Amoeblog

Further Tales of the City

Posted by Miss Ess, September 11, 2007 02:25pm | Post a Comment
I'm so disappointed.  I've just finished watching Further Tales of the City and it was only one disc'sfurther tales of the city worth of a show.  They have it packaged in two jewel cases, so I just assumed I had a whole 'nother disc waiting for my viewing pleasure this evening.  Imagine my heartbreak upon discovering the second disc is devoted to "Special Features" only.  What a letdown!  Not to start with the negative, though, I mean the reason I am so sad is--

I really grew attached to this series as it unfolded.  The characters were real to me, the way they become in any film/series when each person really pops off the screen and into one's brain.   I don't want to ruin any of the plot details for anyone so I can't really say much, but I will say I had further tales of the city mouse michael jonnightmares last night about Mouse and Jon and what might become of them-- that's how kooky I am about this show.  I thought I was gonna get to see more of their story today but NO, that was it.  Guess I am gonna have to go get those Tales of the City books now to get my fix.

Further Tales of the City is the final installment of the Tales of the City series. I would say it's the most racy, and it's also one looooooong episode as opposed to the format of the others, which each had a bunch of hour or so long episodes.  As my boyfriend and I continued watching and watching, kinda waiting for it to end and at the same time on the edge of our couch as the stories unfolded, 3+ hours passed -- we couldn't believe it had been on that long at the end.

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YOKOHAMA JAPAN GRAFFITI GALLERY PART I

Posted by Billyjam, September 11, 2007 10:45am | Post a Comment
      

These photos, all recently shot in Yokohama, Japan, were taken by Amoeba Music fan ACCO, who is a major fan of all four elements of hip-hop, especially graf and turntablism. In Japan the native word for graffiti is "rakugaki," although this term tends to symbolize the more traditional (pre hip-hop) meaning for graffiti. Many consider the early nineties as the real beginning of Japanese graffiti in the hip-hop related form and, interestingly, graffiti was the last element of hip-hop to catch on in Japan. Hence, compared to the US, graf in Japan is still a relatively young art form. But nonetheless, it is a recognized one by both the underground and established art worlds, something confirmed two years ago when a major contemporary Japanese art museum took the unprecedented step of dedicating an entire exhibit to showcasing graffiti writers, titled the "X-COLOR Graffiti in Japan." The exhibit was held at the Art Tower Mito, under curator Kenji Kubota, who invited Japanese graf artists from all over the country to do something unheard of before in Japanese musuem galleries: to freely tag up the museum's walls and create pieces throughout the city as way to help the average Japanese citizen to appreciate the street art form more. These pictures, the first in a three part series, were all taken in Yokohama recently.






new releases coming out 9/11...

Posted by Brad Schelden, September 10, 2007 11:05pm | Post a Comment






  vs.






          "Graduation" by Kanye West                                                                            "Curtis" by 50 Cent

9/11 is sort of a ridiculous street date. There is so much coming out today. I really didn't even know where to start. This week will be the battle between two giants of hip hop, Kanye West and 50 Cent. I have not heard either album yet but I am really betting on Kanye coming ahead of 50. I love the artwork for his new album and the song "Stronger" is fantastic. I was a bit confused about Kanye collaborating with Daft Punk, but it works out so perfectly. I was also sort of sick of 50 Cent after "In Da Club." I would be fine with never having to hear him or that song again. But I know a lot of people still love him. So I am a bit biased in my pick for Kanye. But he was awesome at the VMA's if not a bit over dramatic. He has claimed he will never have anything to do with the VMA's again after not winning again. I don't think he really needs to worry. He was all over the show and I don't think the fact that he didn't win a VMA is going to effect the sales of his album one bit.

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Pulp - The pre-Britpop days

Posted by Eric Brightwell, September 10, 2007 04:15pm | Post a Comment
I was wondering whilst trying to fall asleep the other night why I haven't ever looked up any Pulp videos on Youtube before. Then I remembered that I had a dvd called Hits, so what else could there be? A few seconds later, a vacuum tube in my mind sparked to life and I recalled (to myself) that Jarvis is pretty ambivalent at best about the early years, so I was excited to find two early videos.


PULP'S BEGINNINGS 

Pulp was formed in 1978 by 15-year-old Jarvis Cocker, a student at Sheffield's City Secondary School.
In 1980 they, amazingly, recorded a Peel Session. I only just found out that it's available on CD, so I haven't heard it, but it's supposedly pretty in-line with Sheffield's reigning synth-rock sound of the time.

Pulp 1981

In 1982 the still virginal Jarvis recorded It.


The record reflected a change in direction toward a folky, jangly sound with wide-eyed lyrics about love and being shy all sung rather off-key but kind of managing to sound like early Leonard Cohen.

The following year saw the single "My Lighthouse."

 










And, at the encouragement of someone at the label to record more commercial stuff in the style of Wham!, they followed it with the rare, and not half-bad Everybody's Problem.

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DOING IT IN THE PARK: NEW YORK CITY

Posted by Billyjam, September 10, 2007 06:48am | Post a Comment

You've gotta love New York City in the summer months (it's still summer, even if kids are back at school) when there is just so much great live music always happening outdoors in the city's many parks and open public spaces. And the best part is that it's usually free and always fun-- like last weekend when Battles put on an incredible show at South Street Seaport in lower Manhattan, or this weekend on Sunday (Sept. 9th) when legendary New York club DJ Danny Krivit spun dance music for skaters and regular dancers alike in Central Park near 72nd in front of the bandshell, just as he did last year.

Also on Sunday afternoon, at the exact same time, across the river in Brookyn's Prospect Park at the expansive park's Music Pagoda was the ever popular and hella fun 14th Annual Clubhouse Jamboree -- the big, free house music (and food) party thrown by generous New York house music lover and all around cool guy Lil Ray. Lil Ray not only goes to the trouble and expense of getting permits, hauling in a large sound system, and lining up all the DJs for the long afternoon, but he also feeds near all of the thousand or so revelers that converge in the middle of the Brooklyn Park to dance their asses off to throbbing club house music every year on the second weekend of each September for the past fourteen years.

At about 6:45PM, right after DJ Spinna (pictured top left) -- the last DJ of the day -- had just finished his energetic set, and immediately after Lil Ray (pictured left) had thanked the vocally grateful gathering for supporting house music and for showing up to his annual party, I talked with the man for a moment. First I asked him why he has been throwing this big free party, at his expense, since 1994. "To show love for house music," he answered with a wide smile. "When I started the Clubhouse Jamboree it was a different time. There was no Internet to hear the music. [Back] then there really was little or no house music to be heard outside the clubs. And I wanted to take the music outside...into the park, and here in Brooklyn," he said. He added that his goal from that first party was to represent a variety of sounds within house music. "I always wanted to give different DJs from different clubs a chance to do their thing." So just how many people did he think he fed (the event was fully catered with full dinner plates of fish, rice, and vegetables, etc) of the approximate thousand strong that showed up on Sunday? "Well I brought 700 forks," he laughed. "And all the food is gone." So were the drinks, which included water and Cokes (which were care of Coca Cola, but everything else was at the expense of this generous New Yorker). Besides Spinna, the DJs for the afternoon included Ian Rock, DJ Wil Milton (Gravity), Brian Coxx (Soulgasm), and the young DJ sibling duo The Martinez Brothers.

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