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Amoeba Hollywood's Top 10 In-store Performances of 2013

Posted by Billy Gil, December 23, 2013 02:47pm | Post a Comment

This year Amoeba Hollywood hosted some of the best, and most diverse, in-store performances in Amoeba’s history. Let’s look back at 10 that stood out.

 

Yo La Tengo – Jan. 17

yo la tengo amoeba hollywood

 

 

 

 

 

 

 

 

 

 

 

 

 

More Yo La Tengo photos here.

One of the greatest indie rock bands of all time helped start the year off in support of their album Fade, playing a set that combined heavy guitar histrionics with more intimate moments. Read my full recap here.

 

FIDLAR – Jan. 24

fidlar amoeba

 

 

 

 

 

 

 

 

 

 

 

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2013 Mixtape: 21 Songs for the Time Capsule

Posted by Billy Gil, December 5, 2013 01:31pm | Post a Comment

Just about everyone could agree on “Get Lucky” and “Hold On, We’re Going Home,” but there were lots of other great singles and album cuts released this year. Here are 21 you can download from Amoeba.com right now. Pretty sure these could just top out a 120-minute cassette tape, if my high school calculations are correct. Check out my top 50 albums list, too!

 

kurt vile wakin on a pretty daze amoebaKurt Vile – “KV Crimes”

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Kurt Vile's Wakin on a Pretty Daze is a great, melodically hazy stoner-rock record, but "KV Crimes" hits hard, like a song Tom Petty would kick out in five minutes and decide he was too stoned when he wrote it and leave it on the cutting-room floor for some bullshit like "Free Fallin'." Kurt Vile is like our more enlightened Petty, one who knows that off-the-cuff tracks can be the best.

 

From the album Wakin on a Pretty Daze

 

 

savages silence yourself lp amoebaSavages – “I Am Here”

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Album Picks: Camera Obscura, Splashh, Future Bible Heroes

Posted by Billy Gil, June 4, 2013 10:07am | Post a Comment

Camera ObscuraDesire Lines

camera obscuraCD $12.98

LP $18.98

Download $9.99

It’s been four years since Camera Obscura released their last album and it feels like a lifetime ago when their brand of witty, winsome indie pop was the underground style du jour — does the world need another album from Camera Obscura? One listen to Desire Lines and the answer is a resounding yes, yes, yes. The time off has done them wonders, following a run of great albums that seemed to plateau at 2009's My Maudlin Career. Desire Lines is invigorated with a warmer sound, billowed by warm synthesizers and sultry horns, giving songs like “This is Love (Feels Alright)” a postmodern blue-eyed soul feel, like they’re updating what Roxy Music did on Avalon. Camera Obscura have always been able to do downtrodden-yet-upbeat well (see past singles like “Lloyd, I’m ready to Be Heartbroken”), and they take that winning formula to new heights on songs like the new-wavey “Troublemaker,” the sea-shanty-style “Every Weekday” and their good ol’ fashioned ’60s pop style “Do It Again.” Even when they slow things down, on songs like “William’s Heart,” whereas in the past they’d be charmingly bookish, Tracyanne Campbell sounds rapturous when dwells on the evocative line “to die in the arms of a 20-year-old.” Lyrically, she’s as strong as ever, and her delivery remains the perfect concoction of shy and snarky, singing self-deprecatingly of her “New Year’s resolution to write something of value.” The totality of Desire Lines would qualify as just that.

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out this week 4/21 & 4/28...pet shop boys...depeche mode...the horrors...empire of the sun...

Posted by Brad Schelden, April 30, 2009 04:30pm | Post a Comment

It is hard for me to think about anything except for Grey Gardens today, but I will try. The new Grey Gardens Docudrama was on HBO last week, but I finally had my little screening party last night and watched it. I have been a big fan of the documentary for a while. I fell in love with it not only because it is an amusing look and a very interesting eccentric family, but also because it is tragic and beautiful and hilarious all at the same time. There is really a bit of the Beales in all of us. But I had my doubts about this movie. I was excited about all the interest in what I felt like was a secret little documentary that not that many people knew about. Still, I was skeptical-- I had not seen the musical version on Broadway but thought it was sort of a strange subject for a musical. Somehow despite all that, this movie worked out perfectly. I really can't imagine it being any better. I really think that the Beales would have even liked it themselves. They would most certainly enjoy the fact that the story of their lives was not only an award winning documentary but also a musical and an HBO movie.

Jessica Lange and Drew Barrymore were fantastic as Big and Little Edie. I have been really wanting them both to have grey gardens drew barrymorea good role for a while now. Jessica Lange was great in my favorite, Tootsie. She also starred in Frances that same year in 1982 and broke my heart with her performance. While I loved her in Cape Fear in 1991, I feel like she has not really found the right role for herself until now. And Drew Barrymore just blew me away with her performance as well. I have long been a fan of Drew Barrymore but never really liked the movies she ends up in. I really have not enjoyed much since Firestarter and E.T., aside from Charlie's Angels. The makeup was probably the most amazing thing about the movie. This was only a TV movie but had better makeup than most big budget blockbusters. I can't wait to go back and watch the old documentary now. It was really crazy how they seemed to totally become these two characters. They not only got the look and voices perfectly, but they also had all the mannerisms down perfectly. They really were a fascinating family. I liked the way the film intertwined the backstory of how they came to be with the recreations of the footage from the original documentary. Tdepeche modehe story is actually extremely sad and poignant. Fantastic. This movie will be staying with me for a very long time to come.

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