Amoeblog

El Haru Kuroi-Canta Gallo

Posted by Gomez Comes Alive!, March 25, 2013 07:30am | Post a Comment

El Haru Kuroi Canta GalloThe name, El Haru Kuroi, is a cultural mash-up.It's a mix of grammatically incorrect Japanese and Spanish. They wanted to be called “Black Spring” in Japanese (It should be Kuroi Haru) and the “El” was added when people said they should have a Spanish name to their band because the band's lyrics were mostly in Spanish. Their latest release, Canta Gallo, is nothing short of brilliant. The influences that make El Haru Kuroi are not hard to pinpoint, yet put together they way they do makes for a sound that is all their own. The influence of Brazil’s Tropicalia movement weighs heavy on them, yet much like those artists involved in that movement, El Haru Kuroi adapted the music they grew up on and took the essence. The result is a haunting mixture of Bossa Nova and Boleros mixed with urgency of post-punk groups like Gang Of Four and Fugazi.

Singer/Guitarist Eddika Organista is the daughter of a Mexican musician who played in many Tropical groups. Most of the music Eddika’s father enjoyed was in Spanish, but he was also a fan of Brazilian music, Bossa Nova in particular. The sound of the Brazilian artists singing in Portuguese resonated strongly with a young Eddika, who was already fluent in both Spanish and English and playing guitar by age eleven. She found herself mimicking the sound of Brazilian singers when she sang. This led her to study Portuguese in school. She started to discover other Brazilian artists that went beyond the Bossa Nova singers that her father favored. At the age of seventeen, she is discovered the Tropicalia movement that started in Brazil in the late 60’s and in particular, her world was blown wide open by the discovery of Caetano Veloso. The influence of Veloso’s work on Eddika’s songwriting and musicianship is undeniable, but it goes beyond imitation. She manages to capture the soul of Caetano rather than his sound, the mixture of beauty and darkness that permeates her songs whether she is writing in English, Spanish or Portuguese.El Haru KuroiOrganista's ability to sing in three languages creates options for the group. Language becomes part of the music, with each language chosen for what works best in the song. The rhythm section of Dominic Rodriguez and Michael Ibarra adapt to the whims of Organista’s imagination. Rodriguez imaginative percussive style works with Organista’s gritty yet breezy guitar tone. Ibarra hold them all together with a playing that resembles Charles Mingus when he played support rather than lead. It was an underrated talent of Mingus and one that Ibarra shares with him.  Lyrically, Organista’s metaphoric lyrics recall the beauty and pain of Caetano Veloso and Agustin Lara writing without imitation. Each song is pure heartbreak blues, even when decorated in sweet melodies.

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First Fridays at LA's Natural History Museum

Posted by Amoebite, December 28, 2011 02:55pm | Post a Comment
Once a month, Los Angeles's Natural History Museum stays open until 10 pm and features live music,First Fridays, Natural History Museum, Los Angeles, LA exciting scientific discussion, and behind-the-scenes curatorial tours as part of the First Fridays program. Amoeba is excited to sponsor this fabulous series of live music, discussion, concessions, tours, DJs and more.

Join us on January 6th from 5-10 p.m. for a live performance from Mariachi El Bronx and El-Haru KuroiKCRW DJs Anthony Valadez and Travis Holcombe, and a lecture from Dr. Michael Shermer on "The Believing Brain: From Ghosts and Gods To Politics and Conspiracies — How We Construct Beliefs and Reinforce Them As Trusts!” Wow!

Read more about this First Friday of 2012 HERE!

Mariachi El Bronx      El-Haru Kuroi


Dia De Los Muertos @ Self Help Graphics

Posted by Gomez Comes Alive!, November 3, 2008 08:59am | Post a Comment
Self Help Graphics in East L.A. had their final Dia De Los Muertos celebration at their current location on November 2nd. The property that housed the event for the last thirty odd years was sold earlier this year. Self-Help Graphics not only held the longest running Dia De Los Muertos festival in Los Angeles, but many other events as well. Self Help provided a space for Chicano artists to work and display their artwork. It was also the location of The Vex, an all ages punk club that housed many classic early punk rock shows in the early 80’s. Many great artists have either performed or shown their artwork at Self Help Graphics, too many to list them all.