Movies We Like
Handpicked By The Amoeba Staff
Films selected and reviewed by discerning movie buffs, television junkies, and documentary diehards (a.k.a. our staff).
Picnic at Hanging Rock
What we see and what we seem are but a dream... a dream within a dream.
Picnic at Hanging Rock is one of the first Australian films to break through to an international audience, and it is also one of director Peter Weir's earliest and most important works. Weir would later go on to direct such giants as The Year of Living Dangerously, Dead Poet's Society, and The Truman Show. Picnic at Hanging Rock, mysterious and dream-like, confusing and open-ended, provides a glimpse of this prolific director's early vision.Continue Reading
I enjoyed Pillow Talk but I’m wracking my brain on how to justify why I liked it. It shouldn’t be that hard. It’s a colossally stupid movie to be sure, but then is profundity really the hallmark of a well made Hollywood film? A lot of the best movies produced under the studio system were always the end result of a delicate interplay between cynical studio ridiculousness and genuine artistry. No one would confuse Pillow Talk for a work of art even by Hollywood standards. Frankly I’m not even sure I’d call it a smart romantic comedy. Doris Day and Rock Hudson aren’t exactly Tracy and Hepburn. She is frighteningly perky and he has no comedic instincts whatsoever. What they embody isn’t really depth or wit or chemistry, but instead I think what sold the public on them is how happily “normal” they seemed during a tumultuous era in American history. They were movie stars for the age of television. They weren’t so much of the 1950s as of a perrenial 1950s mindset. If the fifties were the decade where conformity was next to godliness then conventional wisdom has it that Day and Hudson were its thoughtless, grinning poster children—Mr. & Mrs. McCarthy Era.
But their first onscreen pairing in Pillow Talk wasn’t until 1959 which leads me to conclude that instead of being a kind of cultural apex for a dull decade, Pillow Talk was really a last gasp of a reactionary hold over Hollywood. Bonnie & Clyde and the rise of a more sophisticated European art house influenced American cinema were only 7 years away. By 1959 Americans in-the-know were already getting their first taste of cinema in a radically different idiom from the likes of Fellini, Antonioni, Godard, and Bergman to name a few. Pillow Talk, then, is retrograde even by 1959 standards and, as such, was already shorthand for how out-of-touch Hollywood filmmaking had become, fair dismissal or not.Continue Reading
Animal Factory is the story of a young man (Furlong) who gets prosecuted for drug dealing. He is sent to a maximum-security prison, putting his life and soul at stake.
Edward Bunker and John Steppling’s screenplay is raw to the bone writing—not trying to spice up the dialogue, rather providing a very realistic cadence to the way these prisoners speak and interact. The screenplay is based on Bunker’s novel, which was inspired by his own stints in the penitentiary. Modern audiences mostly know the author as “Mr. Blue” in Quentin Tarantino’s debut Reservoir Dogs.Continue Reading
Beastmaster is classic of early '80s swords and sorcery films. Providing all of the staples of the genre, as well as providing some head scratchingly original material. Although it's one of those action films that you really need a sense of humor to appreciate, (Beastmaster is a total B movie) there is a coherent enough story line, interesting characters, and some pretty decent effects for the time, making it clear why this film has, over the years, gained a growing cult following. The Beastmaster begins with 3 disfigured witches peering into a cauldron and casting spells. After seeing a vision, they inform Maax, an evil high priest (Rip Torn) that he will be slain by the king's unborn child. Maax, in order to sacrifice the baby, sends one of his witches late at night to the child's bedside with a cow. The witch transfers the baby into the cow's womb with magic and escapes with the child to a remote place. Just as the witch is finishing her ritual, about to deal the killing blow, she herself is killed by a passing peasant with a bladed boomerang.
