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Best Electronic Albums of 2014 Handpicked by Matt, Jordan & Oliver

Posted by Oliver / Matt / Jordan, December 18, 2014 09:05am | Post a Comment

Best Electronic Albums of 2014

Moodymann - Moodymann (Mahogani Music)

Moodymann is a sprawling, psychic journey through KDJ's Detroit State of Mind with the protagonist revealing more about his setting and personality than ever. Like good writing, the length of Moody's tracks (or sentences) fluctuate wildly. The constant sing-speak narrative from KDJ and divergence of styles and tempos makes the record feel like a trip down the dial of a liminal radio. Moody gets an assist from Andres on future classic "Lyk U Used 2," a track that has Kenny ably playing a slightly woozy frontman over upbeat modern soul. The radio effect is amplified by likely and unlikely samples. Jeremy Greenspan appears first on "Have You Ever Been Lonely." Elsewhere, Lana Del Rey and Carl Craig's epic remix of "Delia and Gavin" is used to bear out the album's distinct, schizoid voice. Moody's serpentine 2011 hit "Freeki MF" acts as a recurring riddim before appearing in unadulterated form. KDJ's female counterparts match his idiosyncracies ("Watching U") and he even dabbles in Dennis Coffey-informed guitar psychedelia on "Sloppy Cosmic." The album, as a whole, is a lovesick ode to an unfairly maligned city, seen through the dark glasses of experience.

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PST's 50 Best Albums of 2014

Posted by Billy Gil, December 5, 2014 02:48pm | Post a Comment

50 Best Albums of 2014

This is how it always works: You think, how am I going to find 50 albums I really liked this year? Then by the end of compiling these things, you’re leaving off records you really liked and realizing that this year didn’t suck so badly after all! Here are the 50 albums I honestly felt were the most well-made, original or enjoyable this year. Check out Aaron Detroit’s list, too, for even more good shit from 2014.

 

1. Sun Kil MoonBenji

sun kil moon benji lpAmid the wrongheaded War on Drugs bashing and indulgent songwriting/self-mythologizing that came with it, it could be easy to forget the brilliance of Benji. But Mark Kozelek’s later-career renaissance reaches its apex on Benji. Whereas songs in his ’90s project Red House Painters were often autobiographical, if morose and romantic, if, to call Benji “confessional” would be an understatement. Not only is it a classic example oversharing in the social media age, it’s just a new classic period, the best thing he’s done since RHP’s heyday. Two songs directly address Kozelek’s love for his aging parents as he himself hits middle age (“I Can’t Live Without My Mother’s Love” and “I Love My Dad” are far from ironic, though they cover ground beyond what their titles suggest). “Dogs” covers Kozelek’s history with women in sometimes excruciating detail, from his first kiss at 5 to getting bathed by two women. Part of what makes Benji so masterful is how Kozelek blends rich physical details, with references to Panera Bread and Pink Floyd records, along with impressionistic accounts, such as his atmospheric telling of what caught his attention in a Led Zeppelin film (“I Watched the Film the Song Remains the Same”) and what that says about him as a person. It can be a lot to take in at once—“Micheline” at first feels like a diary dump, though it ends on a touching note about his grandmother—but most of the time, the details are funny or poignant or both, coming through clearly with little more than Kozelek’s wavering, creaking voice and reverbed acoustic guitar. “Ben’s My Friend,” which ends the album with its catchiest song (and curiosity value, due to its titular subject being Ben Gibbard of Death Cab for Cutie), is a sterling reminder of how many little things add up to the sum of our lives, making a pretty refrain out of “blue crab cakes,” throwing in some horns and flamenco guitar for good measure and tying the album up nicely with a reflective bow. Kozelek may be a cranky old man, but his lifetime of experiences made for enrapturing listening on Benji, which simply has the best songwriting of any music release this year.

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The Best Albums of 2014 So Far

Posted by Billy Gil, June 27, 2014 04:54pm | Post a Comment

sun kil moon mark kozelekmadlibst. vincentIt is now almost exactly halfway through 2014! It’s time to look back on the last six months and see what’s it’s had to offer music-wise. There’s already been a bunch of great records released this year, including a couple of excellent ones released just this week. If you haven’t checked these out, they’re all worth getting—pick ’em all up and catch up on what you’ve been missing.

Sun Kil Moon Benji

sun kil moon benji lpSome people write memoirs. Sun Kil Moon’s Mark Kozelek write songs crammed with details, from a brutal story about a distant cousin’s death by a freak fire to mundane details about Panera bread and sports bar shit on the walls, that somehow come together to form something called a life. Just when you feel like the songs are too stuffed to keep up, Kozelek will let his breathy “sadcore” folk open up and focus on a seemingly trivial line like “blue crab cakes” in the song “Ben's My Friend,” and in doing so perfectly captures the weird things that stick out in our heads when we reflect. Simply put, listening is like attending a master class in songwriting.

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Album Picks: De Lux, EMA, OFF!, Avey Tare's Slasher Flicks, The Mary Onettes

Posted by Billy Gil, April 8, 2014 08:01am | Post a Comment

De LuxVoyage (LP or CD)

de lux lp amoebaThere’s been a hole in our hearts lately where dance-rock bands of yore used to reside. De Lux fill that hole admirably with immediate, expansive dance rockers that aren’t short on detail or hooks. “Better at Making Time” opens the album subtly, letting its disco bass groove enter four minutes in after giving Sean Guerin’s David Byrne-ish vocals a chance to sink in. “Movements” is a true groover, made up of a bunch of interlocking parts—a simple-yet-effective bassline and guitar lick in lockstep, washy synths and chiming bells—while Guerin’s vocals get wilder and wilder. The duo of multi-instrumentalists Guerin and Isaac Franco let each song breathe and unfold at its own speed, giving it a couple minutes in “I’ve Got to Make a Solid Statement (No More Likes & Ums)” before singing a word so we that Stevie Wonder-style clavinet and spacey effects can soak in. Of course, when they get to it, as on the superb “Love Is a Phase,” the result is a space-disco opus that leaves you head over heels for the band. Though Voyage is stuffed with cool references, they never feel forced or overdone. It feels as though the young band has digested decades of smart party jams and picked the choices parts to make their own thing—though you could compare them to LCD Soundsystem or The Rapture, for instance, on songs like “Make Space,” most of the time De Lux never sound imitative of those bands, as tunes like the interstellar “On the Day” stand completely on their own. It makes Voyage all the more pleasurable, and not at all in a guilty way. Smart disco-punk that makes us dance while satisfying our inner music-snobs? We’ll take it and more, please.

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Jordan's highly subjective, in-no-particular order, top 10 (or 11) electronica releases that made the world a better place in 2012.

Posted by Oliver / Matt / Jordan, December 27, 2012 12:35pm | Post a Comment


Paranoid London
Paris Dub 1
Paranoid London Records

Not all hardware acid jams are created equal. The vocals by Paris Brightledge (best remembered for "It's All Right," with Sterling Void) put this one over the top.

Purchase Paris Dub 1










Fudge Fingas
Mass X
Firecracker Recordings

Russian producer Vakula released a large quantity of stunning music in 2012, not least of which was his sparkling, dubbed-out version of this Fudge Fingas tune- and the Juju & Jordash remix on the flip ain't bad either.

Purchase Mass X








Petar Dundov
Ideas From The Pond
Music Man Records

A pristinely produced album fusing Dundov's melodic techno with an updated take on the sounds pioneered by the likes of Tangerine Dream.

Purchase Ideas From The Pond

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