Movies We Like
Handpicked By The Amoeba Staff
Films selected and reviewed by discerning movie buffs, television junkies, and documentary diehards (a.k.a. our staff).
Panic in Needle Park
This is a film that speaks without fringe: no fancy lighting, no overblown plot, no music cues, not even a satisfying conclusion. It is a dark and human depiction of real characters, in a very real situation.
Panic in Needle Park is a story of two people who fall in love in the triangular intersection of Broadway and 72nd St. in New York City’s “Needle Park” – also known today as Sherman Square. Joan Didion and John Gregory Dunne adapted the screenplay from James Mill’s novel Panic in Needle Park. In Al Pacino’s second film appearance, he portrays a small-time hustler and drug addict named Bobby who becomes the solace and lover of homeless girl Helen, played by Kitty Winn. The two young lovers become involved in the downward spiral of heroin and betrayal. Heroin invades their passion for each other, yet it becomes their drive to stay together.Continue Reading
Requiem for a Dream
Based on the novel by American writer Hubert Shelby Jr. (Last Exit to Brooklyn), Requiem is about the struggle of vice in the existence of four people. Aronofsky writes a tight and interesting screen adaptation with a strange timelessness, keeping much of the slang used decades before. Look for a great cameo by Shelby as a sadistic white-trash prison guard.Continue Reading
Ghost Dog: The Way of the Samurai
Jim Jarmusch (Broken Flowers, Night on Earth) creates a film unlike any other with Ghost Dog. He manages to blend the coda of Kurisowa’s films about Feudal Japan with the characters and locales of an American mobster movie. In concept it may sound like the potential for a trainwreck, but in the hands of one of the leaders in independent cinema, it makes for truly original filmmaking. Jarmusch does a great job of utilizing this mixture of genres, not relying on cookie-cutter stereotypes, but rather, finding a way to flip everything on its head. The result is colorful characters that exist in a reality that is fresh and not found anywhere else.Continue Reading
Man With a Movie Camera
Man With a Movie Camera is an experimental film directed by Dziga Vertov. In this film Vertov was attempting to create an "absolute language of cinema" that is "based on its total separation from the language of literature and theatre." Dropping the use of actors, story lines, sets, and inter-titles, the result is a video diary made up of very powerful imagery.
Although this is an experimental film, and Vertov used a wealth of cinematic trickery (variable camera speeds, dissolves, split-screen effects, the use of prismatic lenses, stop motion etc.). The subject matter is of the everyday sort, or rather, the exposure of some of the more esoteric aspects of day to day life. The viewer is taken to see the heart of factories, a salon, a childbirth, and many other places where we normally might not go, we are shown a snapshot of urban life in a Russian city in 1929.Continue Reading
Director Aronofsky (Requiem for a Dream, The Fountain) returns to his roots by making a film with a bare-bones look reminiscent of his debut Pi. Aronofsky makes a far less polished film than its predecessors, as far as aesthetic design, focusing on performance above all else. The Wrestler is less plot driven than it is about the nature of desires, regret and one “broken down piece of meat”'s last shot at athletic glory.
Mickey Rourke (Barfly, Angel Heart) headlines the film as the wrestler in question, Randy “The Ram” Robinson. Although he did some supporting work in such films as Tony Scott’s Domino and Robert Rodriguez’s Sin City, it is as the title character of this film that Rourke put himself back on the Hollywood map. As a man fighting against time, desperate for one last shot at life in the spotlight before his body fails him, Rourke plays Robinson with unflinching honesty. It is one of those performances when actor and character become so integrally linked that it feels as if you're watching true life unfold. It is a brave and unabashed performance. One of the year’s finest.Continue Reading
The Ice Storm
Set over 1973’s Thanksgiving weekend, The Ice Storm is the tale of a group of suburban families in Connecticut dealing with ever shifting social mores and sexual desires.
