The New Beverly Cinema will be hosting a two week festival of films programmed by Academy Award winning screenwriter DIABLO CODY. This is the fourth in the theater's guest programming series, following Edgar Wright, Eli Roth and Joe Dante.
MONDO DIABLO will run from July 11-24, with many guest appearances plus introductions to many of the films by Diablo herself.
THANK YOU FOR SMOKING
NIGHTMARE ON ELM STREET 3: THE DREAM WARRIORS
WET HOT AMERICAN SUMMER
DESPERATELY SEEKING SUSAN
PRETTY IN PINK
More Information can be found at the New Beverly website: http://www.newbevcinema.com
First find on the dock: This has been waiting in the wings for some time, in fact, it’s a little bit of a redo, as it’s a title I championed a few years ago in the Music We Like book. I‘ll take this opportunity to expand my earlier opinion.
Tracker - Ames (Film Guerrero)
Tracker is, basically, a guy from Portland, OR named John Askew (not to be confused with the DJ of the same name) and whoever he collects around him when he’s ready to record and tour. This was the first album from 1999 and is almost completely played by Askew with some help from friends Adam Selzer (Norfolk & Western) and Erik Herzog (Buellton). I bought it solely on the strength of the album art and the weakness of the price tag. Thus, I was doubly rewarded.
In a number of ways there are similarities to the dynamics of Jason Molina’s Songs:Ohia/Magnolia Electric Company projects. Both are the aggregates of a single man’s songwriting and organizational vision. Both have an undeniably roots Americana base, but with a lot of layering, whether it’s voices, samples of classical music or electronic textures hazing around simple plucked banjo lines. Like Molina, Askew writes extremely strong melodies, and couples them with thoughtful and often mystifying lyrics.
The charm of Ames is due largely to its lack of self-seriousness. Askew lets a breath of ease into his writing and production. “Evan’s Getting It Together” is driven with some lazy and seemingly living-room recorded handclaps that work perfectly to prove that, as beautiful and lush as the songs here sometimes get, they are being played by some guys who are just trying to make some cool songs that get into your head. In fact, some of the song transitions (and there is a lot of ambient connective tissue) remind me of the great also-overlooked Purple Blue by Eric’s Trip, another group of dudes (and a dudette) who were just trying to make some cool songs.
What does an Amoeba blog have to do with that busy inlet of the Indian Ocean between Africa and Asia? Not a damn thing, really. The Red Sea to which this blog refers is that reservoir of red price tags that floats somewhere in the vicinity of the checkout counters at all three stores--that beguiling ruby pond that calls to you with promises of Buying Three and getting the Fourth absolutely FREE!
It’s a lonely sea, the Amoeba CD Clearance section, a bastard half-brother to the regular Rock or Soul or any genre section, really. But what I know, and I know that many of you know, too, is that CDs end up in the red tags for many reasons, many of which have nothing to do with the quality of the music on those sad, overlooked Lucite and aluminum discs. As it happens, some really great recordings sit around without the word getting out that they are great and need to be heard and cherished and talked about.
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