Amoeblog

(In which we consider Peaches considering Joni Mitchell.)

Posted by Job O Brother, March 16, 2009 06:40pm | Post a Comment
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This has been a busy week, dear readers. Lots of phone interviews, dinner parties, and soundtrack-slinging at Ye Olde Amoeba Music Hollywood.

I was gabbing with Peaches about her new album last Wednesday. It’s called I Feel Cream (release date in the U.S. is May 5) and it’s a blast! Definitely a departure from its predecessors, in that it’s more diverse in sound and moods. Peaches sings a lot more. There are moments where it sounds like the lovechild of modern R&B and older tracks by darlings of the Industrial genre, Front 242.

peaches i feel cream

Anyway, I asked her about musical influences that might surprise people (it’s already well documented that she loves hip-hop and rock ‘n’ roll). This led to her gushing about Joni Mitchell, and this performance in particular, which rocked her world:


That voice! A miracle. I just can’t get enough of it…


She really is one of my favorite things in the world of music, and while not everyone shares my passion for her sound, anyone who appreciates songwriting as a craft must acknowledge that, as a writer of music and lyrics, she remains one of the greatest artists of modern pop music. She’s credited with inventing about 50 different guitar tunings, and the list of musicians who cite her as an influence – Peaches included – reads like a Who’s Who of music.

SONIC YOUTH'S NEXT ALBUM ON MATADOR RECORDS

Posted by Billyjam, September 9, 2008 03:00pm | Post a Comment
          

Following much speculation, Matador Records has confirmed that they will be releasing the next brand new Sonic Youth album next year. The new studio album from Sonic Youth, the band's sixteenth, follows the legendary rock group's fulfilling their contractual obligations to the Universal Music Group.

According to the press statement by Matador, the New York label says it values "the opportunity to work in partnership with a group who've made such a profound impact on our roster/hometown/collective consciousness was one to jump at. Kim Gordon, Thurston Moore, Lee Ranaldo and Steve Shelley will commence recording the new Sonic Youth LP/CD this autumn and we look forward to sharing further details in the very near future."

For more information about the 31-year old group, including their traveling museum exhibition and their recently self-released CD (pictured left), check SonicYouth.com and also Matador Records' site.

PUBLIC ENEMY BRINGS THE NOISE TO IRELAND: PAUL LOWE REPORTS

Posted by Billyjam, June 10, 2008 09:41am | Post a Comment

In 1988 Public Enemy released their groundbreaking album It Takes A Nation of Millions To Us Back (Def Jam). 

In celebration of the twentieth anniversary of this historic hip-hop album (considered  by many to be the greatest hip-hop album ever), Public Enemy did some concerts in Europe as part of the Don't Look Back concert series, playing the entire album.

Don't Look Back is the concert series produced by All Tomorrow's Parties in which established artists perform in concert an album of theirs (generally an agreed-on classic release) from start to finish in its original sequence. Sonic Youth partook in the series when they performed their seminal Daydream Nation and Girls Against Boys did the Don't Look Back series last year when they performed their Venus Luxure No. 1 Baby, for which Johnny Temple of the group was interviewed for the Amoeblog.

For the recent Public Enemy Don't Look Back performances of It Takes A Nation Of Millions To Hold Us Back, they did a short series of shows, including stops in Manchester, England and in Dublin, Ireland.  Tall Paul Lowe, today's special guest Amoeblogger, attended the group's Dublin, Ireland performance two weeks ago (5/25), which was at the Tripod in the Irish capitol. Paul's report follows, below the track listing to the classic 1988 LP. Note that the photo above and the photos below of Public Enemy in Dublin two weeks ago were all taken by Tall Paul Lowe.

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FAVORITE BAND ALERT!!! #2

Posted by Gomez Comes Alive!, June 9, 2008 11:17pm | Post a Comment

I had the pleasure of seeing the band Mystery Hangup at Self-Help Graphics on Saturday. Mystery Hangup are three sisters from Orange County (plus a token guy bass player) that just rock harder than anyone I’ve seen in a while. Their sound and look come straight out of the classic 80’s L.A. Goth compilation Hell Comes To Your House with Sonic Youth and psyche rock influences. From my description, they may not sound all that original. I had the same feeling when I saw their first few songs. I figured it was just another young bilingual band heavily influenced by 80’s Goth and Punk. However, my attention was caught in the middle of the set when lead singer/guitarist Kat put down her guitar and played various percussion instruments as the rest of the band played a Birthday Party-like vamp with folkloric influences. Another thing that caught me by surprise was at end of the set, when the band launched into a full-on Cumbia. It wasn’t a modified Gothic Cumbia ala Caifanes, but a straight up keyboard/bass/drum/guitar Mexican style Cumbia like Los Dinners would have played in the 70’s. So, just to recap, Mystery Hangup is a bilingual Gothic Punk with Latin Music influences. If that was a sport (bilingual Gothic Punk with Latin Music influences), Mystery Hangup would be in the top three. It's not that I don't like the more rocking element of their sound, but it's with cultural influences that sets them apart from the rest of the bands.

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Whiskers on roses & raindrops on kittens: V. Rondo

Posted by Job O Brother, August 8, 2007 10:22am | Post a Comment

5.) The Haunted Mansion

Last I checked, Amoeba Music is not selling any of these, no matter how much I pester management that there is a ready market for it.

I don’t know what it says about me, but as a child growing up on the sunny island of Oahu, I dreamed incessantly of once again returning to the Haunted Mansion, located on the edge of New Orleans Square in the Magic Kingdom of Disneyland in Anaheim in California on the Mainland…

…Earth.


Something about the temperature, the hues of dark greens, blues and violet, set a-glow by thousands of volts of black light; a soundtrack of pipe organ and church bells… It made a young Job feel at home. I can’t account for it, but that’s how it felt and, infantile as it may seem (maybe even perverse) it still does.

Once inside, I would never want to leave. At age five, I stood at the base of the escalator that took people from the end of the ride to the outside world, and cried. I’m sure people who passed me assumed I was crying because the ride had scared me, when in actuality, I wanted to move in.

I was a deeply unpopular child.


Every once in a while, a copy of the Haunted Mansion soundtrack will pop up in my section of Amoeba. It was only sold at the Park, and even then in limited edition batches (though they re-release them). Most anything Disney on c.d. goes out of print and instantly becomes a collector’s item; there’s always a market for the stuff. There’s people out there right now, who have left their babies alone in cribs, as they hunt for anything with that recognizable Disney logo stamped on it.
(Confession time: When a c.d. simply will not sell in my section, I just hand-draw this emblem on it, then stand back and wait for the bidding war between customers who suddenly must own this “rare release by Disney of the ‘Inside Deep Throat’ soundtrack”.)*

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