Eblis Álvarez, a member of groups Frente Cumbiero and Ondatropica, is the brainchild behind The Meridian Brothers. When listening to Desesperanza, I got that same feeling, except the gem of a record was found in a basement in Bogota or Medellin.
Álvarez played and recorded everything himself. The experimental composer uses the contents of his native Colombia as his canvas, layering heavily “Ring-Modulated” keyboards and Caribbean guitar work that is African in nature. Vocals are usually sped up or slowed down rebajada style, giving the effect that this recording is older than it truly is. The bass and percussion come from the traditions of Colombian music. If Álvarez chose to play it straight, it would still be an accomplishment in itself as far as bringing back the old school Discos Fuentes sound.
A perfect example of what Álvarez accomplishes with The Meridian Brothers is on the song, “Salsa Del Zombie” The base of the song is a classic descarga what one would have heard on the dance floors of Colombia in the 60’s and 70’s. Layered on top are the spooky keyboards, pitched-down vocals and a killer African Highlife guitar solo. On top of that, the lyrics sound like something Peruvian singer/comedian Melcochita would have written.