Amoeba Music San Francisco
Hip-Hop Top Five: August 01, 2008

1) NaS Untitled (Def Jam)

2) Jean Grae + 9th Wonder Jeanius
     (Blacksmith)

3) People Under The Stairs The OM Years 
     (OM hip-hop)

4) Husalah & B-Luv Tonka Boyz
    (SMC Records/City Hall)

5) RZA as Bobby Digital Digi Snacks
    (KOCH)

A shout-out to Luis in the hip-hop department at the San Francisco Amoeba Music for this week's Top Five chart, which includes the new Bay Area indie rap release from the rhyme duo Husalah & B-Luv, Tonka Boyz, that features guest spots from such local faves as PSD, Yukmouth, The Jacka, and Dubee. Also charting high this week is the double CD retrospective by People Under The Stairs (PUTS) from OM hip-hop. Disc one is "The OM Years" and includes such crowd pleasers as "San Francisco Knights," "The Cat," and "Jappy Jap," while disc two (my personal fave, since it has some stuff I had not heard before) is titled "B-sides & Rarities."  

Luis admits that he is not really feeling the new RZA as Bobby Digital (Digi Snacks) and I have to fully agree with him.This, the artist's fourth solo record, not only fails to match any of his Wu Tang output, but also falls short of his own previous solo work. However, as is often the case with overall mediocre albums, there are a few great songs to be found on the 15 track Digi Snacks, including "Drama" featuring Monk and Thea and "You Can't Stop Us Now" (feat. fellow Wu warrior Inspectah Deck).

After having the plug pulled prematurely on the concert he was a part of last Saturday at the Bayou Boogaloo & Cajun Food Festival in Norfolk VA where authorities charged him with "abusive language" (apparently for uttering the lyrics "What the fuck" during one of his songs),  Boots Riley of The Coup has issued a statement saying that the local authorities' charges against him are "racially motivated."

The obscure local Virginia law, on the books as # 18.2-416, has never before now been applied to a performer, nor has it been enforced against anyone in over 25 years.   But yet the city of Norfok is determined in pressing forward with the charges against the visiting Oakland emcee.

"City Officials claim that they are making the statement that profanity will not be tolerated," said Boots Riley in a prepared statement sent out yesterday by his label. "Obviously, since no one has been charged with this in 26 years, profanity IS tolerated. The statement they are making is that the culture and the people they feel I represent won't be tolerated. I was already off stage; the man they asked to leave the stage was Trombone Shorty, another Black man who looks nothing like me."

"This happened at 10PM, and it was far from a 'family' atmosphere, most of the audience was intoxicated after drinking at the festival's bar -- 'The Missing Kidney.' There was also a VIP section where free alcohol was distributed by the keg. Anyone who has been to a music festival on a Saturday night understands the scene. I did not leave the park afterward, as was claimed by FestEvents, the organizers of the Bayou Boogaloo Festival. I stayed and debated the validity of the charge with police and festival promoters. It is clear that this is part of a larger debate that has nothing to do with profanity, one that is being dealt with nationwide. That debate is about racism, gentrification and the ownership of public space."

Love him or hate him, Lil Wayne (aka Weezy) is the man of the moment with his anticipated new album, Tha Carter III (Cash Money/Universal) released earlier this week which broke sales records - selling close to half a million units on the day of its release. And with an approximated million copies sold within the first week - it is guaranteed to be the number one Billboard pop chart  topper. Undoubtedly the album will also go on to become one of the top selling releases of 2008. 

"It's doing really well here. It got a whole bunch of hype of course. But what is interesting to me is the diversity of Lil Wayne fans," reports Marques Newson from the hip-hop department at the Amoeba Music Hollywood store. "I was on the register Tuesday, the release date of the new CD, and there was literally every type of person buying it, every race and age you can think of.  Not just young guys like you might think...but like 40 or 50 year old white women or 60 year old black women."  

Speaking of age, what is most significant about Lil Wayne, a long established rap star  who just recently scored his first pop hit with "Lollipop," is that he is only 25 years old but has been putting it down in the rap game since he hooked up with the Cash Money Records crew when just a teenager.  Besides Lil Wayne's regular full length releases (it's three years since his last official album Tha Carter II) and the countless cameos he makes on other projects, there are a ton of mix CDs featuring his music, including DJ EFX (not to be confused with Raul "DJ EFX" Recinos -- veteran Bay Area hip-hop/house/ tribal/electronic DJ/producer), who recently dropped the popular Before The Carter Vol. 2.  The mixtape only helped fuel interest in the artist's official June 10th release that is clearly geared for crossover pop success with such high-profile collaborators as Jay-Z.

On top of all this, Lil Wayne recently wrapped up filming a part as a student-athlete in the forthcoming movie The Patriots with Forest Whitaker. So Dwayne Michael Carter (his real name) looks set to be a huge, huge star. Of course, the far-from-humble Dwayne has been calling himself "the best rapper alive" for quite a while already which, note, is one of the reasons he causes so much ire in others. Another reason he gets hated on in hip-hop circles is that the often clearly buzzed Weezy (cough syrup is one of his favorite poisons, as well as weed and E) will utter, or rather slur, some of the dumbest, most unprofessional things at the most inappropriate times (i.e, in recorded interviews), like when he recently told Foundation magazine that mix-tape DJs suck ("Fuck you if you are a mix tape DJ" and "I created the mix tape game" were two of his quotes).