Listening to OOFJ feels like watching a film noir from the future. Melodramatic strings, bubbling electronic beats and Katherine Mills-Rymer’s desperately breathy vocals come together for a sound that wouldn’t feel out of place in a new David Lynch or Roman Polanski film. That’s not accidental—while you could draw comparisons to bands like Portishead and Goldfrapp, the band’s composer, Jenno Bjornkjaer, has worked on film scores like Lars Von Trier’s Melancholia, during which he met his musical and romantic partner in Mills-Rymer. The debut album from OOFJ (which stands for “orchestra of Jenno”) pulls heavily from filmic inspiration but manages to put that into four-minute electro-pop songs that are heady and addictively catchy in equal doses.
I took a minute to speak with the duo before their performances at Amoeba Hollywood July 23 at 6 p.m. and their slot playing Amoeba Music’s curated Red Bull Sound Select show July 30 at the Echoplex with Baths and Wrestlers (click here to RSVP).