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Mackned Seeks to Conquer Beyond the Digital Sphere with his Debut Album "Born Rich"

Posted by The Bay Area Crew, August 18, 2016 08:18pm | Post a Comment

Mackned-- By doubleay

Seattle-based artist Mackned has been making waves in the digital realm of underground hip-hop for several years and is now looking to extend his reach with the release of his debut album, Born Rich. The duality of Mackned’s rapping and vocal capabilities have garnered his digital releases tens of thousands of views, generating a ton of buzz in the underground scene. The multifaceted artist’s dynamic vocals and songwriting skills present a substantial depth to his music that is often not heard in other artists’ works in underground rap music. A talent to be reckoned with, Mackned typically has his hands on all aspects of his music. Whether writing, rapping, singing, or producing, he’s constantly working to create. Both his countless solo releases and stand out collaborations with his Thraxxhouse group have driven him to connect with reputable rappers along the likes of Chief Keef, Larry June, and Nacho Picasso, and producers Ryan Hemsworth and Tommy Kruise. After making a name for himself in the digital underground, Mackned seeks to conquer beyond with his album debut. To find out more about Born Rich and the man behind the project, I interviewed Mackned.

Amoeblog: Tell me about your debut album, Born Rich. Who were you working with and where were you recording?

Mackned: Well, I was working with Flavr Blue. I had a lot of homies in the studio with me help writing and it was all just so organic. A lot of the album was recorded in NYC which made it brazy. Besides myself, my go-to engineer is Parker Joe who is one of the trio Flavr Blue. There were a couple features on there including my big homies up in Canada and some others. Keyboard Kid co-produced the track “Born Rich” on the album, which I thought was cool seeing how he’s in my group Thraxxhouse.

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Joel Selvin Discusses Altamont at Book Passage Corte Madera, August 18

Posted by The Bay Area Crew, August 15, 2016 07:14pm | Post a Comment

Altamont, Joel SelvinOn Thursday, August 18th, rock journalist Joel Selvin discusses his new book Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day at Book Passage Corte Madera (51 Tamal Vista Blvd., Corte Madera, CA) at 7:00pm.

Selvin's cultural history tells the definitive story of The Rolling Stones’ infamous Altamont concert with exclusive and never-before revealed details.The Altamont Speedway Free Festival, held on December 6, 1969, has long been seen as the distorted twin of Woodstock—the day that shattered the Sixties’ promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the biker club hired as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth...until now.

The product of 20 years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring 16 pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.

More info about the signing HERE!

Amoeba Bay Area & Amoeba Hollywood Share Their Top 5 In-Stores of 2016 (So Far)

Posted by The Bay Area Crew, August 8, 2016 05:32pm | Post a Comment

We're a little past the half-way mark of 2016 already, so it seemed like a perfect time to reflect upon the fantastic in-store shows we've put on at all three of our Amoeba locations: San Francisco, Berkeley, and Hollywood. Each and every live performance we present at our stores is a unique and thrilling experience for the audience and staff, but some shows just have that extra bit of magic to make them stand out as our favorites. Enjoy our lists of top five in-store shows of 2016 (so far)!

Amoeba Bay Area: San Francisco & Berkeley

The Mystery Lights at Amoeba SF: July 31, 2016
Every so often we book a band right before or just as they explode onto the scene in a big way. Although The Mystery Lights has put out a couple of releases since 2009, the NY-by-way-of-Salinas, California band just released their self-titled debut on Daptone Records' new subsidiary Wick and it's gaining momentum. Their sound is sinister garage - the darker side of the '60s Nuggets, Pebbles, and Back From The Grave comps. Think the proto-punk of The Seeds, The Sonics, Jesters of Newport. Unlike many garage rock revivalists, The Mystery Lights don't just recreate the sound; these guys channel it spiritually, putting on a raucous show led by the howling, jumping, guitar-wielding Mike Brandon.

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Two Huge New Vinyl Buys Hit Amoeba SF

Posted by The Bay Area Crew, August 1, 2016 07:04pm | Post a Comment

Beatles' Butcher CoverAmoeba SF is rolling out prime slabs of vinyl from two huge LP collections we recently acquired!

The first haul is from a friend of Amoeba's whose main collection focus is on guitar: Rock guitar, Jazz guitar, acoustic Blues guitar, Country guitar...you name it and if it has a guitar it's probably represented here. There are over 5,000 LPs in this acquisition and many are original issues and are mostly in near-mint condition!

The second haul is an even larger collection (squeeee!) and the selection is wide-ranging, including Punk, Soul, Jazz, Rock, Lounge, Classical, audiophile recordings, and more. There are over a hundred Beatles LPs alone, including a couple of Butcher covers! Let's just grab a handful randomly and see what we get: Nico, Operation Ivy, Gene Clark, Otis Redding, and Carla Thomas - all original and in great shape!

Visit Amoeba SF today and often to experience the gradual unveiling of these two ginormous additions to our stellar in-store stock.

Sun Ra, Saturn Label

Selections from Sun Ra's Saturn label.

Essential Records: "Kaleidoscope World" by The Chills

Posted by The Bay Area Crew, July 31, 2016 07:28pm | Post a Comment

Essential Records The Chills

In 1985, The Chills played a few nights at the very non-glamorous central Christchurch booze barn, The Carlton Hotel, and like I did for most bands on New Zealand's illustrious Flying Nun label at the time, I trudged down to check 'em out. I'd seen quite a few of their shows since their formation in the early '80s, but this one was different. They were always good, but this time I felt like something really special was happening, maybe even a kind of genius (much as I hate using that word).

This was the 9th or 10th lineup of the band, but this one - with original bass player Terry Moore back in the band, human metronome Alan Haig (later of Snapper) on drums, and colorful keyboardist Peter Allison - was the one where it all fell into place for me and the other over-capacity 500-odd people there (Fire code? What fire code?). They moved from their most quiet moments (delicate pieces of Beatles-y/Left Banke/Summer of Love-style whimsical psych) to an increasingly roaring cacophonous sound that filled the bar (and my poor ears) with awe. Where was it coming from? With only one guitarist? (There's still largely unrecorded songs from this period, like "Frozen Fountain" and "Silhouette," that would wipe away once and for all the notion that the band was the "poppy" Flying Nun band.)

Martin Phillipps was the songwriter, guitarist, and autocrat of the band, and, although he would never beFlying Nun Records accused of being the most alpha of males, was directing the traffic that night just as single-mindedly as he directed the evolution of his band (check out In Love With These Times, Flying Nun founder Roger Shepherd's excellent memoir, for a good take on Phillipps' rationale for the many lineup changes through the '80s and beyond). I knew Martin a little (mostly from a recent lengthy Steinlager-fueled interview at his Dunedin home, a consequence of my part-time gig as music writer for The Christchurch Press) and he was happy to admit he was fascinated by fantasy and comic books, but at the same time was fiercely adamant that The Chills were not just pure escapism...a claim backed up by the "Doledrums" 45 that addressed the dole (Government unemployment benefits) culture in NZ at the time.

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