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Music History Monday: June 18

Posted by Jeff Harris, June 18, 2012 07:07pm | Post a Comment
To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com

Born on this day: June 18, 1942 - Pop music icon Sir Paul McCartney (born James Paul McCartney in Liverpool, UK). Happy 70th Birthday to one of the greatest musicians of all time and one of my biggest musical heroes. We ♥ you, Sir Paul!



On this day in music history: June 18, 1966 - "Hold On, I'm A Comin'" by Sam & Dave hits #1 on the Billboard R&B singles chart for one week, also peaking at #21 on the same date. Written and produced by Isaac Hayes and David Porter, it features Booker T. & The MG's providing instrumental support. At first, the duo are not fond of the song, feeling that the title and lyrics are too "corny and hillbilly." In fact, on the finished record, Sam Moore can be heard laughing out loud when Dave Prater sings the lyric "I'm on my way, your lover, if you get cold yeah, I will be your cover." Released as a single in March of 1966, the song will quickly rise up the charts, becoming their first R&B chart topper and first top 40 pop hit.


On this day in music history: June 18, 1967 - The Jimi Hendrix Experience will make their now legendary American performance debut at The Monterey International Pop Music Festival. The band will be booked to perform on the recommendation of Paul McCartney, having seen Hendrix and the Experience perform at the Saville Theatre in London two and a half weeks earlier (opening their set with The Beatles "Sgt. Pepper's Lonely Hearts Club Band"). The bands' set at Monterey will climax with Hendrix setting fire to his Fender Stratocaster and smashing it on the stage. The performance will launch Hendrix into rock superstardom in the US and worldwide.

Japan Tour 2011: Part 1, By Gomez Comes Alive

Posted by Gomez Comes Alive!, October 31, 2011 12:56am | Post a Comment
Gomez from The DJ Booth
Sundaland Cafe, taken during my set

A few weeks ago I went to Japan. This was my third time in Japan and my second as a DJ. The first time I went it was in 1994 when I played bass briefly with the artist, Beck. The second time was in 2006. It was for a Chicano/Japanese cultural exchange with the band Quetzal and the writer, Luis J. Rodriguez, author of one of my favorite books, Always Running. Each trip was a different experience. The Beck tour was a straight-up rock tour, with nice hotels, chauffeurs, backstage food & drinks and on occasion, girls waiting in lobby for the bands. The second time was about experiencing Japanese Lowrider culture and how the much Chicano culture and Japanese culture have influenced each other. It was honor to be in the company of Luis and Quetzal on that trip and I was honored that I would be asked to attend. In Los Angeles and even in my own community, most of us feel like we have to bend over backwards just to get a gig. To say that the Japanese have been very good to me is an understatement.

This time around I was to play in three different shows. The biggest by far was an opening DJ set for the legendary
Joe Bataan. The budget for this tour was much smaller then past tours. There was to be no hotels and I took the train to most places. My friend Shin Miyata, who has released several of my albums on his Barrio Gold/Music Camp label, was my host for the tour. We stayed at his apartment while he tended to Joe Bataan, who also has a few albums on Music Camp.

The Ever-Prolific DJ Swamp Shooting New Music Video Today in Riverside, CA

Posted by Billyjam, August 17, 2011 10:00am | Post a Comment

DJ Swamp "Invasion of the B-Girls" (2011)


Ever since DJ Swamp first arrived on the music scene in 1996, when the unique long-haired turntablist with an affinity for setting his turntables on fire in his performances took the national DJ battle title of USA DMC Champion (his first year in the contest!), he has remained both an ever-engaging figure and a most prolific artist. Over the past dozen-plus years, the Cleveland-born/West Coast-based turntable artist/producer/vocalist has been mad busy consistently performing live (both solo and with others; many first got introduced to him as Beck's DJ) and recording a slew of solo projects, including his excellent Never Ending Drum & Bass Loops album series and many other DJ skratch tools vinyl releases (all self-released on his own Decadent Records label). DJ Swamp has also collaborated with or made cameos for a long list of other artists including the likes of his old touring mate Beck,  Kool Keith, RL Burnside, Devo, StickY fingaz, Kid Rock, Crystal Method, BT, Hanson, Richard Humpty Vission, The Bloodhound Gang, Morcheeba, Ill Kid, The Dandy Worhals, and Faithless.

Most recently, the DJ has been especially prolific cranking out music videos and, having released the new album Vinyl Disciple earlier this year, a new series of videos to accompany this rock-tinged, hip-hop/electro/breakbeat driven skratch album. Just last Friday, he unleashed the above video for the new album's song "Invasion of the B-Girls," which comes hot on the heels of numerous other music videos he made this year, including "Rock Rollin," the new album's title track, and "Pyro," which were all completed in the past few months. Today (Wednesday, August 17th) he is shooting yet another music video! This one is for "Feast of Flesh," also off the new Vinyl Disciple album.

Continue reading...

The 12 Days of Coachella: 8 Don't I Know You From Somewhere?

Posted by Amoebite, April 12, 2010 05:58pm | Post a Comment
"One man's attempt to dissect the method to 3 days of madness in the desert"
  - By Scott Butterworth


On the 3rd weekend of April my Coachella will give to me.....
.....
12 DJ's DJing.....11 Angelenos....10 Duos Duet-ing....9 Debut Albums....

....and 8 "Don't I Know You From Somewhere?":  

Public Image Limited
She & Him
The Cribs
Perry Ferrall vs. Steve Porter
Major Lazer
Bad Lieutenant
Charlotte Gainsbourg
Owen Pallet


Coachella Lineup






















Continue reading...

(In which Job introduces the character Ryan.)

Posted by Job O Brother, February 21, 2010 06:56pm | Post a Comment

Ryan "Mouth-hole" Cassano

This weekend I played host to a friend of mine, Ryan “Mouth-hole” Cassano, who was visiting from my beloved home town of Nevada City, California. He had come to investigate 1980’s video arcade games and literature concerning it for some future enterprise that I’m not at liberty to divulge but involves alcohol, supermodels, and rooms of plastic balls.

He met me after my hard but spiritually fulfilling shift at Amoeba Music Hollywood, waiting out the last few minutes of my shift by browsing the clearance section of soundtracks, where he found two items that made him squeal like a flame-covered, 500 pound, chocolate gorilla who sounded like a happy little girl: the soundtrack to the film Kill the Moonlight (which features some very early work by Beck), and to the documentary King of Kong: Fistful of Quarters.

The latter was serendipitous, as it was related to his arcade quest. In fact, he was traveling with a copy of that very film and insisted I watch it with him. I told him he wasn’t the boss of me and I can do whatever I want and I hate I hate him I hate him, then we drove back to my place for a home-cooked dinner of gimlets.
Just like Ma used to make!

I introduced him to the refined art of Tom of Finland, who’s work is so lovingly collected in my Taschen art book. He found it deeply educational and oftentimes frightening. Imagine my embarrassment when, half way through flipping through the book, I realized it was a souvenir photo album of my trip to the Anne Frank House! A common mistake, sure, but no less silly.

Puzzler: Can you tell which one is which?

After half an hour of explaining to him the difference between gay sex and the methodical genocide of six million people, we decided to go to bed.

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