El-Haru Kuroi - Cantagallo
Best Of The World Music Releases That NPR Likes:
Juana Molina - Wed 21
Best World Fusion Album:
Bombino - Nomad
Best Retro World Release:
William Oneyeabor - World Psychedelic 5: Who Is William Onyeabor?
Best Reissue World Release On LP
The entire Manu Chao catalog on LP!
Best New World Release On LP
Meridian Brothers - Devocion (Works 2005-2011)
Radio Sombra now has over twenty shows with the archives of past shows now running 24/7 in between the live shows. All radio shows pays dues for the upkeep of the station and equipment. Each show is required to run independently, with each host getting a course on how to engineer their shows and uploading them once completed on radiosombra.org. The shows vary from social/political talk shows to music shows specializing in every genre of music imaginable. There are youth programs that teach students from local high schools how to run their own shows as well as an ongoing achieve of interviews from important voices both locally and internationally.
Saturday’s broadcast was twelve straight hours of live programming. Starting at 11 am with This Is Not A Radio Show with Omar Ramirez & Gabriel Tenorio and Ending with Heartbreak Radio with Lady Imix & DJ Phatrick at 11 pm. Other shows that participated were AF3IRM Radio, an anti-imperialist transnational feminist national women’s organization. This was followed by O Lo Siento, a 90’s noise rock revival and platform for new groups personally recorded by studio engineer Eddie Rivas. Beatific Audio followed by DJ Cezar, a mixture of jazzy funk, hip-hop and social consciousness, Small Talk From Sapo is hosted by Moises Ruiz, aka Sapo, which on that day was a tribute to all the great jazz organists, all from vinyl. Steady Beat For Lovers by Mali is exactly what the name entails, a sweet blend of Rocksteady and Lover’s Rock. Nicotina hosted by Nico Avina, always plays political fueled rock and folk in Spanish and English. I did a set for Discos Inmigrantes, an all vinyl set of my favorite jams from past shows. Social Machine Broadcast with Becky & Dewey plays mostly powerful female-led rock in the first have and punk and metal in the second half. Heartbreak Radio closed it out with a set from DJ Phatrick followed by another tearjerker set by Lady Imix.
Herb Albert & The Tijuana Brass-"This Guy's In Love With You"
From the album, The Beat Of The Brass
Written By Burt Bacharach and Hal David
This song brings back my earliest childhood memories.
My sisters were old enough to attend school and I was still too young, even for the Head Start program. I stayed with my mother as she worked from home sewing wedding dresses for a bridal shop in Gardena. To keep her company, she would put the radio on a easy listening station that was dominated by Burt Bacharach compositions.
Celebrating its 8th annual Dia De Los Dead celebration is the crew from Eastside Luv. What makes their event impressive is they pay for it all out of pocket. No corporate sponsorships, no city money and the event is free! Last year’s celebration was the first to be done outside of the bar and in the streets of Boyle Heights surrounding The Mariachi Plaza. This year the event adds another stage, more vendors and a full-liquor/beer garden. The line-up is impressive. Mexican Institute Of Sound, with record digger, beat maker and always fun Camilo Lara. Camilo will also do a DJ set inside the bar Eastside Luv after the event. Nina Dioz, straight reppin' on the mic from Monterey, Mexico, Familia Valera Miranda out of Cuba, Chicano Son featuring Alice Bag with guest Bob Robles (Thee Midniters) Los Diablos, who are a classic grupera that played started in 1969 that in their heyday played a wide spectrum of the Mexican-America experience. They play Rancheras, Disco, Boleros, Santana-esque rock, soul cover in Spanish, Grab you abuela and get ready to dance!
As she is doing it, she is listening to music through Spotify, which most people her age do rather than download or buy physical product. She is playing The Stooges “I Wanna Be Your Dog” I can hear it through her door from the adjacent kitchen as I wash dishes. She repeats the song. When it was over, she repeats it again, then again. I finally knock on her door and say, “You know, there are plenty of great Stooges songs besides that one!” She opens the door, looks at me slightly embarrassed but then defends herself. “I’m listening to the Iggy Pop anthology and this is the only song I like. The rest of it is too poppy, like The Ramones”
I slightly gasp. Not that she couldn’t be any more wrong about The Stooges but she based her opinion from Iggy Pop's Anthology? It’s like basing a writer's’ entire work on CliffsNotes. I told her to listen to the entire Funhouse album from beginning to end. I remember that album scaring me. It was so raw, so bluesy, so primal, that I knew by listening to it that my life would never be the same. I was right. It was like a hex or voodoo, maleficio, a Fukú, something, was put on me once the first notes of that album played on a cassette player in my friend’s car. I remember listening to Iggy's guttural screams, Ron Asheton's complete mutilation of his guitar, the unrelenting trance that was the rhythm section and thinking, "Wow" Not to mention the free jazz sax on some songs, altogether it was a mind-blowing experience for my young head.