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Nas + Damien Marley, Sage Francis, Reflection Eternal Play Amoeba, New Andre Nickatina Skatedecks, Amoeba Hollywood Top Five, + More: Amoeba Music Weekly Hip-Hop Round Up: 05:21:10

Posted by Billyjam, May 21, 2010 08:22am | Post a Comment
Amoeba Music Hollywood Weekly Hip-Hop Top Five Chart: 05:21:10

Sage Francis
1) Sage Francis Li(F)e (Strange Famous Records)

2) B.o.B. presents The Adventures Of Bobby Ray (Rebel Rock/Grand Hustle/Atlantic)

3) Madlib Madlib Medicine Show #4: 420 Chalice All-Stars (Stones Throw)

4) Roc Marciano Marcberg (Fat Beats)

5) Black Eyed Peas
The E.N.D. (Interscope)

Amoeba Hollywood's hip-hop chart features the new album from Sage Francis Li(F)e on the artist's own Strange Famous label in the number one position. The record is also doing extremely well at both the San Francisco and the Berkeley Amoeba stores. Peep last week's Amoeba Music Hip-Hop Weekly Round Up for more background info on this recommended new release from the alternative rap act, as well as upcoming California dates/venues on the ongoing Sage Francis tour, which reportedly is selling advance tickets at a rapid rate. All the other chart entries this week at the SoCal Amoeba, including B.o.B. presents The Adventures Of Bobby Ray, Madlib's Madlib Medicine Show #4: 420 Chalice All-Stars (Stones Throw), and Long Island, NY emcee Roc Marciano's Marcberg on Fat Beats, have also been best sellers lately at Amoeba Berkeley and San Francisco. Meantime, the Black Eyed Peas' The E.N.D. (Interscope), which is coming up on the one year anniversary of its release date in a few weeks, is like the Energizer bunny. It just keeps on going and going and selling and selling -- thanks in great part to the group touring and the hook-laden hit singles it keeps spinning off.

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Massive Music Showcase

Posted by Smiles Davis, October 26, 2009 12:38am | Post a Comment

Greetings from New York, New York! CMJ kicked off at the beginning of this week and NY became a mammoth showcase for new music. I love autumn in New York -- it's ridiculously beautiful. Walking is of course the greatest pastime while in the city. The weather was nice, so nice, for the first couple nights, which made it easy to get around and still look half way put together by the time you got to your final destination.

Unfortunately, by Friday night, it was cloudy with a chance of matzo balls, which meant an extra change of clothes was imperative. Luckily, it was short lived. OMG, there was so much going on. I was overwhelmed with work, with a lot on my plate, and didn’t get to see nearly as many acts as I would have liked to, but I made notes of the little I was able to soak in.

Green Label Sound hosted a party sponsored by Cornerstone at The Brooklyn Bowl with Chromeo, Thelophilus London, Amazing Baby and Solid Gold that was off the chain. DFA's Holy Ghost provided a dj set. This new bowling/concert venue is ginormous, 1,000 capacity at least, and it was packed wall to wall. An eclectic mix of industry folk, unbigoted music-minded individuals, people dressed like hipsters, aspiring and established artists roamed the joint. The night's festivities lasted well into the night, but time just seemed to fly by. I enjoyed great food, had a couple rounds on the lanes with friends, enjoyed the live acts in a concert setting, and danced till I broke a sweat all under one roof. If you get the chance to go check out this spot, do, and order the cajun catfish, it's scrumptious!

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Sampling The Beatles In Hip-Hop Music

Posted by Billyjam, September 3, 2009 10:25am | Post a Comment

"The Grey Video" (Danger Mouse "Encore" Beatles meets Jay-Z)
 
Everyone loves The Beatles, including rappers and their producers, so it makes perfect sense that hooks, drum beats, high hats, stabs, guitar riffs, vocal soundbites, etc. etc. from the Fab Four's vast and varied Wu-Tang Clancatalog would provide an ample sampling source for hip-hop producers and remixers. RIght? Yes, but only if done legally-- provided that the owners of the copyrighted Beatles material were to give permission to the interested producer(s). And this is not something that happens easily. In fact, The Beatles' catalog is often referred to in hip-hop production circles as "the holy grail of samples," since it is so hard to get permission to sample the Liverpool lads' music for hip-hop songs. 

