It's been a while since I've done one of these posts about extraterrestrial worlds in fact and (mostly) fiction. There've been (or will be) posts about Callisto, Ceres, Europa, Ganymede, Io, Mars, Pluto, Titan, Venus, Trans-Neptunian dwarf planets, and Asteroids. The primary reason that there haven't been more is because the more obscure the solar object, the less likely it is to have been a setting for a Science-Fiction work (and thus the less relevance to Amoeba). A secondary reason is that these posts are far less popular than my Los Angeles neighborhood, LA County community, or Orange County community posts -- but aren't moons and planets sort of the neighborhoods of our Solar System? So here I am with a round-up of several moons, the Trans-Jovian ones that appear in computer or video games, movies, TV shows and old time radio.
It's been a while since I've done one of these posts about extraterrestrial worlds in fact and (mostly) fiction. There've been (or will be) posts about Callisto, Ceres, Europa, Ganymede, Io, Mars, Pluto, Titan, Venus, Trans-Neptunian dwarf planets, and Asteroids. The primary reason that there haven't been more is because the more obscure the solar object, the less likely it is to have been a setting for a Science-Fiction work (and thus the less relevance to Amoeba). A secondary reason is that these posts are far less popular than my Los Angeles neighborhood, LA County community, or Orange County community posts -- but aren't moons and planets sort of the neighborhoods of our Solar System? So here I am with a round-up of several moons, the Trans-Jovian ones that appear in computer or video games, movies, TV shows and old time radio.
The other day I was listening to the podcast The Auteur Cast. In discussing The Empire strikes back, one of the hosts used the character of Lando Calrissian to question why there are so few black people in science-fiction. It’s not a new question. In 1976, on the album Bicentennial Nigger, Richard Pryor observed “I don’t like movies what don’t have no niggers in them. I went to see a movie of the future called Logan’s Run. Ain’t no niggers in it. Well, white folks ain’t planning for us to be here.”
It would be nice to say that times sure have changed in the 37 years since then. There’ve been nineteen black astronauts in NASA, there’s a black president, a black attorney general and countless other black people have attained positions of power or advanced science. But that's science-fact and in Hollywood science-fiction the future remains so white you’ve gotta wear shades.
Most space operas depict a universe populated by aliens with prosthetic alterations to their eyes and ears and in all shades of skin tone… almost invariably played by white people. If one tries to think of an alien played by a Latino, I can think of Edward James Olmos (in blue contacts) in Battlestar Galactica as Caprican (of Tauron descent) Commander Bill Adama and that’s it (OK, and Tahnee Welch in the Cocoon movies). Ricardo Montalban as Khan doesn’t count. Firstly, Khan Noonien Singh was apparently supposed to be South Asian, given his title “Singh,” and a native of earth -- not an extraterrestrial. Speaking of Asian aliens – are there any besides Flash Gordon’s Ming the Merciless, emperor of the planet Mongo (obviously meant to be the face of yellow peril and who was also always played by white actors)?
Though his name isn’t widely recognized, Herman Stein was a very influential American composer. Though he composed hundreds of film scores, he was most influential in for his work within the genres of horror and science-fiction. Some of his most recognized scores were created for Creature from the black lagoon, The incredible shrinking man, It came from outer space, Love slaves of the Amazons, The Mole People, The Monolith Monsters, Revenge of the Creature, and This island Earth, Tarantula.
It began as a sort-of revival of pioneering sci-fi program, Dimension X and the first fifteen episodes were remakes from that series. The remainder of the episodes were originals from staff writers Ernest
NBC was infamous for not showing much interest in their radio programs -- especially as radio waned and TV waxed -- and Dimension X suffered from being bounced around between Sundays, Tuesdays, Wednesdays, Thursdays and Saturdays and barely received any promotion. However, they didn't skimp on the writing and sound effects budget and the results were frequently amazing.
Dimension X debuted on NBC radio on this day (April 8), 1950. The first thirteen episodes were performed live whilst the remainder were pre-recorded. It was directed by Fred Wiehe
and Edward King. The narrator and announcer was Norman Rose, who began each program with the introduction, "Adventures in time and space- told in future tense..." before "Dimension X!" boomed and echoed.Dimension X wasn't the first adult science-fiction anthology program (2000 Plus debuted a month earlier on the Mutual network) but it was, perhaps, the best - drawing from writers like Clifford D. Simak, Donald A. Wollheim, E. M. Hull, Fletcher Pratt, Frank M. Robinson, Fredric Brown, Graham Doar, H. Beam Piper, Isaac Asimov, Jack Vance, Jack Williamson, Kurt Vonnegut Jr, L. Ron Hubbard, Murray Leinster, Nelson Bond, Ray Bradbury, Robert A. Heinlein, Robert Bloch, Stephen Vincent Benet, Villiers Gerson, and William Tenn. Most episodes were adapted from pre-existing works by Ernest Kinoy and George Lefferts but the two also provided original
It was first auditioned as Out of This World, which it was originally auditioned as on February 23, 1950. Though one of the best sci-fi series ever, the famously clueless folks at NBC never gave it proper promotion or care, bouncing it around to various slots on four different days of the week.





