Amoeblog

People Get Ready! My Picks for Record Store Day 2012

Posted by Kelly S. Osato, April 19, 2012 12:23pm | Post a Comment
bye bye birdie musical record store day 2012 shopping spree frenzy
All the hype leading up to Record Store Day 2012 is beginning to resemble a giddy night-before-Christmas-ish itch. Thankfully it's on the brink of being scratchable what with the big to-do coming up this Saturday, April 21st. And let me tell you: it's going to be a frenzy! I've put together a little list of titles I'm looking out for - don't forget to compile your own and head on down as early as you can Saturday morning to ensure getting your paws on your prizes. Get more news about the super duper limited Record Store Day releases available at Amoeba Music here, see a full listing of our Record Store Day events here, and check out the winning entries of our first ever Record Store Day t-shirt design contest here, they're so boss!

As for me, my number one pick of the Record Store Day 2012 releases is (drumroll, please):

mynah boirds it's my time record store day 2012 rick james neil young
The Mynah Birds
"It's My Time" b/w "Go On and Cry"

How about a little oldies for your soul courtesy of Messrs Rick James (before he was Rick James, bitch) and Neil Young (way before the Harvest) recorded circa 1966 only to be shelved indefinitely by Motown due to James AWOL U.S. Navy status and subsequent arrest. The remaining Mynah Birds went on to found Buffalo Springfield and play in Steppenwolf. All that rock 'n' roll history aside, this solid single made by some young dudes before superstardom carved them anew is a must have for my collection. Oh, yes - it will be mine!
other noteworthy selections (that, purportedly, do NOT include DNA evidence of their makers) are:


Best of a Rapid Decade: One per year plus a few too good to not mention...

Posted by J. Mark Beaver, January 6, 2010 04:00pm | Post a Comment

In recently trying to fill in a friend on what I'd spent the last year or two listening to, I realized that my personal taste tends to gravitate towards some element of either Folk form (any hint of hill-folk finger-pickin' or Ozark/Appalachian melancholy and I'm in), Psychedelia or the tendency to extend a theme for a good long jam (a category in which I include a lot of the Jazz that I like), or just a great, funky groove.

With those qualifiers in place, the following is a year by year review of the last decade which somehow got past me with out noticing it. I mean, really?!! 2010?!!!  I didn't see it coming: 

2000: Album of the Year

Air's enjoyable and wacky Moon Safari had been on the decks for a couple years before they contracted for the soundtrack to Sofia Coppolla's Virgin Suicides. The resultant score is absolutely sublime and marked the French electronauts as contenders to watch.

For myself, it was the defining sound of the millennium's new year.
















Shelby Lynne released a killer country-soul gem, I Am Shelby Lynne, that echoed early material from the likes of Bonnie Raitt. Thinking that it was a brilliant debut from a talented 32yo unknown, I was eventually shocked to find that it was her 6th album. I listened to it for months.

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out this week 6/30 & 7/7...gossip...bjork...wilco...moby...bowerbirds...

Posted by Brad Schelden, July 9, 2009 01:39pm | Post a Comment
the gossip
Sometimes I think that I might throw the word love around too much... I do tend to fall in love with music and sometimes don't know how else to describe it. But I worry that it might take away some of the value of the word. How do I describe an album that I love more than any other if I have already claimed to love dozens of albums this year already? I might need to just start describing albums as pretty good. I do seem to use this phrase a lot when describing my feelings of certain situations, but I really actually mean pretty great when I say pretty good. So when I say love or great, I really do mean it. When an album like this new album by The Gossip comes around I really wish I had a new word to describe it. I do love it...but I really, really love it. I was a bit worried that I might just sort of like it. How could they follow up the brilliance of the last album Standing in the Way of Control? There was just no way. Their albums have been getting better and better but I was worried they had just gthe gossip music for menotten as good as they were going to get. This new album also marks their debut on a major label. They have gotten to be huge stars in England with the last album and were signed. I was worried they were maybe too busy playing big festival shows and doing big fancy photo shoots, too busy to concentrate on making another brilliant album. But I really had no reason to be worried. I had heard rumours that the new album was going to be great, and it most certainly is. Music for Men was released last week digitally and as an import. We will have to wait for the domestic CD and LP until later in the year, but I could not wait for this one. I had to pick up the import. I had to hold something in my hands. I wanted to look through the liner notes as I listened to the album for the first time. I wanted to own the album! You know, like we all used to do.

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Cheri Knight: overlooked Queen of Alt. Country

Posted by J. Mark Beaver, December 31, 2008 07:15pm | Post a Comment
blood oranges corn riverBy all measures, 1990 was a pivotal year for country-rock, or what we came to call "Alt. Country," or even "No Depression," the latter term being the title of the debut album released that year by a country-infused trio out of Belleville, IL., called Uncle Tupelo. I 'm sure I don't need to spend too much time elaborating on the merits of this band that re-awakened a slumbering genre with enough force to have that genre thereafter associated with its debut.

I will say, however, that I own a good number of t-shirts with their name emblazoned on them, as well as t-shirts for the band Son Volt, formed, after Uncle Tupelo's break-up, by Jay Farrar. Out of all proportion to any of my other band T's (and I own many), these Uncle Tupelo and Son Volt t-shirts almost without fail find me being stopped by strangers telling me how much they love those bands.

Now to my real point...

Mining similar material and existing through the same arc of time, a much lesser known band, steeped in bluegrass but pulling it into the 21cheri knight knitterst century by its fiddle-strings was rockin' its way out of northern New York State. The Blood Oranges featured singer/songwriter/mandolinist Jim Ryan, guitarist Mark Spencer, singer/songwriter/bassist Cheri Knight and drummer Ron Ward. The Blood Oranges were a really, really good band, good enough that Steven Mirkin in a June 1994 Rolling Stone said that they, "...find ways to make country-rock fusion seem like an idea with unlimited potential." They followed their 1990 debut, Corn River with 1992's Lone Green Valley and The Crying Tree in 1994. All of them strong albums and all of them more or less greeted with apathy by the record-buying populace. Then they called it quits.

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