Amoeblog

New "What's In My Bag?" Episode with Bonobo

Posted by Rachael McGovern, April 4, 2013 05:58pm | Post a Comment

BonoboBritish electronic musician Bonobo (aka Simon Green) released The North Borders this week, his highly anticipated follow-up to 2010's Black Sands. Bonobo stopped by Amoeba Hollywood recently to do some record shopping. He picks up a few world music albums, the Jim O'Rourke project Loose Fur, two LPs for potential sampling featuring harps and folk instrumentation, the new Toro y Moi LP, Anything in Return (which I'm also loving right now), and a few more things.

My favorite moment from this video happens right at the end. He selects the new Johnny Marr album, The Messenger, in part because he saw Mr. Marr's episode in which he bought Bonobo's album. (Johnny Marr actually came into Amoeba that day looking to buy Black Sands and we coincidentally had it playing in the store.) Fast forward a few years, now we have Bonobo, having seen Johnny Marr buy his album in the same store, on the same series, and Bonobo is returning the favor. The WIMB circle of life, or as one person on YouTube called it, "the What's In My Bag Karma game." Pretty cool!


Bonobo - What's In My Bag?
Watch and comment on YouTube


Johnny Marr - What's In My Bag?
Watch and comment on YouTube

Noise Pop 2013: February 26 - March 3

Posted by The Bay Area Crew, February 26, 2013 06:00pm | Post a Comment


Catch Ceremony on February 27th at The Rickshaw Stop.

The Noise Pop Music Festival is the country’s leading indie music, arts, and film festival. Now in its 21st year, the San Francisco festival features performances by Toro y Moi, Amon Tobin, !!!, Thao & The Get Down Stay Down, Rogue Wave, Ceremony, and so many more!

In addition, the festival boasts a film series that explores the intersection of music and art; Pop-n-Shop, a local designer fair; Culture Club, an interactive workshop exploring DIY culture; Art Gallery Shows; and Happy Hours!

Check out the full schedule of events HERE!

Albums Out Jan. 22: FIDLAR, The Growlers, Toro y Moi and More

Posted by Billy Gil, January 21, 2013 08:55pm | Post a Comment

It’s the first big release date of the year, with tons of much-anticipated albums hitting shelves.

 

Album Picks:

FIDLAR - FIDLAR

FidlarCD $12.98

LP $19.98

FIDLAR’s long-awaited debut album is a Pabst-soaked party record with strong songwriting anchoring its punk attitude. Pulling from hardcore, surf rock and pop-punk, and with the immediacy of The Clash’s first record, the foursome, made up of singer/guitarist Zac Carper, Brandon Schwartzel (bass), and brothers Elvis Kuehn (guitar) and Max Kuehn (drums), sing about being young and dumb and getting fucked up in songs with names like “Cheap Beer” (the chorus of which consists of the shouted lyrics “I DRINK CHEAP BEER SO WHAT FUCK YOU!”). But all the funny lyrics in the world wouldn’t mean a thing if the songs themselves didn’t captivate you, and they do, across FIDLAR’s 14 tracks. There’s nary a hint of cynical sneer, and though they play with sloppy punk abandon, their hooks are tight as a six-pack ring. FIDLAR sing about who they are and what they do, whether that’s waking, baking, skating in mechanical hedonism on the ferocious “Wake Bake Skate” or reflecting that said young hedonism can “kind of suck,” on the exhausted-sounding closing track. That’s a telling moment — for all of FIDLAR’s gleeful celebration, the record’s honed hooks are the sound of very hard work, and it pays off in spades.

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10 Black Friday Releases to Look For

Posted by Billy Gil, November 12, 2012 03:21pm | Post a Comment

As with Record Store Day, the list of exclusive releases this year for Black Friday (the day after Thanksgiving, typically the biggest shopping day of the year) is staggering. A list of the available titles is here. I’ve pulled out 10 releases that are particularly interesting — to me, and perhaps to you. Show up at Amoeba Nov. 23 for your chance to own any one of these.

 

Lee HazlewoodYou Turned My Head Around: Lee Hazlewood Industries 1967-1970 (11 x 7 box set)

Lee Hazlewood You Turned My Head AroundNamed after an awesome duet ’60s psych-folkie Lee Hazelwood did with singer/actress Ann-Margret, this set collects forgotten records issued on Hazelwood’s label, Lee Hazelwood Industries. The singer-songwriter was also a notable producer, perhaps most famously writing and producing Nancy Sinatra’s “These Boots Were Made For Walkin.’” The set includes 11 45s from such artists as Suzi Jane Hokom, Honey Ltd., Kitchen Cinq and Hazlewood himself. From psych to country-pop, the set offers a view of Lee as an aesthetic director of sorts, setting forth a cultish sound that would come to be oft mimicked and appreciated far greater in later years than during its initial run.

 

 

Captain BeefheartAbba Zabba; Plastic Factory; Upon The My-Oh-My

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Best of 2011: PST

Posted by Billy Gil, December 14, 2011 06:30pm | Post a Comment
Oh hey! It's time for some top 50 album love.

1. M83 – Hurry Up, We’re Dreaming
 
Longtime devotees of Anthony Gonzalez’s M83 got to see him make good on the promises of his previous albums, all of which are great in their own way, on this unabated masterpiece. Across two albums’ worth of material, Gonzalez’s childlike ethos spreads across synth pop dreamscapes taken to arena-level sonic and emotional territory in a way that never feels trite or untrue. If he overreaches, he does it in the best way possible.

2.  Toro y Moi – Underneath the Pine
 
Chaz Bundick’s second album is a light-year’s jump over 2010’s chillwave capsule Causers of This, an album that seems to take a young lifetime’s worth of backseat radio listening and picks just the choicest bits, whether its early hip-hop or psychedelic rock or cool jazz, filtering it through Bundick’s too-cool specs.
 
       3. PJ Harvey – Let England Shake
 
PJ Harvey’s perfect instincts have guided her through the starkest of emotional territory with only the most necessary accompaniment. She continues that trend here, on an album reflecting on war and England’s history in a way that feels loose and not heavy-handed, aided by strangely fitting samples and tasteful effects, but still allowing for the emotional sucker punches she’s so adept at (“I’ve seen soldiers fall like lumps of meat” in “The Words That Maketh Murder” is one for the ages).

4.  Dirty Beaches – Badlands
 
Dirty Beaches’ Alex Zhang Hungtai is a master of minimalism. Over pitch-black surf riffs he plays and then samples, he breathes, whispers and cries tales of teenage longing inspired by ’50s rock ‘n’ roll (“Sweet 17,” “True Blue”), unearthing the dirt beneath the saccharine. At only eight tracks, two of them wordless, Badlands is the year’s most beguiling release.
 
       5. Shabazz Palaces – Black Up
 
Hip-hop that feels worlds removed from the realm of hip-hop, this forward-thinking album manages to stay fun while its psychedelic tones intimate something more cerebral and transcendent.
 
      6. Real Estate – Days
 
While Real Estate seemed primed to take the throne as leaders of the reverb pack with their self-titled debut in 2009, this glorious jangle-pop opus puts them more in line to grab the torch from the departing R.E.M.
 
        7. Iceage – New Brigade
 
Real noise punk from Danish teens that rocks so hard it puts just about every other band alive to shame in comparison.

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