That's why it was such in 2007 when Wu-Tang Clan announced that they had secured the first fully legit sample of the Beatles' music. They reportedly got granted permission to sample the White Album's "While My Guitar Gently Weeps" for the Wu-Tang album 8 Diagrams. As it turned out, it Dhani Harrisonwasn't technically a Beatles sample clearance, but rather the go-ahead to replay the George Harrison penned Beatles tune with none other than George's own son Dhani Harrison (reportedly a major Wu-Tang Clan fan) playing the guitar bit on the track that also featured guest vocalist Erykah Badu.

Of course, The Beatles' music has been sampled many times in hip-hop (without permission) over the years, most famously on Danger Mouse's career-launching, incredibly popular (albeit totally illegal) 2004 release The Grey Album, where he liberally sampled the entire Beatles' White Album in a masterpiece mash-up that is beautifully blended with Jay-Z's The Black Album. The fact that it was an illegal recording didn't stop people from hearing it either. The album, which was sold as a bootleg, was traded and given Danger Mouse the grey albumaway in CD format and downloaded for free, thus making its way to countless iPods and music collections.

Ten Questions For Talib Kweli

Posted by Smiles Davis, March 27, 2009 01:10am | Post a Comment

Talib Kweli can easily be crowned as one of Brooklyn’s finest mc’s. For years the industry veteran has championed positive portrayals of urban society through his eternally omniscient lyrics. After the critical and commercial success on Black Star, Kweli, alongside “Ms. Fat Booty” himself, Mos Def, forced record labels to pay closer attention to underground Hip-Hop. Before the Internet, an underground artist struggled immensely without the help of perpetual touring. Needless to say, the crowned emcee puts on a concert better than blueberry pancakes and mimosas on a breezy Sunday morning. He takes “hip-hop live” to a whole new level. Check out this EXCLUSIVE footage of Talib and long time collaborator Hi-Tek putting it down last week in Austin, TX at SXSW to a live band and a packed house.

 
                                                   (video courtesy of Paul Stewart of Next-Thing)

I caught up with Talib and asked him ten simple questions. We chopped it up about the upcoming Reflection Eternal: Train of Thought II album -- one of the most anticipated albums of '09 -- Blacksmith artist Jean Grae, Strong Arm Steady, his collaboration with R&B singer Res, and the possibility of a Black Star Reunion.

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TALIB KWELI AMONG HIP-HOPPERS FOR BARACK

Posted by Billyjam, February 5, 2008 03:09pm | Post a Comment

One thing that sure sets this upcoming presidential election apart from all previous ones in my memory is the unprecedented amount of active input and interest from hip-hop artists and fans alike -- most of whom seem to be endorsing Obama -- with a smaller percentage in support of Hillary. And all seem to share a strong distaste for anything related to Bush's regime and most things Republican.

Of all the mailings (printed, audio, video) I have received in recent weeks from hip-hop artists or organizations, the following email, received today (Super Tuesday) from NY emcee Talib Kweli (see video above of his Amoeba Hollywood instore last August), is the most convincing and articulately presented. Hence I thought I would reprint it here. Note that this is not an endorsement of Barack Obama by this Amoeblogger or by Amoeba Music.

This is what Kweli wrote:
 
"It is the last year of the Bush administration and thank God. I usually rail against being described as simply "political rapper," and I haven't voted since Bill Clinton first ran for President. I was following the tradition that Black Americans have had of voting for democrats since we got the right in 1964 (temporarily). Then, Clinton, as presidents go, seemed better than Bush Sr., but I did not like his policies in Sudan or the constant bombing of Iraq. I also did not like the way our government dragged us thru the Lewinsky scandal. I felt betrayed by the system, and I stopped voting, no longer accepting of the lesser of two evils.

I knew the two party system was designed to fail us. I knew that politicians must lie for a living, because it would be impossible to make good on their promises. I knew about the lobbyists and the PAC. I did not make it my issue, but if someone asked me, I would explain why I didn't vote. Most of the time people barack obamatalked to me like I lost my mind, but every once in a while someone understood. I knew that our ancestors fought and died for the right to vote, but I didn't feel like voting for the lesser of two evils in a broken system was the proper way to honor them. It was pageantry, and I wasn't with it. I wasn't with Vote or Die, because I knew that voting itself, with no real knowledge of who is paying these candidates to run million dollar a day campaigns, is far from a revolutionary act.

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