Amoeblog

Total Eclipse of the Heart

Posted by Miss Ess, April 30, 2009 11:24am | Post a Comment
We've all had that moment...the moment when you are in the grocery store or the bank or the donut shop, somewhere completely banal, where you are hidiously bored and spacing out...when, suddenly, something glorious happens...


Out of nowhere, a song appears that you hadn't heard or even thought about in years and from that moment on there's a little spring in your step as you cruise the aisles or order your coffee and maple donut. Suddenly the sad state of your bank account seems a tiny bit less crushing. These are the kinds of songs you find on soft rock radio and probably nowhere else unless your record collection is all-encompassing, the kind of songs that had their day and went away for the most part.


Joltingly they arrive again, searing into your brain for potentially the rest of the day. All pretense disappears, washed away by the sheer sincerity of the song, and the day becomes instantly brighter. The chance of it all gets you momentarily giddy.

For me, because of my age, these songs are overwhelmingly from the 80s, and also overwhelmingly and somewhat oddly from Whitney Houston, with some exceptions of course.


One of my absolute favorites that I always forget about somehow (though I am sure the legions of mega Cure fans never do) is The Cure's "Lovecats." Robert Smith's voice is one of the best ever:

My Bodyguard Saturday At The New Beverly!

Posted by phil blankenship, April 29, 2009 08:04pm | Post a Comment

Amoeba Music and Phil Blankenship are proud to present some of our film favorites at Los Angeles’ last full-time revival movie theater. See movies the way they're meant to be seen - on the big screen and with an audience!




Saturday May 2

My Bodyguard

Director Tony Bill IN PERSON, schedule permitting!

Terrorized in the toilets? Chased after school? Shaken down for lunch money? Get a bodyguard!


New Beverly Cinema
7165 W Beverly Blvd
Los Angeles, CA 90036
11:59pm, All Tickets $7




May
May 9 License To Drive
Corey Haim & Corey Feldman - Some guys get all the brakes!

Friday May 15 The Car
Midnight Shock copresented with Shock Till You Drop

May 16 Freaked
Alex Winter in person! EXTREMELY RARE 35mm Print!

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SUPREME COURT RULING WASTE OF FLEETING EXPLETIVE RESOURCES

Posted by Billyjam, April 29, 2009 07:17pm | Post a Comment
cher
Yesterday, as the serious threat of the swine flu epidemic loomed even larger over the nation and while the economy sunk even deeper in its dismal downward-spiral, the public servants at the US Supreme Court, as a result of actions by the public servants at the FCC, wasted more public time in their drawn-out debate of  the use of so-called "fleeting expletives" on US airwaves.

The 5-4 ruling, which endorsed a Bush administration Federal Communications Commission (FCC) policy, upheld a federal prohibition on the one-time use of [fleeting] expletives in a case arising in part from words uttered by Bono, Nicole Richie, and Cher. It was at a live television broadcast of the 2002 Billboard Music Awards show on Fox TV that Cher, while at the podium accepting an Artist Achievement Award, and in response to critics who had said her career was dead, famously said, “People have been telling me I’m on the way out every year, right? So fuck ‘em.”

Was Cher right in what she said? Probably so (about the critics) and good for her for expressing her honest views. But should she have cursed on a family viewed TV show? Probably not, but it is not a huge big deal in my opinion-- not one that deserves so much attention and resources poured into it, especially during these critical times. Cher's one-off use of the F word on a live show or Bono's equally blown-out-of-proportion use of the same word in adjective form (as in “this is really, really, fucking brilliant”) at the live NBC televised 2003 Golden Globe Awards, which the FCC ruled as “indecent,” and hence deserving of a fine, are both non-issues that should not have caused such a fuss. But as they stand, they are a most important issue since they address the First Amendment.

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New 12" Electronic Releases at Amoeba Hollywood - 5/01/09

Posted by Oliver / Matt / Jordan, April 29, 2009 05:37pm | Post a Comment


Get em now while you can! Early Techno classics!!

Model 500 Records Coming Back In Stock:


-Model 500 - BE BRAVE 12" RS98135 EXC

-Model 500 - BE BRAVE REMIXES 12" RS98135X

-Model 500 - CLASSICS DLP RS931LP EXC

-Model 500 - DEEP SPACE DLP RS95066 EXC

-Model 500 - I WANNA BE THERE 12" RS96084 EXC

-Model 500 - MIND AND BODY DLP RS99145 EXC



Also, New Electro 12"s Coming In This Weekend:


Deepgroove - THE CLOCK 12" (remix by JAMIE ANDERSON)(Rekids)
REKIDS037 EXC
"This one's idiotproof," laughs JOSH WINK. "THE CLOCK" is pure tech house magic, with a dancefloor stormer remix from BEN KLOCK. DEEPGROOVE & JAMIE ANDERSON also record under IDIOTPROOF, and carry the same sensibility over to their housier productions. This is an anthem!

Delphic - COUNTERPOINT 12" (R & S)
RS0903 EXC
DELPHIC are the missing link between CHEMICAL BROS & NEW ORDER, between UNDERWORLD & MUSE. On "COUNTERPOINT," they offer an epic, ravetastic moment produced by EWAN PEARSON. Includes a tech house bumper remix from THE CHAIN and PAUL WOOLFORD offers a heavy hitting techno mix. Incl. a dub.

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AWAYDAYS' SOUNDTRACK: REMINDER OF UK POST-PUNK'S GREATNESS

Posted by Billyjam, April 28, 2009 09:40pm | Post a Comment

Due out next month, the new British movie Awaydays based on the Kevin Sampson book of the same name, looks like it might be a pretty good flick. Definitely good, really good, is the soccer hooligan film's accompanying soawaydaysundtrack, which is predominantly UK post-punk, circa late seventies -- the period in which the film's story line unfolds.

Awaydays, as its name implies, is about the football (soccer) game days when a team plays away from home in their opponents' towns; when their diehard thuggish fans follow them, they cause mayhem along the way. The fans in this case are The Pack in the far from glamorous Birkenhead corner of Britain. It is 1979 -- the same time that the unpopular conservative Margaret Thatcher had just begun her reign as prime minister -- so there is a lot of angst and aggro in the grim Northern English wasteland air.

If the above trailer, in which Awaydays is described as a "Control meets This Is England," is even halfway right then it should be a damn good film since each of those were very good films: both the Joy Division biopic and the early 80's skinhead and National front era films, that were each also set in that same rough time period -- and set against a sparse, overcast grey English backdrop where music (as well as booze, drugs, and sex of course) offered escapism from life's bleak reality.

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