Amoeblog

Chico Mann

Posted by Gomez Comes Alive!, June 28, 2009 01:59am | Post a Comment
Chico Mann, aka Marcos Garcia, has a new album. However, like many releases these days, it is only being released digitally. However, Amoeba Hollywood was fortunate enough to get a few CD copies of the tour edition of his latest release, Analog Drift Muy Esniqui, straight from the man himself.
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Analog Drift... recalls the days back in the 80's when musicians from the U.S. and England started listening to African and Cuba music. Artists such as The Talking Heads, Grace Jones, Hector Zazou and even Michael Jackson had elements of African music in some of their biggest hits. Chico Mann merges his love of funk and freestyle with Afro-Beat and Afro-Cuban music making this an infectious low-key dance record.

Part of this album's appeal is its marriage between lo-fi and hi-fi. On one hand we have Marco with the Casio and hand claps; then you have collaborators such as Victor Axelrod (better known as Ticklah), who is a highly sought remixer as well as a former member of Sharon Jones And The Dap-Kings and current keyboardist for Antibalas adding his thing to the mix. Also, the album is vocal rich, with Marco performing most of the vocal duties with help from Mayteana Morales (Akoya Afrobeat, The Pimps of Joytime) and Vinia Mojica, who sang back-ups on many classic 90’s Hip-Hop albums by artists such as A Tribe Called Quest, De La Soul, Jungle Brothers, and last but not least, Mos Def and Talib Kweli.

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Favorite Sesame Street Collaborations

Posted by Gomez Comes Alive!, June 28, 2009 01:12am | Post a Comment
Johnny Cash W/ Oscar The Grouch- "Nasty Dan"


Celia Cruz- "Songo Song"


Stevie Wonder w/ Grover



Ray Charles w/ Bert & Ernie - "I Got A Song"


Los Lobos w/ Elmo - "Elmo & The Lavender Moon"

STARTIN' SOMETHIN': DEATH STARTS NEW CHAPTER IN MJ's CAREER:

Posted by Billyjam, June 27, 2009 05:40pm | Post a Comment
MIchael Jackson R.I.P.
"What hit me most about hearing the news of Michael Jackson dying was only then I realized just how much he meant to me, how much his music was such a part of my life," confided my friend Eboness from New York by phone on Thursday evening, just hours after the shocking news of the pop star's passing had clogged all channels of communication. 

One of the many friends and acquaintances who seemed compelled to reach out and talk MJ on Thursday and in the days since, Eboness is 38 and lives in Harlem. Like so many people out there, she grew up on Jackson's music.

She said she and her mom had just come from 125th Street, where a growing crowd was gathering en masse outside the Apollo Theater to spontaneously mourn alongside total strangers in the shared sadness. As Jackson's music boomed from speakers up high, the teary eyed crowd below, with sunken shoulders, sang along to every lyric.

Thursday afternoon's shocking news of MJ passing caught everyone off guard it seemed. When I got that first text on my phone sometime after 3pm from my friend Timi D... which read "Michael Jackson just died???" I thought that maybe it was some of kind of prank or inside joke about the oft mocked star. Maybe it had something to do with his string of upcoming UK concert dates, I theorized as my Google search quickly confirmed the tragic news, with reports citing either the LA Times who broke the story or leading gossip news site TMZ that simultaneously reported on the same story. And when I next logged on to my email, my inbox was overflowing with messages with MJ's name in the subject box. I then clicked on the Amoeblog, where I saw that Whitmore had just posted the news. That was about 3:15 or 3:20 pm on Thursday; by then the news had already spread like wildfire via news and gossip sites and of course via Twitter, Facebook, and every other social network. Michael Jackson thriller

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Parkway Pumpin - Be Pumpin' Hits Like its Motown

Posted by Eric Brightwell, June 27, 2009 04:34pm | Post a Comment
Parkway Pumpin Records logoAlthough many independent labels appeared in the wake of New Orleans's 1991 bounce explosion, Parkway Pumpin' was one of the first. It was also one of the most influential stables of talent, although the limited finances of KLC (the man behind the boards) resulted in precious few recordings. When Master P relocated No Limit from Richmond, California to New Orleans, most of the original roster (aside from his siblings) was taken directly from the legendary Parkway label.

Most of Parkway Pumpin's associates never got around to recording with the label. Artists like Fiend, Mac (as Lil Mac The Lyrical Midget), Mystikal Mike (as Mystikal), Mr. Serv-On and Da Hound (Da Gert Town Hounds/Full Blooded) all went on to record popular records at No Limit without having anything released in their time at Parkway Pumpin'. Only one future No Limit Soldier did, Soulja Slim.

39 Posse
39 Posse cassette
The first act to record on Parkway Pumpin' was 39 Posse, a trio comprised of Shack, DJ KLC and MC Dart. Shack was born Derrick Mushatt in 1970. He grew up in a large family with nine siblings. When he wasn't working, he often rapped at parties. MC Dart's real name is Dartanian Stovall.

Untouchable Records - down wid it cuz we bound to get it

Posted by Eric Brightwell, June 27, 2009 01:15pm | Post a Comment

Untouchable Records was one of the many New Orleans rap lables that sprang up in the early nineties after the advent of bounce. A small label with a roster of musicians that, for the most part, came and went as they pleased, they nonetheless featured some of New Orleans' biggest, most notable talents. It was
started by Al "Rock" Capone; he also handled some of the production of the mostly downtown roster.
Most of their production was handled by Gary "Ozone" McKee, as well as the Tombstone-associated Merrill "Real Roc" Robinson, and even Cash Money's prolific genius, Mannie Fresh.

West Syde Gz Pimp Dogg Forever Loaded

1994
The first release on the label was Raw II Survive's West Syde Gz, produced by Merrill "Real Roc" Robinson, L.O.G. and Swift. With titles like "Crippin' in da Darkness" and "West Syde Gz," you might assume that it has a west coast sound. Rest assured, it's unmistakably New Orleans. It's also solid but not especially memorable, perhaps hampered by its very low budget sound. 

Also released in 1994, 9th ward rapper Pimp Dogg's Forever Loaded (produced by Double O, San Quin and L.O.G.) is the winner of the two. I'm not sure who influenced who, but it's got a gangsta bounce sound at times very similar to Fila Phil with the dynamics of Mr. Ivan and 6-shot.

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