Amoeblog


Mimes in music and film

Posted by Eric Brightwell, November 8, 2008 09:12pm | Post a Comment
mimes

Last year for Halloween I was Bip the Clown, a famous creation of the then recently passed master of mime, Marcel Marceau. I thought it would be good to go an entire day without talking, yet it seemed to arouse violent annoyance in as many people as liked it.


 
I think it made me realize that I like mime, especially when it's darker and scarier... as in the mimetic acting of German Expressionist silent film... as well as comedians like Buster Keaton, Harry Langdon, Harold Lloyd and Charlie Chaplin, who were all essentially mimes. And, come to think of it, so was Cesar the somnambulist in Das Cabinet des Dr. Caligari... whom I was for Halloween a while ago, come to think of it.


Mime has its roots in ancient Greece but most conventions of modern mime were developed by the Bohemian mime, Jean-Gaspard Deburau, who adapted aspects of the commedia dell'arte for nineteenth century French actors. His most famous character was Pierrot, the moonstruck, dumb romantic in white face and poofy threads. He was portrayed in Marcel Carné's Les Enfants du Paradis.

Etienne Decroux

In the 1920s, Étienne Decroux created a highly original take on mime, focusing on statuary poses, a technique known as corporeal mime.


 
Jacques Tati worked, not surprisingly, as a mime. As a director, he mimed out his actors' movements.




Lindsay Kemp
was raised in Yorkshire, an area whose green moors and dales have earned it the nickname "God's Own Country." At Bradford Arts College he studied with famous Austrian dancer Hilde Holger and even more famous mime, Marcel Marceau. His take on mime was experimental, nightmarishly creepy, psychedelia and Butoh-informed and part of that whole anarchic, vaugely-sinister, druggy whimsy that seems to be evident in so much late '60s/early-'70s British stuff from the final scene of Blow-Up to The Prisoner. He had a small role in the druggily whimsical The Wicker Man as well as Velvet Goldmine and others. His troupe employed David Bowie and Kate Bush.

David Bowie


Peter Gabriel
is an admitted fan of Kemp and Marceau and, especially in Genesis, he was a mimetic performer with a stock of mime-ish characters. 



Steve Harley
, in Cockney Rebel, frequently incorporated aspects of mime into his performances. And he always chewed gum, it seems.


Jobriath
was obviously informed by mime, mentioning Pierrot numerous times and striking mime-like poses in pictures. He seems a bit nervous here, but there isn't that much footage of him performing and he seems to get a little more comfortable and mime like as it goes on.


Renato Zero
, hailing from the home of the commedia dell'arte, has clearly a been inspired by mime.


Klaus Nomi
's look, his movements and performance all have a distinct air of mime about them.


Kate Bush


 

Marillion's Fish seemed fairly mime-informed... and perhaps owed a little to Peter Gabriel.

I think that part of the reason mimes are so broadly detested is that most people who practice it are just sidewalk performers in whiteface trying to get paid for doing charades. Plus it's just sort of a comedy cliché, like midgets biting peoples legs. Shakes the Clown certainly addressed it, as has Reno 911 and millions of struggling comedians and bloggers.


 
More postive portrayals of mimes do exist in film. Consider:

Hildur and the Magician (1969), Le Monde Etait Plein De Couleurs (1973) and Sueño de Noche de Verano (1984)

Relevant Tags

Marcel Marceau (2), Mimes (1), Movies (46), Film (77), Music (15), 1960s (43), 1970s (41), 1980s (50), Prog (2), Glam (8), Lindsay Kemp (1)