Takeshi Kitano’s directorial works are often separated into two strains where the considerable overlap is conveniently ignored in favor of an artificial dichotomy. On the one hand we have the explosively violent yet introspective crime dramas like Sonatine (ソナチネ), Hana-bi (花-火), and Boiling Point (３－４Ｘ１０月). Less widely seen (and therefore wrongly characterized) are his quiet, contemplative mood-pieces like A Scene at the Sea (あの夏、いちばん静かな海), Kikujirō no Natsu (菊次郎の夏) and Kids Return (キッズ・リターン). Dolls is usually placed in the latter camp or as an anomaly as its mixture of familiar ingredients (watching the ocean, yakuza, explosive violence, stoic acceptance of tragedy) from both strains is impossible to ignore.
In the first story, Matsumoto spurns his girlfriend Sawako to marry another woman, at his parents’ insistence. Sawako loses both her mind and ability to take care of herself as a result. Matsumoto attempts to fix things by binding himself to her with a red cord. Together they wordlessly wander through stunning, artificial landscapes of amazing beauty steeped with sadness.Continue Reading