The peasant then returns to his village with the child and begins to raise the boy. In his childhood the boy, now named Dar, discovers that he has a telepathic ability to speak with animals and see through their eyes. Soon after the boy Dar becomes a fully grown Beastmaster, played by Marc Singer, his entire village is destroyed by savage, animalistic, barbarians. Dar then does the only thing any respectable Barbarian, animal controlling, orphan would do. He begins a quest for revenge.Continue Reading
The Mirror is absolutely the most poetic film I’ve seen. Andrei Tarkovsky, Russia’s famous director, sewed the film together like fragments, creating a loose, non-linear, autobiographical tale full of childhood memories. The film contains newsreel footage and poems by Tarkovsy’s father, Arseny Tarkovsky. It is a personal, unique film, now highly regarded as one of Tarkovsky’s best works and masterpieces. His work, often a struggle with the Soviet authorities, is well-realized and committed – he has only made seven feature films out of his 27 years as a filmmaker, and each one of them is finely crafted and boldly uncompromised. Here is one of my favorites.
The film begins with Alexei’s son Ignat. The film revolves around his thoughts and his world, and the narrator reads poems reminiscent of a man’s relationships with his mother, ex-wife, and son. The mother, Maria, is a proofreader in a printing press. She is first shown in the countryside during pre-World War II. The rural countryside is one of Tarkovsky’s landscapes – the homes and the land featured in the film are gorgeously drenched in nature, yet also contain an element of isolation. Tarkovsky’s use of nature refers to his childhood memory of war that caused many to evacuate Moscow to the countryside.Continue Reading
Viy (Spirit of Evil)
Viy (Spirit of Evil) is a classic Russian horror film based on a story of the same name by the acclaimed Russian writer Nikolai Gogol. It is a dark, yet humorous film set in medieval times, in the Russian countryside, and it involves demons, witches, and wayward priests.
The story begins with three traveling priests who, after being on their journey for some time, decide that it would be better to find a house to sleep in instead of a field. They soon find an old farmhouse and knock on the gate. The call is answered by an old crone who instructs the priests that if they are to sleep in the farm they must all sleep in separate places.Continue Reading
Voltaic: Paris, France
Not being a fan of most concert films I usually watch them with a large grain of salt. I tend to find myself let down. However, in the case of Bjork’s newest release, Voltaic, I found myself pleasantly surprised.
Voltaic has been released in various packaging. You can find it solo on CD, a CD/DVD package and a Limited Edition two CD/two DVD version as well. FANCY! I would highly recommend the Limited Edition package for the most Bjork for your buck. It contains the studio recording, the Volta mixes [featuring mixes by RATATAT, MODESELEKTOR and SIMIAN MOBILE DISCO], two concert films [Paris, France and Reykjavik, Iceland], and the Volta music videos.Continue Reading
The tightly plotted screenplay by Michael Hirst (Uncovered) is one of the most dynamic period dramas I have come across. It covers historical truth, while still maintaining a high level of dramatic scenarios and relationships.Continue Reading
Panic in Needle Park
This is a film that speaks without fringe: no fancy lighting, no overblown plot, no music cues, not even a satisfying conclusion. It is a dark and human depiction of real characters, in a very real situation.
Panic in Needle Park is a story of two people who fall in love in the triangular intersection of Broadway and 72nd St. in New York City’s “Needle Park” – also known today as Sherman Square. Joan Didion and John Gregory Dunne adapted the screenplay from James Mill’s novel Panic in Needle Park. In Al Pacino’s second film appearance, he portrays a small-time hustler and drug addict named Bobby who becomes the solace and lover of homeless girl Helen, played by Kitty Winn. The two young lovers become involved in the downward spiral of heroin and betrayal. Heroin invades their passion for each other, yet it becomes their drive to stay together.Continue Reading
Requiem for a Dream
Based on the novel by American writer Hubert Shelby Jr. (Last Exit to Brooklyn), Requiem is about the struggle of vice in the existence of four people. Aronofsky writes a tight and interesting screen adaptation with a strange timelessness, keeping much of the slang used decades before. Look for a great cameo by Shelby as a sadistic white-trash prison guard.Continue Reading