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50 Essential Albums Released in 2012

Posted by Aaron Detroit, December 5, 2012 11:00am | Post a Comment

Aaron Detroit, Buyer at Amoeba Hollywood. I've worked in Hollywood for eight years, but started my time with Amoeba - way back in 1998 -  at the San Francisco store. This is my extensive list of 2012 releases that I fell in love with or had serious affairs over the past 365 days. 2012, for me, was a surprising and amazing year in music. Nearly all 50 releases here could have been a Top-Ten contender almost any other year, and the Top Ten is full of records that could easily have been #1.



50 Essential Albums of 2012


1.  SCOTT WALKER Bish Bosch (4AD) 

The 6-year-long wait was well worth it, as is usually the case with Walker. This isn't the latest indie background music du jour - It's an Absurdist's symphony. Melody is eschewed for repetition, but you still walk away with the damned thing in your head. E-bows, machetes as percussion and disturbing (as well as amusing) scatological metaphors are some of the unlikely ingredients that make up this terrifying (and weirdly infectious) beauty. There's really nothing else like it, so enjoy figuring it out for the rest of your life.  






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Albums Out Dec. 4: Scott Walker, Memory Tapes, Dream Boat and More

Posted by Billy Gil, December 3, 2012 05:55pm | Post a Comment

Scott Walker - Bish Bosch

Scott Walker Bish BoschCD $13.98

LP $29.98

DOWNLOAD $9.98

Bish Bosch not only completes a trilogy of some of the most remarkable albums of the past 20 years — Scott Walker’s Tilt and The Drift — it makes three astonishing, dense and challenging (yet rewarding) albums released this year, alongside Godspeed You! Black Emperor’s post-rock opus Allelujah! Don’t Bend! Ascend! and Swans’ divinely nasty The Seer. The album begins at its most difficult, with Walker wailing about “plucking feathers from a swansong” over brutal industrial beats and metallic guitars. This gives way to the surely divisive “Corps de Blah,” a 10-minute song that starts with Walker alone, singing with minimal accompaniment by electronic noise before he’s joined by atonal strings, relatively comforting guitar ambience (given the company its in), dogs barking and, finally, Walker singing about “sphincters tooting a tune” and picking scabs while actual fart sounds squelch in the background like horns. The song may leave some wondering if Walker has truly lost it — horror-movie lines like “nothing clears a room like removing a brain” don’t help — but it ultimately does what Walker does best: provoke. After all, why not use flatulence, something every person lives with daily, as a percussive instrument, and treat a lover as a scab lyrically? Amid lyrics which tough on the historical, histrionic and philosophical, “Corps de Blah” clears the air (ahem) a bit on Walker’s pretensions. It is painfully real, to the point that many will likely dismiss the song as infantile when its taboo subjects represent basic, ugly human elements those same people would wish away into non-existence. But this is still a rock album of sorts, and songs like the bleak-rock of “Phrasing” and heavy avant-jazz of “Epizootics!” offer more immediately grabbing moments than, say, “SDSS14+13B (Zercon, A Flagpole Sitter),” perhaps the aural equivalent of flagpole sitting (an early 20th century practice of sitting atop a flagpole for days, hoping to break the last man’s record) as it runs past 20 minutes of Walker’s id run wild. Much more instantly pleasurable albums have been released in 2012 than Bish Bosch, but perhaps none is more daring.

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Genesis P-Orridge Calls Throbbing Gristle Quits

Posted by Amoebite, November 2, 2010 12:06pm | Post a Comment
Legendary cult band Throbbing Gristle lost a key member when Genesis P-Orridge sent out a round of emails recently, quitting the band.

throbbing gristle

As a result, according to the band's website, "Cosey, Sleazy & Chris have concluded that once more, and for the time being, Throbbing Gristle has Ceased to Exist, at least as a live entity."

This is the second time the band has folded. It first formed in 1975 in England, and gained a reputation for challenging and disturbing audience members at their live shows. Thobbing Gristle broke up the first time in 1981, after a final show at Kezar Pavillion (right next to Amoeba SF's future site!). They came back together to successful reunion shows and recording in 2004, which they continued until last week.

The remaining members have regrouped as X-TG and will be performing live in Europe this week. It appears they intend to continue in this fashion from now on.