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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 3 featuring Dan the Automator

Posted by Billyjam, July 19, 2014 01:31pm | Post a Comment
           


With just a little over one week left to the wonderful Amoeba Music sponsored record / vinyl themed exhibit Vinyl: The Sound and Culture of Records at OMCA this is part three in the Digging In The Crates Amoeblog series dedicated to some of the curated crates that are currently on exhibit (but only through next weekend, Sunday July 27th) at the Oakland Museum of California as part of its excellent interactive Vinyl exhibit which has been there for three months and is well worth checking out. For this installment we focus on (scroll down to see) San Francisco producer Dan Nakamura - aka Dan the Automator - who coincidentally later today (July 19th) will be doing a free outdoor show at 7pm at Prospect Park in Brooklyn, NY along with  fellow Deltron 3030 members Kid Koala and Del The Funky Homosapien plus the Deltron 3030 Orchestra.

For his curated crate picks (which overlaps a bit with his above Amoeba WIMB? clip) at the OMCA Vinyl exhibit the prolific producer chose a combination of some of his all time favorite releases such as Eric B and Rakim's Paid In Full and The Beach Boys'  Pet Sounds (his number one top pick), as well as many of the countless releases that the prolific producer has been personally involved in over the years such as Cornershop's  When I was Born for the 7th time on which he is the producer, Handsome Boy Modeling School of which he is one-half along with Prince Paul, The Gorillaz whose first album he produced, Jamie Cullum's Catching Tales on which Nakamura does beats and programming, Kasabian's West Ryder Pauper Lunatic Asylum that he produced, Lovage which is the producer along with Mike Patton and such other collaborators as (again fellow Deltron 3030 member) Kid Koala, and Jennifer Charles, and Anaïs' The Love Album via Polydor France released in 2008 that he also produced and is in the same musical vein as his forthcoming latest project, Got A Girl along with vocalist Mary Elizabeth Winstead, that will be arriving in Amoeba this coming Tuesday (July 22nd, 2014) via his long running San Francisco based label Bulk Recordings. What's crazy is that he didn't even get to include one of his best (and earliest) releases - one that I included in the crate I curated at the OMCA exhibit - his 1989 early breakbeat/battle record Music To Be Murdered By.

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 2 featuring 12 Man Rambo & Lori Katz

Posted by Billyjam, July 8, 2014 05:33pm | Post a Comment



In the second Amoeblog dedicated to some of the curated crates that are currently on exhibit (through July 27th) at the Oakland Museum of California (OMCA) as part of the Vinyl: The Sound and Culture of Records we present selections from both the creates of Lori Katz  (manager at Amoeba Music which is the primary sponsor of this must-attend exhibit) and 12 Man Rambo. The exhibit includes weekly Talk and Play sessions where folks from the local music community stop by and chat informally with museum goers and play samples of records. Joe Colley will speak this week in the Talk and Play session on the topic of "experiments in sound" on Saturday July 12th 1pm-230pm. Photos in this piece are by permission of OMCA and James Mak for Joysco Photos.

Meanwhile for her crate’s selection Lori Katz explained that, "I dug through the $1.00 bins at Amoeba Music. The records that I chose are examples of what I was listening to when I was beginning to become aware of music. My first memories of listening to music are when I went away to summer camp. This was in 1975-1977. My camp counselors introduced me to Bob Dylan, Joni Mitchell, and so much great music of that time. Looking at these record covers brings back so many great memories."

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 1 featuring Marc Weinstein

Posted by Billyjam, June 27, 2014 11:35pm | Post a Comment


Since it opened two months ago (fittingly on Record Store Day, April 19th), the Oakland Museum of California's (OMCA) ongoing exhibit Vinyl: The Sound and Culture of Records has been resoundingly popular and is attracting museum visitors of vinyl, the sound and culture of records at oakland museum of californiaall ages and generations, from those who grew up with records to those too young to have ever seen vinyl firsthand or had opportunity (until now) to put down the needle and experience playing vinyl in all its analog glory.

The exhibit, which runs through July 27th, is sponsored by Amoeba Music who supplied nearly all of the vinyl for the hands-on exhibit. The action is in OMCA's Great Hall alongside another cool exhibit scheduled for the same run: Eric Nakamura's  SuperAwesome: Art and Giant Robot exhibit.

As well as supplying nearly all of the records on exhibit and featuring a window display at the Berkeley Amoeba store dedicated solely to the OMCA exhibit, several Amoeba staffers have contributed to the exhibit by way of curating the numerous crates that dot the cavernous exhibit hall. These include Gail Todd, Marc Weinstein, Lori Katz, and myself who are among numerous other contributing music nerds -- such as avid local rap collector 12 Man Rambo, noted San Francisco producer Dan the Automator, and author Denise Sullivan -- who each drew up lists of 33 records per crate (some more, some less).
 

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Vinyl: The Sound and Culture of Records at the Oakland Museum of California, 4/19 - 7/27

Posted by The Bay Area Crew, April 1, 2014 07:42pm | Post a Comment

Amoeba Music is proud to support a museum exhibit like you've never seen (or heard) before! The Oakland vinyl, the sound and culture of records at oakland museum of californiaMuseum of California presents Vinyl: The Sound and Culture of Records from April 19th (hey, that's Record Store Day!) through July 27, in which they explore the social and cultural phenomenon of listening to, collecting, and sharing records.

Immerse yourself in this uniquely Californian take on vinyl with experiences ranging from individual and group listening stations to informal talks and live performances. The gallery will be transformed into an experimental listening environment, appealing to all the senses. View notable record collections, photographs of collectors in their homes, and watch and hear interviews as well as rarely-seen historic and archival film and video on the science of recording. Explore the history of album cover art with an exhibit of notable covers and a film on the topic. Peruse and listen to all kinds of records, spanning genres with a focus on the independent record industry that blossomed in California from the mid-1970s to now.

This is a particularly hands-on exhibit; use the listening stations' turntables and headphones to listen to boxes of records collected by Crate Curators—influential members of the record community such as collectors, DJs, independent record store owners, radio personalities, and others. Each crate contains 33 records chosen by the Crate Curators to tell a personal story. You can also dig through a variety of records (provided by Amoeba Berkeley) and curate your own thematic crate!

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Archivalist / Filmmaker Rick Prelinger To Premiere "Lost Landscapes of Oakland" At OMCA

Posted by Billyjam, February 22, 2014 11:00am | Post a Comment

East Bay history fans should make note that this afternoon at the OMCA (Oakland Museum of CA) there will be a premiere screening of Rick Prelinger's Lost Landscapes of Oakland, with live narration by the filmmaker, and followed by a Q+A session. This Oakland themed production is part of the writer/archivalist/filmmaker's ‘Lost Landscapes’ series of archival compilation films on the history of San Francisco (Lost Landscapes of San Francisco, eight annual films, 2006-2013, and Lost Landscapes of Detroit, three films, 2010-2012.) Today's East Bay themed presentation is about "highlighting the hidden histories of Oakland" with a montage of "rarely-seen film clips of life in Oakland, captured by amateurs, newsreel cameramen, and industrial filmmakers" according to OMCA curators. The fact that Prelinger will do accompanying live narration himself is an added bonus. Plus, like so many of the wonderful events that OMCA produces, this too further breaks down that wall between exhbiti and museum goer. Those who attend today will undoubtedly be mostly local residents who know Oakland and the East Bay first hand. They are encouraged to participate and share stories about their own memories of Oakland and the East Bay. Event from 3pm to 5pm. All ages. Admission to screening/lecture included in general museum admission. More info

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