Amoeblog

Happy birthday, Edvard Munch

Posted by Eric Brightwell, December 12, 2012 05:43pm | Post a Comment
Today is the 149th birthday of Norwegian painter and printmaker, Edvard Munch

Self Portrait (in distress) 1919

Munch was born 12 December in the village of Ådalsbruk in Løten, in 1863. His father was a doctor named Christian Munch and his mother was Laura Catherine Bjølstad. He was often ill as a child and reportedly drew to occupy his considerable time spent in bed.


In 1881, Munch enrolled at Den kongelige tegneskole. Along with fellow students, he had his first public exhibition in 1883. Some of his early work was in the Naturalism and Impressionism traditions. After falling in with nihilist/philosopher/writer/anarchist Hans Jæger, and his circle, Kristianiabohêmen, Munch began attempting to paint from his soul.

Det Syke Barn 1885


Munch's first "soul painting," Det Syke Barn (The Sick Child) depicted his sister Johanne Sophie on her deathbed -- she died from TB when just fifteen.

The Scream (1893) The Scream (1910) The Scream parody The Scream parody
(l-r) Munch's original Munch's last ...and parodies


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Happy Birthday, Simeon Solomon

Posted by Eric Brightwell, October 9, 2012 02:26pm | Post a Comment
Simeon Solomon was a Jewish Pre-Raphaelite painter. He was born 9 October, 1840 at No. 3 Sandys Street, Bishopsgate, London, England. Were he alive today he'd be turning 172.

Solomon was the eighth and last child Michael (Meyer) Solomon, manufacturer of Leghorn hats, and artist Catherine Levy. Two of his older siblings, Abraham and Rebecca, were also painters. It was Abraham, in fact, who first gave painting instruction to Solomon around 1850.

In 1852 he began attending the Royal Academy where, that same year, his sister's work was being exhibited. At the Academy, Solomon became friends with Dante Gabriel Rossetti, the other Pre-Raphaelites, their associates, and Dandy and Decadent poet, Algernon Charles Swinburne.

His first exhibition at the Academy took place in 1858 and, until 1872, he continued exhibiting -- also at the Dudley Gallery. The subject matter of his work was in many ways typical of the Pre-Raphaelites although also drawn from The Tanakh. In 1865 he contributed illustrations to Swinburne's posthumously-published pornographic novel, Lesbia Brandon. Some of his high-profile patrons included Eleanor Tong ColtartJames Leathart, and Lord Battersea.

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