Amoeblog

piano magic is magic!

Posted by Brad Schelden, July 1, 2007 02:05pm | Post a Comment

I love Piano Magic. I know that I may throw that word "love" around a lot. But I would take back all the times I have used it, if I could use it just this one time. This band has been around for a bit over 10 years, but I only just discovered them maybe about 4 or 5 years ago. One of my friends, June, was obsessed with them. Since I like all the same music as him (Cocteau Twins/Lisa Germano/Red House Painters/This Mortal Coil/His Name Is Alive/etc.) I figured I would also love this band like he had. So my first introduction was "The Troubled Sleep of Piano Magic" back in 2003. I quickly discovered they were one of the bands that were made for people like me. I was excited for their next excellent album "Disaffected" in 2005. It is always exciting to discover a new band that has already been around for a while. It is like they somehow kept themselves hidden and their fans kept them a secret. Once you find about them, you want to keep them to yourself for a little bit. Until you just can't take it anymore and you to share them with everyone. When I always think I have already heard everything, it is nice to know there are still some great bands out there for me to discover. It's exciting.

They have just released their new album "Part Monster" on Important Records. They have  been on about 7 different labels and have had many different members. They are currently Glen Johnson, Jerome Tcherneyan, Alasdair Steer, Franck Alba and Cedric Pin. They are of course from England. They sort of fit into that ambient rock category. Dreamy and ethereal but still a rock band. Sad and emotional and all tragic. The vocalist sometimes reminds me of a mix of Jesus & Mary Chain and The Tindersticks. Sort of like what Slowdive sounded like as they were transitioning into Mojave 3. They also remind me a bit of bands like Field Mice but just with a little Black Heart Procession. That is enough band comparisons. They are just awesome and do sort of have their unique little sound.

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Jaguar Lives

Posted by phil blankenship, July 1, 2007 01:14am | Post a Comment
 






Interglobal Home Video 1409

HOW I REMINISCE OVER YOU: THE PRE DIGITAL ERA

Posted by Billyjam, June 30, 2007 10:54pm | Post a Comment
nirvana nevermind
Once upon a time in ye olde pre-digital days, music fans would have to trek to their local record store on a certain day, usually a Tuesday, to acquire new music. It was the only way. And in the great new documentary Good Copy Bad Copy, the sample-happy artist Girl Talk reminisces about those long gone days when some of his fondest memories were formed. In the film he recalls when as a kid he was accompanied to the record store with his parents to buy the then new Nirvana CD Nevermind and how, sadly, that this nostalgic relationship no longer exists for most young blossoming music fans today.

Directed by European Andreas Johnsen, the engaging Good Copy Bad Copy, which so far has only been seen on the Danish Broadcasting Corporation television station, is a well worth watching documentary about music, copyright, and culture, and where it is headed. The one-hour documentary also features interviews with Danger Mouse, Siva Vaidhyanathan, Lawrence Lessig, and others. Below is a clip from the film. Fittingly, this film, which is supportive of copyright free file sharing, is available for free download. You can access the torrent of the XviD version at The Pirate Bay on the site goodcopybadcopy.net. However, since the film producers have still only recouped a quarter of their production costs, they do request a donation -- but only if you liked the film. And I think you will. 


For even further info, check out rosforh.com. On their homepage you can also check out clips from another good music-related documentary, Curtain Raising: Musicians in East Africa.

(In which Job wrestles with his subconscious mind and recommends an album.)

Posted by Job O Brother, June 30, 2007 08:17am | Post a Comment
It’s seven-thirty in the morning; I’ve just rolled out of bed after a weird and ultimately unhelpful dream about being accidentally tossed off the Thunder Mountain Railroad ride at Disneyland, after which I ended up drenched in water and yelling at Timothy Dalton, who was working as a security guard, for not believing that their stupid ride malfunctioned and landed me in a private parking garage.

Seriously. That’s what I was dreaming. Is it any wonder I’m awake an hour before normal? I mean, who needs that kind of crap? I am like, totally giving my subconscious mind the silent treatment today.

Two things are helping salvage my mood. One is writing this to you, of course. The other is listening to Jobriath.


This dude’s story is mostly tragic; one of the casualties of the music industry. He was glam at a time when glam had just started retiring. Bowie had already reinvented himself as a Zoot-suit wearing soul singer. Even so, Jobriath was promoted by Elektra Records as though his debut album would be more popular than The Beatles, and subsequently, God.

His half-naked frame was plastered all over cities at a time when we weren’t used to seeing such things. (I mean, nowadays it’s like, “Oh, a huge billboard of two, scantily-clad beefcakes frolicking in a pool together… in an advertisement for Toilet Duck.”) Jobriath’s first album was inescapable, and it hadn’t even been released.

So that, when it finally did hit the shelves, though it was critically acclaimed by many, it couldn’t live up to the hype that had come before it. Jobriath was eventually abandoned by his management and lived the rest of his life out in relative obscurity; his major legacy being an example to record companies on how NOT to handle a new act.

Madman

Posted by phil blankenship, June 30, 2007 12:39am | Post a Comment
 



Thorn EMI Video TVB1733
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