was always blown away by her performances, as a gritty soulful blues singer since she always brought so much raw emotion and passion to her music. As anyone who has ever seen James in concert will attest, she brought sexy (or "raunchy" as some said) to her stage act in which she always gave it her all.
James was discovered by Johnny Otis, who in a tragic twist of coincidence passed just 3 days earlier this week, back when she was just a teen and recorded her first record when she was only 15. That record was “Roll With Me Henry,” which -- because of its sexual innuendo -- had its title changed to “The Wallflower" and as such became a 1954 hit on Billboard's Rhythm-and-Blues chart. A year later, a more whitewashed, toned-down version of the song retitled "Dance with me Henry" by white singer Georgia Gibbs became a mainstream number one Billboard pop charts hit. Understandably, that bummed out the black singer who had created the song.