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New Electronic/House 12" at Amoeba Hollywood: Innervisions, Cadenza, Robag Wruhme, The Revenge and more...

Posted by Oliver / Matt / Jordan, March 5, 2010 12:56pm | Post a Comment


HENRIK SCHWARZ/AME/DIXON

A Critical Mass Live EP 12"
Innervisions

As a result of 2009's "A Critical Mass" tour, Innervisions release two tracks recreated from the recorded live material. The A-side is based on the former Henrik Schwarz hit "Chicago." This new, eerie, bleepy techno version has a touch of early M-Plant production and was recorded during the Flow Festival in Helsinki in August 2009. "Berlin-Karlsruhe Express" is an aquatic Drexciyan house inferno by Henrik Schwarz/Âme/Dixon, and was the highlight of every live show.









ROBAG WRUHME

Dreiklangkrapriolen 12"
Musik Krause (MKR 031)

Robag Wruhme returns toting three nuggets which are somewhere between gentle hardcore with a weakness for horns, and a warm coolness. Dark, complex and almost avant garde. For all intents and purposes, a Lindenberg with Kafka-esque posing on a steamer, turned in the direction of the Ziller Valley. All three have a frugal consumption of a mere 4 liters per 100km, and there is still a healthy acceleration here that is lively and quick.








MARCEL DETTMANN

Dettmann Remixed 12"
Ostgut (OSTGUT 033EP)

In anticipation of Marcel Dettmann's debut full-length, Ostgut Ton presents a remix package of four original tracks, courtesy of Norman Nodge and Wincent Kunth. From the very first bar of Norman Nodge's remix of "Shift," an urgent, pumping charge of fizzing electricity is let loose, letting the arrangement simply flow. More raw energy powers also are throughout his remix of "Unrest." Taking a recognizably metallic Dettmann-forged synth pattern, Nodge's frenetic yet respectfully withheld structure guides you sure and steady through the smokescreen.

Listen to Unrest (Norman Nodge Remix):


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New Electronic CD Releases 7/3/09

Posted by Oliver / Matt / Jordan, July 3, 2009 03:20pm | Post a Comment

PLANETARY ASSAULT SYSTEMS

Temporary Suspension
Ostgut

Planetary Assault Systems is the legendary, harder-edged techno project from the UK's Luke Slater, and this is his first full-length effort after more than 7 years. Temporary Suspension is released as a continuous mix of 10 tracks on CD, as well as 6 single tracks on a double 12", and defies any current sound trends. However, Slater himself states that it's "time to bring the funk and intensity back in a new way. Time to open the sound again." In addition to funk and intensity, Slater manages to create an industrial strength and energy that has evolved over the years -- ranging from aggressive techno to very deep and melancholy pieces that still retain an alien feeling. The first track "Open Up" sets the pace for things to come, already, with a driving groove and a thunderstorm of synths cutting through a confusing melody of chimes. Subsequently, the loud and fast "Whoodoo" dives deep into the primordial blend of techno, using an uncompromising, metallic percussion. "Om The Def" takes the foot off the gas pedal, marking one of the album's definite highlights by using an arrangement of bongos and a funky, distorted bass line oscillating between dense and airy aggregate states. "Hold It" is an unbelievably sexy Chicago house stomper reminiscent of a modern version of an Amando track. "Attack Of The Mutant Camels" fascinates with its noise and bleep fest, complete with a decelerated rhythm and a fierce bass line. On "Gateway To Minia" he loses the beat in favor of gloomy ambient synth chords culminating in a cacophony of noise. But the album does not end here, as he brings back the kick on "Sticker Men" one last time with the crowd firmly set in his sights. Luke Slater's sonic vision on Temporary Suspension as a rough and highly energetic sound hardly comes as a surprise, as he has continually tested and pushed his musical boundaries ever since releasing his first tracks in 1989. Planetary Assault Systems has always been Luke's pseudonym for hard and uncompromising techno, and almost all of his releases on Peacefrog have become classics of the genre. Luke has never been satisfied with exploring just one aspect of music, and is well-known for his eccentricity and rebelliousness, aspects that have held his audience captive in his extraterrestrial light-beam of past, present, and future. Heavy, grinding techno cuts that will most definitely rank as the best of 2009.

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