Amoeblog

AMOEBLOG INTERVIEW WITH DOSEONE OF SUBTLE

Posted by Billyjam, June 13, 2008 03:42pm | Post a Comment

Oakland band Subtle pictured left to right: Jordan Dalrymple, DoseOne, Alexander Kort, Jeffrey 'Jel' Logan, Marty Dowers, and Dax Pierson.

In 2004 Subtle released A New White and in 2006 they dropped the second installment, For Hero: For FoolVery recently they released their third full-length, Exiting ARM on Lex Records. Amoeblog caught up with DoseOne to learn more:

AMOEBLOG:
For those who may just now be hearing your band's music for the very first time, can you bring them up to speed on what Subtle is all about and in particular the central character Hour Hero Yes? Additionally, how important is it to be familiar with the previous two Subtle albums, with their ongoing intricate themes, to fully appreciate Exiting ARM? In other words, is it like that TV show 24 where if you missed the previous episodes you feel kind of left out in following the storyline?

DoseOne: To be honest: all along we have woven these themes and motifs into the music knowing that the music should also remain accessible from any point in listening. These works should be accessible as both a work of song and as a timeless four minute chunk of layered creativities. So that being said, there is by no means "homework" that comes with Subtle records. It's meant to be rich and abound with things to interpret: next decade proof, if you will.

Otherwise the lore runneth over. Hour Hero Yes is a modern man. As flawed as he is brilliant; both hero and fool. The three Subtle full-lengths follow his arm and ascension entirely. A New White is the writings of the shell and man Yes once was, the man he must reconcile with. It all takes place in one bedroom in
Oakland. And as his quest for self intensifies, his one bedroom begins to come to life as his night terrors and day dreams begin to flood with omen and creature. At the end of A New White, Yes opens his door and takes to the world, fear at his back.

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Artists in the Workforce: 1990-2005

Posted by Whitmore, June 13, 2008 01:21pm | Post a Comment

"Artists in the Workforce: 1990-2005," a 140-page study, was released this week by the NEA and is the first nationwide look at artists and their demographic and employment patterns in the 21st century. The report profiles eleven different artistic occupations, including actors; announcers; architects; art directors, fine artists and animators; dancers and choreographers; designers; entertainers and performers; musicians; photographers; producers and directors; and finally writers and authors. The study draws its conclusions from the U.S. Census Bureau data and other government agencies and arts organizations. Here are some of the NEA’s findings:

Numbering almost two million, artists are one of the largest classes of workers in the nation, representing 1.4 percent of the U.S. labor force. As a group, artists number only slightly less than the U.S. military’s active-duty and reserve personnel, which stands at about 2.2 million. Based on the findings in "Artists in the Workforce," artists earn some $70 billion annually, but the median income from all sources in 2005 for an artist was $34,800, higher than the $30,100 median for the total labor force, but well under the average for professionals of $43,200. And artists generally earn less money than workers with similar education levels.

Between 1970 and 1990, the number of artists more than doubled, from 737,000 to 1.7 million -- a much larger percentage gain than for the labor force as a whole. Between 1990 and 2005, the growth of artists slowed to a 16 percent rate, about the same as for the overall labor force.

Some of the findings were a little surprising. For example, computers have apparently led to a decline in traditional visual artists. There was a huge jump in those who identify themselves as "designers," which includes Web designers. The number of art directors, fine artists and animators fell from around 280,000 in 1990 to around 220,000 in 2005. Designers, nearly 40 percent of all artists, increased from around 600,000 to around 780,000.

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THIS IS FUNK. THIS IS NOT FUNK

Posted by Billyjam, June 13, 2008 01:09am | Post a Comment
Exhibit A
THIS IS NOT FUNK:

Blame it on the music? Maybe. But watch the first video below and ponder the fact that for such a large gathering of "dancers," nary a one possessed even a grain of soul or funk in their groove. And was that the electric slide?

Exhibit B
THIS IS FUNK:

May James Brown rest in peace, but his music, the funk and nuthin' but the funk, lives on, especially when it's James Brown and band live in concert. For best results, play Exhibits A and B together with sound down on Exhibit A.    
 
Exhibit C 
THIS IS NOT FUNK EITHER:

Classic episode of The Larry Sanders Show where Wu Tang Clan are guests and during sound-check beloved dufus sidekick Hank "hey now" Kingsley (actor Jeffrey Tambor, right) comes out on the set to introduce himself to the group, with their CD in hand -- one song off which he particularly likes. At the end of this hilariously disastrous encounter, Jon Stewart apologizes to the group on behalf of his people. 

Put your THIS IS FUNK or THIS IS NOT FUNK in comments below-- include video or images or links.

Exhibit A: 
 

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Worldwide Underground

Posted by Gomez Comes Alive!, June 12, 2008 11:54pm | Post a Comment

I am very proud to be a part of Amoeba Hollywood's very own World Music DJ series. Worldwide Underground starts this Sunday from noon to one p.m. Every Sunday we will explore a different sound from across the world. Most of the DJ's participating make their living spinning at various hot spots around Los Angeles. Worldwide Undergound is a chance for you to check them out playing music that is near and dear to their hearts. All of us participating will attempt to cross every musical & cultural border possible.

Below is a description of the series, the DJ's biographies, as well as links to their websites and the clubs they spin at.

Amoeba’s World Music DJ Series! Beginning on June 15th, Gomez Comes Alive! brings Worldwide Underground to Amoeba Hollywood! The sounds start at noon and include everything from Afro-Beat to Turkish Psychedelia to Reggae en Espanol and beyond. Special guests and surprises galore!


EVERY SUNDAY BEGINNING AT NOON
AT AMOEBA MUSIC HOLLYWOOD

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Burial Ground Saturday Midnight At The New Beverly !

Posted by phil blankenship, June 12, 2008 10:17pm | Post a Comment
JUST ADDED !





Saturday June 14


The Italian Zombie Masterpiece!


Burial Ground

aka Le Notti del Terrore
1981, 85 min.


New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
Midnight, $7



 


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