Based on the acclaimed novel by Rick Moody, James Shamus’ screenplay adaptation is a dark but truthful examination of the American family. It is well structured with highly dimensional characters, never bowing down to the oversimplification of human behavior. Rather, he gives them each their own voice and distinctive point of view.Continue Reading
Watership Down is a beautifully animated film, based on the novel of the same name, written by Richard Adams. It tells the story of a group of rabbits who, much like humans, has their own religion, language, and culture. It evokes a classic English gothic world of green meadows, hallucination, and the grim, shadowy, underbelly of human nature...errm, I mean, rabbit-nature.
The story begins when Fiver, a young rabbit with prophetic abilities, has a vision of the destruction of the peaceful warren in which the rabbits all live. Fiver and his older brother, a rabbit named Hazel, make an attempt to persuade the other rabbits to leave to warren and run for safety, but the chief rabbit of their warren dismisses their ideas and sends them away. Fiver and Hazel, both firm in their belief in Fiver's prophetic abilities, decide to leave the warren on their own with a small group of other like-minded rabbits.Continue Reading
Blood of a Poet
Jean Cocteau, one of the great multi-talented artists of the 20th century is given free reign in his first film. His approach is whimsical and free improvisational; a childlike freedom hangs in the air of this film, even as it addresses rather dark subject matter. The result is a series of powerful images that still seem fresh nearly 80 years later.
Experimental and surrealistic in nature, Blood of a Poet is not a film for individuals who seek clear and definite story lines, to say the least. Rather this is a film that should be considered as a work of art, and not as a traditional movie. That is not to say that these are a series of meaningless images - this is essentially a poem in the form of a film. A series of Cocteau's own reflections...as Cocteau puts it ,"a descent into oneself, a way of using the mechanism of the dream without sleeping, a crooked candle, often mysteriously blown out, carried about in the night of the human body."Continue Reading
This movie is not ranked on the top of AFI’s "Greatest American Movies" of all time for nothing. Every single aspect and element of this film - from its direction, cinematography, script development, performances, editing, to its art direction - is outstanding. When you take a director such as Roman Polanski, add a writer like Robert Towne, and have actors such as Jack Nicholson and Faye Dunaway, it’s almost a done deal. What leads this film to excel beyond excellence is its profound content and complex, multi-leveled storyline. Its underlying historical significance concerning the 1930s water rights in Los Angeles has also earned the film to be selected for preservation by the United States National Film Registry by the Library of Congress in 1991.
The story is set in the 1930s. J.J. “Jakes” Gittes, played by Jack Nicholson, is a Los Angeles private investigator hired by Evelyn Mulwray to spy on her supposed cheating husband, who is the city’s chief engineer for the water department. Soon after the initial investigation, Gittes finds that this woman is an impersonator of Evelyn Mulwray. He plunges into the case to discover the complex twists and turns of a murder involving incest and municipal corruption, which somehow all relate to the city’s water supply. How far do people in power go to keep themselves in that position? Follow Gittes’ investigation to find out.Continue Reading
Violence! Hilarity! Violence, again! Breathers on the phone! What the hell is going on here? That’s right: it’s “America during the war.” Vietnam War. But let’s face it; America has been enamored with violence since our cursory inception. This here tale just happens to take place in the late 60s/early 70s.
Alfred is a self-ascribed "apathist." He doesn’t care either way about, well, everything. As long as he can take his photographs, there are no problems. Constantly tormented and accosted by Manhattan street thugs for apparently no reason, he idly complies and daydreams his way through the relentless beatings until his assailants wear themselves out. Along comes Patsy. Witnessing one of Al’s beatings from her apartment window, she heads down the elevator to help him out. Alfred slyly walks away amongst the compounding brouhaha as if nothing has happened and continues snapping his pics with self-satisfying glee. Patsy is appalled. Shocked. “What kind of a man are you?!” she indignantly exclaims. Well one thing leads to another and they’re off dating. Imbibing in the standard bourgeois dating procedures of the time - golf, tennis, ‘a day at the lake’ - Alfred remains apathetic, content with verbal gestures such as “I really think I could trust you.” Violence? Hang on...Continue Reading