Amoeblog

Asian-American Cinema Part VI - The 1970s

Posted by Eric Brightwell, May 25, 2009 04:16pm | Post a Comment
The sixth of a nine part series on Asian-Americans in front of and behind the camera

ASIAN-AMERICAN CINEMA

After short-lived attempts in the silent era to establish an Asian-American Cinema, for most of the in the first and second halves of the studio era, Hollywood single-handedly created and controlled almost all celluloid images of Asian-Americans. With the beginnings of Asian-American theater in the 1960s and its growth in the 1970s coinciding with the decline of the Hollywood studio system, all that began to change with the rebirth of Asia-American Cinema, albeit slowly at first. Only in the 1990s and 2000s has a large and diverse Asian-American cinema, Asian-American theater and Asian-American comedy scene truly flourished -- offering a viable alternative to Hollywood's continued stereotypes and ongoing homogeneity.

Orphaned Cambodian Children Vietnamese Boat People

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Asian-American Cinema Part IV - The 1950s

Posted by Eric Brightwell, May 24, 2009 04:58pm | Post a Comment
The fourth of a nine part series on Asian-Americans in front of and behind the camera

During the silent film and Hollywood eras, most Asian-American actors' roles were usually limited to the background and in offensive roles. Two actors, Anna May Wong and Sessue Hayakawa, nonetheless became superstars. They and pioneers like Esther Eng, Marion Wong, and the folks at Grandview Film Company (not to mention numerous actors) gamely attempted to produce and sustain an alternative and viable Asian-American Cinema.


Hawaiian Eye
Hawaiian Eye with Poncie Ponce (right)

In the 1950s, Hollywood roles for Asian-American women were usually limited to the objects of war time romance. On the Broadway stage, musicals about the Far East like The King and I, South Pacific and Flower Drum Song were in vogue although Asian characters were usually portrayed by white actors in yellowface. Asian stage performers typically enjoyed more attention on so-called Chop Suey Circuit, an mostly Chinese-American strand of Vaudeville

Io -- as seen on TV, DVD, VHS, games and telescopes

Posted by Eric Brightwell, January 17, 2009 11:57am | Post a Comment
Io orbiting Jupiter

Io is the fourth largest moon in the solar system, about the same size as Earth's. But, whereas Earth's moon (like most) is a boring ball of dirt, Io is bat guano insane, with over 400 volcanoes spewing plumes of material from its molten core as high as 500 km into space, creating a thin atmosphere of sulphur which disperses, due to Io's low gravity.

    Linda Morabito

The volcanoes were first noticed by a navigation engineer named Linda Morabito when she was analyzing images sent from Voyager 1. It is also covered with mountains (most tectonic and not volcanic), some higher than any on Earth. It's also highly radioactive. And as pockmarked and hard to look at as it is, it has no known impact craters. Io remains difficult to look at for dermatosiophobes like myself. If you also have this probelm, maybe it will help to compare it to a moldy fruit.

     

It was first discovered in 1610 by Galileo Bonaiuti de' Galilei, an astronomer curiously referred to, in most cases, by his first name (like Bjork, Sadam, Lawrence, Madonna and Prince) -- a fact which I find fascinating. It's not as if Galileo is an overly common family name. Though named "Io" by Simon Marius in 1614, the moon was usually referred to as Jupiter I until the mid-20th century. Marius claimed to have discovered Io, in fact, a week before Galilei.

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Eartha Kitt 1927 - 2008

Posted by Whitmore, December 26, 2008 07:47am | Post a Comment

Orson Welles
once called her "most exciting woman in the world;" Eartha Kitt, the singer, actress, sex kitten and cultural icon has died in Connecticut on Christmas Day of colon cancer. She was 81. Her flirty, sexy rendition of “Santa Baby” from 1953 has become a holiday standard, but that was just one part of a career that spanned more than six decades.

Her success extended far beyond the music world into stage, television and film. Just last year Kitt won two Emmys for her role in The Emperor's New School; previously she had been nominated for several Tony and Grammy Awards. In 1966, she made a guest appearance on an episode of I Spy which brought Kitt her first Emmy nomination. But her most famous role is probably that of the sexy villain the Catwoman in the 1960’s hit television series Batman. Kitt had replaced Julie Newmar who originated the role.

She is probably equally as famous for her anti-war comments on the Viet Nam conflict, especially since the most notorious words were spoken at the White House as she attended a luncheon held by Lady Bird Johnson. She adamantly stated, "You send the best of this country off to be shot and maimed, they rebel in the street, they don't want to go to school because they're going to be snatched off from their mothers to be shot in Vietnam."

Needless to say, she spent several years being investigated by the FBI and CIA, and for most of a decade she seldom performed in the U.S. That is, until 1978 when Kitt was invited back to the White House by President Jimmy Carter.

TVLP

Posted by Mr. Chadwick, December 4, 2008 09:20am | Post a Comment
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