Ice T's critically acclaimed, independently produced, hip-hop history documentary Something from Nothing: The Art of Rap, which opened in the States last month, just opened here in Europe on Friday last. The evening before (July 19) there were a series of premiere screenings in London and other select European cities including Dublin, Ireland when I caught it at the IFI (Irish Film Institute) where the film was followed immediately by a Q+A & concert performance via live satellite from London's Hammersmith Apollo. There Ice T, along with Melle Mel, Chuck D, and Raekwon were all in town for the UK debut. During this Q+A from the audience (a tough crowd) Ice T fielded most of the questions in which he spent a fair amount of time in defense of his great film: something he was well able to handle.
But first the movie which I had heard and read all about and was most anxious to view. I thought it was really excellent; especially on the big screen with the film's ample use of panoramic aerial views of NYC, LA, and Detroit, all lovingly shot in breathtaking widescreen at various times of the day from helicopter, that nicely broke up the dialog segments of the documentary.
Sure the film didn't have all my favorite rappers in it but it was not my film, it was Ice T's. And as the OG (original gangsta) turned rapper, turned actor, turned filmmaker - stated before the film was even screened at Sundance earlier this year; he was not trying to represent all things rap (especially the bling & swag elements) but rather simply focus on the art of the rapper / emcee, and from his own personal perspective. This he did in loving detail, casually catching up with old friends in the rap game, and having them spit a verse or two from their own or other rapper's favorite rhymes, and share a little insight on how they approach their craft. In all 47 artists made the final cut including such talents as Afrika Bambaataa, Rakim, Raekwon, Ice Cube, Chuck D, Snoop Dog, Kool Keith, KRS-One, Eminem, Q-Tip, Chino XL, Grandmaster Caz, and Melle Mel - the latter two getting perhaps the most shine and props in the film.