We've had so little rain this year in L.A. that I figure I had better take advantage of today's damp weather to launch this blog. Although, I must admit that I cheated with a few parasols and a dude in rain slicks. Click here to check out the first umbrella gallery, posted back in 2010.
We've had so little rain this year in L.A. that I figure I had better take advantage of today's damp weather to launch this blog. Although, I must admit that I cheated with a few parasols and a dude in rain slicks. Click here to check out the first umbrella gallery, posted back in 2010.
Here are the Top 100 Best Sellers at Amoeba Hollywood in 2011:
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1. Adele 21 Columbia Release Date: 2/22/2011 |
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2. Foster the People Torches Columbia Release Date: 5/23/2011 |
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3. Radiohead King of Limbs TBD Records Release Date: 3/29/2011 |
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4. Mumford & Sons Sigh No More Glass Note |
My favorite releases of the past few weeks, although I've also been spinning Era Extraña by Neon Indian nonstop lately, get that shite if you haven't yet!
Atlas Sound - Parallax
“Found money and fame/But I found them really lame” Atlas Sound's Bradford Cox says at the outset of his latest release, Parallax. As an ambient-minded artist who also supplies his talents to a more overarching rock band (Deerhunter), Atlas Sound is usually an outlet for Cox's more spectral, less effusive leanings. But, judging by that line, the album cover depicting him as some rockabilly crooner and the still very pop-structured songs on Parallax, Cox doesn't hide his personality behind noise and indechipherable vocals, as some of his contemporaries do. Rather, Atlas Sound seems to be a venue for Cox to try out difference guises — the electro-calypso of “Te Amo,” the, okay yes, croony and swoony “Mona Lisa” and the voiceless but not persona-free ambience of tracks like “Quark Part 1” and “Part 2,” which close out the album on dreamy notes of fluttering piano and gurgling synths, creating a sort of auditory representation of a beautiful aquatic landscape. But mostly, Parallax sounds very much like Cox, with his trademark three-to-four-chord choruses and ability to sneak in clever lines and noisey details where you least expect them.
Blouse - Blouse
Atlas Sound - Parallax“Found money and fame/But I found them really lame” Atlas Sound's Bradford Cox says at the outset of his latest release, Parallax. As an ambient-minded artist who also supplies his talents to a more overarching rock band (Deerhunter), Atlas Sound is usually an outlet for Cox's more spectral, less effusive leanings. But, judging by that line, the album cover depicting him as some rockabilly crooner and the still very pop-structured songs on Parallax, Cox doesn't hide his personality behind noise and indechipherable vocals, as some of his contemporaries do. Rather, Atlas Sound seems to be a venue for Cox to try out difference guises — the electro-calypso of “Te Amo,” the, okay yes, croony and swoony “Mona Lisa” and the voiceless but not persona-free ambience of tracks like “Quark Part 1” and “Part 2,” which close out the album on dreamy notes of fluttering piano and gurgling synths, creating a sort of auditory representation of a beautiful aquatic landscape. But mostly, Parallax sounds very much like Cox, with his trademark three-to-four-chord choruses and ability to sneak in clever lines and noisey details where you least expect them.
Blouse - Blouse
POP/ROX (Noise Pop + Roxie Theater) present a screening of the rockumentary N.A.S.A.:The Spirit of
Apollo at the Roxie Theater in San Francisco on November 16th at 7:30pm and again at 9:30pm.
The filmmakers and the band will be there in person for a post-show party DJ-ed by N.A.S.A.!!!
A look behind the making of N.A.S.A.’s globetrotting debut album, The Spirit of Apollo, featuring a truly staggering array of talent: David Byrne, Karen O, Tom Waits, Kool Keith, Nick Zinner, Lykke Li, M.I.A., Kanye West, George Clinton, Chuck D, Seu Jorge, and the RZA. The movie features design and animation collaborations by Syd Garon, Shepard Fairey, Splunny, Sage Vaughn, Marcel Dzama, The Date Farmers, Logan, Didiu Rio Branco, Three Legged Legs and Lorenzo Fonda.
Apollo at the Roxie Theater in San Francisco on November 16th at 7:30pm and again at 9:30pm.The filmmakers and the band will be there in person for a post-show party DJ-ed by N.A.S.A.!!!
A look behind the making of N.A.S.A.’s globetrotting debut album, The Spirit of Apollo, featuring a truly staggering array of talent: David Byrne, Karen O, Tom Waits, Kool Keith, Nick Zinner, Lykke Li, M.I.A., Kanye West, George Clinton, Chuck D, Seu Jorge, and the RZA. The movie features design and animation collaborations by Syd Garon, Shepard Fairey, Splunny, Sage Vaughn, Marcel Dzama, The Date Farmers, Logan, Didiu Rio Branco, Three Legged Legs and Lorenzo Fonda.
One day at Amoeba Hollywood I proclaimed that Aztec Camera's 1983 release High Land, Hard Rain was one of the best records of the '80s. This single statement eventually led to over 200 Amoebites ranking their top 10 favorite albums from the ‘80s.From the beginning we realized that it was impossible for most of us to condense our favorites from all genres into a tiny top ten list. So, we limited our lists to Rock/Pop and its sub-genres like punk, metal, goth, and new wave. Even so, it was a difficult selection process because not only are there hundreds of amazing records to consider, there is also the added dynamic of time.
The '80s were a long time ago and the music has had many years to gestate. We have a deep sense of nostalgia and sentiment with these albums as our fondest memories are associated with them. These are albums we LOVE.
- Henry Polk
See all entries in our ‘80s list series.
P.P.S. The '80s List Book is available for sale at Amoeba Hollywood.
Daniel Tures
Sonic Youth – Daydream Nation (1988)
The Durutti Column – LC (1981)
Prefab Sprout – Steve McQueen (1985)
Van Halen – 1984 (1984)
Love Tractor – Themes From Venus (1989)
Tears For Fears – Songs From The Big Chair (1985)
The Outfield – Play Deep (1985)
The Legendary Pink Dots – Basilisk (1983)
The Judys – Warsharma (1981)
Def Leppard – Pyromania (1983)






























