A friend's mother used to have one of those tacky plates expressing homilies hanging up on her kitchen wall. Hers read, "Lord, if you can't make me thin, please make all my friends fat." There's a sort of religious fanatic's wish fulfilling fantasy expressed in that message, namely: "I don't want to be happy, but others to be more miserable." Only, it doesn't quite get the desire for power correct; more accurately, it should've read, "make my friends fatter than me." Peter Parker would've hardly captured the dork imagination had he only been given the strength of his high school arch-nemesis, Flash Thompson. No, he needed to become vastly superior. A thought experiment regarding this fantasized superiority complex comes by way of Fernando Meirelles' film adaptation of Nobel-laureate Jose Saramago's novel, Ensaio sobre a Cegueira (An Essay On Blindness). I haven't read the book (too busy with comics), but it sounds pretty close to the film's.
The story takes place in the not-too-distant future in an unnamed city where an epidemic of "white blindness" breaks out. The afflicted characters describe the blindness as swimming through milk, and the grey shapes fading into a white fog digitally created for the camera eye reinforce this description. A more allegorically rich name for the film might've been The Ganzfeld ("whole field"), since the affliction bears a close resemblance to the old gestalt effect of creating a sort of snowblindness with a homogeneous distribution of light across the retina. The ganzfeld parallels the redistribution of power relations among the blind and the seeing within the story. As it were, "seeing the light" no longer has any beneficial effects for the sighted (just as belief in a god has no real moral benefits for the religious, if the millennia-old Christian support for torture is any indication).Continue Reading
If my 12-year old self thought it was even remotely possible that several of my favorite Marvel superheroes would not only have their own solo movies fronted by big Hollywood celebrities, but one day all appear in the same movie as one big multi-movie universe event, I would’ve lost my mind. And, hell, even now in my 30s the fact that The Avengers movie exists makes me lose my mind! Back when Marvel kicked off the first batch of their self-produced films with Iron Man, the slim glimmering hope that it would lead to The Avengers was there, but I don’t think any of us comic book fans actually thought it would happen. The fact that it did, and that writer/director Joss Whedon, creator of Buffy The Vampire Slayer and Firefly, managed to pull it off and make it into one of the biggest and thoroughly entertaining action blockbusters of the summer is a miracle.
What’s great is all the other Marvel movies have been leading to this. If you’ve been watching along with Iron Man, The Incredible Hulk, Thor and Captain America, then this movie is all pay off from everything you’ve seen before. Yet it simultaneously works as a stand alone film that any viewer can watch and enjoy because of how well Whedon balances each character's introductions and screen time. It’s similar to watching any ensemble flick and wondering where all these characters came from before the movie. In this case, those movies exist and you can go back to them! But alas, let’s focus on the one at hand.Continue Reading
Zodiac is a smart, taut, and engrossing film about the titular, self-named serial killer who terrorized Northern California in the late ‘60s. The murderer, who was never caught, remains a phantom in David Fincher’s drama; the director of Se7en instead focuses his versatile camera on the men whose pursuit of the elusive, taunting psychopath evolves into obsession over the course of years.
After a bang-up opening – Zodiac’s second attack – the film enters the newsroom of the San Francisco Chronicle, where crime-beat reporter Paul Avery (Robert Downey, Jr.) and editorial cartoonist Robert Graysmith (Jake Gyllenhaal) learn of the killer’s bravado letter to the paper. Soon, a murder in San Francisco pulls lead investigator Dave Tosci (Mark Ruffalo) into the vortex. The action follows the three men as they become increasingly consumed while leads dry up, a key suspect appears, and Zodiac mocks the police and the press as the case drags on.Continue Reading