Amoeblog

All-Female Bands of the 1970s -- Happy Women's History Month!

Posted by Eric Brightwell, March 4, 2015 09:31pm | Post a Comment
I wrote a post on all-female bands from the 1910s-1950s, and a post covering all-female bands of the 1960s -- here's my attempt at a conclusive A-Z (and other alphabets) of all-female bands of the 1970s. Details are often sketchy or non-existent and as always corrections and contributions are appreciated!


DIE ÄTZTUSSIS

 

Die Ätztussis were an anarcho-punk band from the Kreuzberg section of West Berlin, active at least as early as 1979 when they played the Antifaschistischen Festival. The members were Cordula (vocals), Kiki (bass), Menusch (guitar), and Petra (drums).


‘B’ GIRLS

'B' Girls in 1977 (image source: Rodney Bowes)







Cynthia Ross, Lucasta Rochas, Marcy Saddy, and Rhonda Ross formed 'B' Girls in Toronto in 1977. Although they recorded a handful of demos, they only released one single, "Fun At The Beach," on BOMP! in 1979. Roaches was replaced by Xenia Holiday before they broke up in 1981 or ’82. A collection of their recordings were released as Who Says Girls Can't Rock in 1997.

All-Female Bands of the 1960s - Happy Women's History Month!

Posted by Eric Brightwell, March 3, 2014 08:11pm | Post a Comment
The Carrie Nations
The Carrie Nations - a fictional band from Beyond the Valley of the Dolls


In the first half of the 20th Century there were many popular all-female musical acts. In the 1920s, 1930s, 1940s and 1950s there were vocal groups like The Andrews Sisters, The Boswell Sisters, and The McGuire Sisters. In the early rock/soul era, the so-called "girl groups" such as The Shirelles, The Teen Queens, The Paris Sisters, and The Chantels all achieved both artistic and popular success. However, none of these groups were proper bands. There were some all-female bands -- that is, groups comprised of female musicians -- but sadly most were viewed by many as little more than curiosities. You can read about them here.

Continue reading...

15 Months After The Death Of The Conscious Daughters' Special One, Fellow TCD MC CMG Has "Regrouped And Reinvented" Herself

Posted by Billyjam, March 31, 2013 01:32pm | Post a Comment

Coming to terms with, and starting to get over the death of someone close takes time. For each person this amount of time can vary. For Carla Green, aka femcee CMG of legendary Oakland female hip-hop duo The Conscious Daughters, it has taken up until now, 15 months since the sudden death of her longtime partner in rhyme Karryl "Special One" Smith, to feel like she has come to terms with the sudden passing of her "sister" and musical partner of two decades.

For The Conscious Daughters' CMG, whose rap name is an acronym for "Cash Makin Girl," it was only earlier this month when she felt fully ready to go out and perform the Daugther's music again. The show was a special show celebrating National Women's History Month two weeks ago at Yoshi's San Francisco on a bill along with Suga T, Yo-Yo, Lady of Rage, and The Coup's DJ Pam The Funkstress.

The concert was the first show that CMG felt ready to do since Special One's passing but it wasn't the first show she had  done. "That was the second show I did without Special One," she told the Amoeblog recently. "The first was when I had opened up for Too $hort back in March of 2012 and it was just too soon for me to perform.  I felt so empty and “not there”.  I was onstage but I was 100% absent. It was like I was in a dream and just standing there rapping. It wasn’t a good look!," she shared. But fast forward to March 2013 and CMG was finally ready, she says.  "I am [now] at peace with Special One’s death. I have regrouped and reinvented myself. I have a new DJ (Deeandroid) and she is fabulous.  We have been rehearsing and vibin’ – so, for this last show with Rage & DJ Pam, Yo-Yo and Suga-T, I was in rare form, feeling good, and really feeling juiced about performing again." Part of that reinvention and regrouping for CMG is realizing that she now has the responsibility "to carry on the legacy of Conscious Daughters" but that she is not doing it alone.  "I do feel that Special One is there on stage with me and most definitely watching over me….and I always hear Spesh’s voice in the back of my mind telling me what to do," she said adding that having DJ Deeandroid up on stage with her as her new partner is a real positive as a performer. "I don’t feel all alone and I can vibe off of her," she said of the gifted turntablist who many know as one half of the DJ duo Deeandroid & Celskiii.

Continue reading...

Dido's New "Girl Who Got Away" Available from Amoeba on March 26th in Regular and Deluxe Versions

Posted by Billyjam, March 25, 2013 02:10pm | Post a Comment

Dido "Girl Who Got Away" (acoustic version of the title track of the UK singer/
songwriter's new album Girl Who Got Away available from Amoeba March 26th)

Dido returns to the shelves of Amoeba Music tomorrow (March 26th) with her brand new album Girl Who Got Away on RCA Records. Available in both regular and Deluxe CD versions, Girl Who Got Away is the UK artist's fourth album to date and her first since 2008's Safe Trip Home. With production courtesy of her brother/frequent collaborator Rollo Armstrong - in addition to Brian Eno, Jeff Bhasker, Rick Nowels, and Greg Kurstin - the 11 track (17 on the DeLuxe version) new album of self-penned songs spans folk, ambient, dance, electro infused pop, and hip hop. In addition to such tracks as the lead single "No Freedom" (see video below) critics have been lauding praise upon the new album track "Let Us Move On" that features an engaging guest feature from hip-hopper of the moment Kendrick Lamar.

Continue reading...

Women of the Blues Part II

Posted by Billyjam, March 31, 2012 06:31pm | Post a Comment

Etta James "I'd Rather Go Blind" (live 1992)

As part of the ongoing Amoeblog series honoring Women's History Month (Which ends today, March 31st), this blog is the second part of the two celebrating women blues artists. The first, earlier this week, focused on women from the classic blues era (circa 1920s), while this one takes a look/listen at women blues artists spanning the decades since.


Koko Taylor "Blues Never Die" (1975)


Big Mama Thornton "Bumble Bee Blues" (with Muddy Waters Band, 1966)

"When you in trouble blues is a girl's best friend" sings Koko Taylor on her 1975 recording of "Blues Never Die" (audio above). Taylor, like many of the longtime blues women here (including Big Mama Thornton, whose track "Bumble Bee Blues" with Muddy Waters Band is also above) have also been categorized over the years as rhythm and blues, rock & roll, and jazz. The late great Etta James, who we lost just two months ago, is an example of a blues artist who was also classified as jazz, rhythm & blues, rock n roll, and gospel too. A 1992 concert version of her singing "I'd Rather Go Blind" - written by Ellington Jordan and co-credited to Billy Foster but first recorded by Etta James in 1968 - appears above. As we know, the moving song has in the years since become a standard for countless artists to cover.

Continue reading...
<<  1  2  3  4  5  6  7  >>  NEXT