Amoeblog

Don't Knock The Rock Fest Continues With 'Beautiful Noise'

Posted by Billy Gil, July 7, 2014 06:26pm | Post a Comment

don't knock the rock

Cinefamily’s Don’t Knock the Rock fest continues this week with the shoegaze documentary Beautiful Noise. Although this Thursday’s screening is sold out, the festival has added another screening Thursday July 17 at 9:45 p.m. Tickets are $12 and you can get them here.

kevin shields my bloody valentine beautiful noiseBeautiful Noise documents the devolopment of the shoegaze music scene of the late ’80s and early ’90s, featuring interviews with such luminaries of the genre as de facto shoegaze godfather Kevin Shields (My Bloody Valentine), members of shoegaze progenitors Cocteau Twins and The Jesus and Mary Chain, and shoegazers like Ride, Slowdive, Lush, Catherine Wheel and The Boo Radleys (aka all of our favorite bands). Director Eric Green and producer Sarah Ogletree got the film funded through Kickstarter, raising $84,740 from 1,511 backers to pay for the licensing and distribution costs, according to Rollingstone. Watch the trailer below:

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The 20 Best Shoegaze Albums

Posted by Billy Gil, March 7, 2014 06:21pm | Post a Comment

Islowdivenspired by the reunion of shoegaze greats Slowdive, Amoeblogger Brad Schelden and I have compiled our list of favorite shoegaze albums.

For any who don’t know, shoegaze is a style of music rooted in the noise pop of The Jesus & Mary Chain and dream pop of Cocteau Twins from the early ’80s. In the late ’80s and early ’90s, bands took elements put forth by those bands—loud, distorted guitars, heavily reverbed vocals and emphasis on atmosphere over discernable lyrics—and came up with a new sound, first truly realized by My Bloody Valentine on their classic 1988 album, Isn’t Anything. Shoegaze (or shoegazing) was a term NME and Melody Maker in the U.K. used to describe the visual representation of the sound from bands who rose in My Bloody Valentine’s wake, depicting bands’ apparent lack of movement onstage and propensity to stare down at their numerous effects pedals. The genre hit its heyday in the early ’90s but persists today, with bands like My Bloody Valentine and Swervedriver reuniting and artists like M83 and Diiv using elements of their sound (so-called nu-gaze, but I’ll avoid that terrible term). So with that lengthy explanation, here we go.

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10 Albums to Pick Up for Valentine's Day

Posted by Billy Gil, February 7, 2014 05:21pm | Post a Comment

Hey you! Valentine’s Day is just around the corner. Like it’s next week. We’ll leave the chocolates and stuff to you, but we’ve got your music covered. Pick up any of these releases to help you seal the deal. Or to just enjoy quietly on your own with some white wine. That sounds great, actually.

Tina TurnerLove Songs

tina turner love songs amoebaThis compilation CD was just released and features some of Turner’s best songs, focusing on her comeback from 1983’s Private Dancer and on. Songs include a cover of Al Green’s “Let’s Stay Together,” “What’s Love Got to Do With It,” “The Best” and more.

 

 

SadeThe Ultimate Collection

sade the ultimate collectionI mean, c’mon, duh. You can’t go wrong with any Sade album, but this readily available collection has all the hits, including later period songs like “Soldier of Love.”

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The 10 Best Reunions of the 2000s

Posted by Billy Gil, January 7, 2014 01:44pm | Post a Comment

Since Stephen Malkmus ditched the likely lucrative reunion of his legendary band Pavement to continue on with his Jicks project, which released their great album Wig Out at Jagbags this week, I thought it a good time to look back at the band reunions that have popped up this new millennium. Though these reunions have both delighted and horrified fans, sometimes at the same time, a few have been so solid that it’s like our favorite bands never left us. Now get on it, Cocteau Twins!

1. Dinosaur Jr.

dinosaur jr. amoebaDinosaur Jr. frontman J Mascis and bassist/Sebadoh frontman Lou Barlow buried the hatchet in the 2000s, formally reuniting with longtime drummer Murph in 2005 to play on The Late Late Show With Craig Ferguson and tour. They subsequently have released three terrific albums. If you were a fan of Dinosaur Jr. but haven’t checked out any of the albums from Dino. Jr. 2.0 (gross), do it now, as they’re as good as anything the band released during its heyday. 2012’s I Bet on Sky featured the kind of more chilled-out (yet still distortion-laden) songwriting you might expect from alt-rock elder statesmen, while 2007’s Beyond felt like lighting a match in a room full of gas, exploding with bottled up riffs and energy. Lou Barlow, whose own Sebadoh reunion also ranks as one of the better ones of the 2000s, makes his first contributions to the songwriting on these albums since 1987’s You’re Living All Over Me, and the band is better for it. Combined with their live shows, which are lessons in ear-splitting noise only bested by the next band on this list, it makes them the best reunited band of the new millennium!

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Amoeba Bloggers' 50 Favorite Albums of 2013

Posted by Billy Gil, December 31, 2013 02:20pm | Post a Comment

We've been compiling our Best of 2013 lists for a while now. Here's the combined efforts of Amoebloggers who submitted their favorite albums of 2013, compiled in a quasi-scientific fashion.

1. My Bloody Valentine - mbv

my bloody valentine mbv amoebaIt should come as no surprise that the favorite record of the year from a bunch of record store geeks was My Bloody Valentine's long-awaited return with mbv.

"A year heavy with vets, but no one had anybody more excited than My Bloody Valentine (this guy included.) The logical follow-up to Loveless – 22 years later – and it’s a total stunner. mbv is MBV doing what they do best, and quite certainly, it was worth all those delays and the epic wait. It has familiarity that’s instant, but still pushes guitar rock into new terrains like no one else can." —Aaron Detroit

 

 

2. The Knife - Shaking the Habitual

the knife shaking the habitual amoebaThe Knife's divisive fourth studio album was a favorite amongst those who were up for the challenge from the Swedish experimental duo.

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