When you find yourself a fan of a certain actor or filmmaker, isn't it great when you're actually alive at the turning point in their careers? Sounds like a simple and/or silly statement but I, for one, seem to come across the majority of filmmakers and stars late in their careers or after their deaths, which makes accessing their movies a real pain sometimes. When it comes to Ang Lee, I was always impressed by his universal characters and themes. Eat Drink Man Woman is one of the strongest dark comedies from East Asia that I've seen in a while. Likewise, I'd been following the careers of Ledger (Monster's Ball, The Dark Knight) and Williams (Dawson's Creek, Blue Valentine) for some time. The news of them acting in the same film was very exciting, as was the addition of Gyllenhaal and Hathaway, both of whom I'd seen around, but not enough of. When I discovered that the plot circulated two gay lovers, I was a little reluctant. I'd seen The Wedding Banquet, another of Lee's films with a gay theme, and thought that it would be similar. Not that the mentioned film is a bad one, but its execution was very exclusive to a gay male audience, and people who enjoy your typical drama. Most dramas don't exactly move me. In the very least, I think it helps to have been in a similar situation with the characters in the film. Regardless of my feelings, Lee is a director that I like, so I went to see Brokeback Mountain on its opening weekend. From start to finish, I was transfixed and truly unprepared for the experience.
Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) are two strangers looking for work. Ennis is a ranch hand and young Jack is a rodeo enthusiast who rides occasionally. Though both have little to no experience with jobs of great complexity, they meet for the first time and find themselves accepting a job herding sheep across a mountain. Their boss Joe Aguirre (Randy Quaid) has little patience with his new employees and gives them a little rundown before sending them off to a task that will stretch across several seasons. The two men are exact opposites and find it difficult to relate. Ennis is reserved, quiet, and practical. His only interest is getting the job done well and returning home to his fiance. Jack is loudmouthed and chatty, and certainly more friendly than Ennis. This part of the film is considerably slower, taking its time to reveal the mountain terrain of Wyoming. That calm is disrupted when the food rations they collect, which consist mainly of beans and soup, grow tiresome, and the weather changes from summer to fall, then a harsh winter. The two men socialize, but don't exactly grow close; eventually the job requires that they distance themselves and watch over the mass herd from different areas. One night they decide to stay together on the camp and end up having sex. The morning after brings about denial and mixed feelings between them, but regardless, a bittersweet romance ensues. At the end of their job, the two part on bad terms and try to go about their lives.Continue Reading
Donnie Darko is one of the quintessential cult film of the 21st century. It maintains style and story while simultaneously asking the most existential questions relating to God, good and evil, purpose and place. All the while it presents the music, pastimes and feel of the '80s better than films made during the time did. More realistically, at least. It also showcases and/or introduces the talents of an ensemble cast and has a truly righteous soundtrack.
Our protagonist shares the same name of the film. Donnie, the middle child of a wealthy family in Middlesex, Iowa, stands out from his peers and community in many ways. His earlier years, we later discover, were quite troubled. He sees an expensive shrink twice a week and takes medication. He's bright, though hard to discipline in school. He sleepwalks, ending up all over town in various places - compelled by an imaginary man in an eerie rabbit costume who calls himself Frank. One particular sleepwalk allows him to cheat death when a mysterious jet engine crashes into his bedroom on the same eve. The event changes Donnie's life and the lives of everyone around him forever. This is the film's skeleton, more or less. The flesh is much more enticing and can be considered a religious fable of sorts, where Donnie could easily represent Christ and all supporting characters provide an amalgamation of arch-angels, prophets, messiahs, and the anti-Christ.Continue Reading
Zodiac is a smart, taut, and engrossing film about the titular, self-named serial killer who terrorized Northern California in the late ‘60s. The murderer, who was never caught, remains a phantom in David Fincher’s drama; the director of Se7en instead focuses his versatile camera on the men whose pursuit of the elusive, taunting psychopath evolves into obsession over the course of years.
After a bang-up opening – Zodiac’s second attack – the film enters the newsroom of the San Francisco Chronicle, where crime-beat reporter Paul Avery (Robert Downey, Jr.) and editorial cartoonist Robert Graysmith (Jake Gyllenhaal) learn of the killer’s bravado letter to the paper. Soon, a murder in San Francisco pulls lead investigator Dave Tosci (Mark Ruffalo) into the vortex. The action follows the three men as they become increasingly consumed while leads dry up, a key suspect appears, and Zodiac mocks the police and the press as the case drags on.Continue Reading