Amoeblog

Get a Life - The Complete Series is coming!

Posted by Eric Brightwell, June 27, 2012 03:40pm | Post a Comment
Get a Life advertisement

Get a Life
is finally coming to DVD (and Blu-Ray?). For those that don't know, Get a Life was a sitcom that aired on FOX between 23 September, 1990 and 8 March, 1992. It also may very well be the best thing that ever aired. 



The show starred the comedic visionary Chris Elliott as a 30-year-old man-child paperboy named Chris Peterson who initially lived about his parents' garage. His father was unmistakably played by his real-life father, Bob Elliot of radio's Matinee with Bob and Ray and TV's The Bob & Ray Show. Peterson later moved in with a cranky misanthrope named Gus (played by Brian Doyle Murray) after his parents filled his bedroom with cement to prevent his living there further. 


Chris Elliott on David Letterman


The show was created by Elliott, fellow Late Night with David Letterman writer, Adam Resnick; and writer/director David Mirkin. Its writers included, among others, Charlie Kaufman and Bob Odenkirk. After the phenomenon of Twin Peaks had occurred, networks seemed to be willing to allow for a greater degree of quirkiness in shows (e.g. Northern Exposure, Eerie, Indiana, Picket Fences, David Lynch's On the Air, &c) but Get a Life was (with the possible exception of On the Air) the most bizarre of the bunch. For a protagonist, Peterson was extremely irritating, stupid  and there was very little continuity from episode to episode -- Peterson died in twelve of them.

SOUNDTRACK SERIES #4

Posted by Job O Brother, March 28, 2010 04:44pm | Post a Comment
Directions: Imagine Mr. Brother living another day, as always, with music playing. Whether it’s one of his trusty iPods, or his home stereo, or working the soundtracks section of Amoeba Music Hollywood, Mr. Brother is eating, sonically, with the mouths of his ears.

To simulate this experience, as you read the below story of a day lived, you will be given certain music clips to play. These are inserted to provide you with the same tunes Job was hearing as he was doing what you’ll be reading.

For example, while he was writing the above directions, he was listening to this:


The other day… no, not that day – the other day… yeah, that one… I was painting my collection of pigments, when a car drove past, blaring its music so loud that it felt like an earthquake. But, y’know, an earthquake that could keep a beat.


I’m all for losing one’s self in music, but I do think it’s tacky to blast your car stereo so loud that anyone within an area code can hear it. I’m not talking about regular loud – I’m talking about these people who have pimped out their auto’s sound system specifically so that they can impose their roving, one-man rave on a neighborhood at a time. What if someone’s trying to sleep? What if someone’s trying to record music? What if someone’s being held hostage by a crazy person who’s got a sword pressed to their throat and is screaming:

Medusa Dare To Be Truthful

Posted by phil blankenship, November 10, 2008 02:53pm | Post a Comment
Medusa dare to be truthful julie brown madonna  Medusa dare to be truthful vhs

Medusa dare to be truthful plot synopsis

Julie Brown as Madonna

Columbia TriStar Home Video 93683

Chrissy Plain & Simple

Posted by Eric Brightwell, September 18, 2007 10:40pm | Post a Comment
Chris Elliott

The other night I went (blessed with the company of the amazing Ngoc em and her cousin, Bao -- and my co-worker Hiland) to see the filming of the pilot for a Chris Elliott vehicle called Chrissy Plain & Simple. I like the name and concept. Just pure, unadulterated Chris Elliot, without any bells and whistles and jangles and bangles and be-bops and re-rops and flee-flops... or something to that effect. If you're a fan, you know how he just stupidly starts rambling to that effect.

On the downside-- it's sketch comedy with pre-filmed satirical segments that we had to watch a couple of times and force some laughter for the second time around. At one point I looked up at a monitor and the entire frame was filled with my chin and some teeth laughing at nothing but the instructions of the episode's director, Bobcat Goldthwait.

The show takes place on a stage cluttered with Chris Elliot cut-outs of Chris in different poses, always wearing socks regardless of the character being portrayed and, I have to say, his stupid expressions forced me to smile over and over before filming whilst Jimmy Kimmel cracked jokes-- and talked about the fact that he, I and some other guys were all coincidentally wearing maroon shirts.

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