Amoeblog

St. Louis Union

Dave Berry, Ghost Goes Gear, The Three Bells, Acker Bilk, the D.O.C, Otis Redding, the Beatles
St. Louis Union was a Manchester six piece fronted by singer Tony Cassidy. They won a Melody Maker beat contest in 1965 which scored them a deal with Decca. They were billed as "THE Group on the Northern Soul Scene." Their sound was centered around Alex Kirby's tenor saxophone and Keith Millar's electric guitar backed by some serious organ by Dave Tomlinson and Dave Webb on the skins.

Their live set was built around "Turn On Your Lovelight," "Woke Up This Morning," "Every Day I Have the Blues" and "Get On the Right Track Baby."

Their name seems to be a reference to the St. Louis Union Station, a train station famous, like many things in St. Louis, as having been the biggest and busiest thing in its field way back when. Its archways are designed so that one can whisper into them and someone else can hear you clearly on the other end, a design feature with no apparent practical applications, save simple amusements in a simpler time. It was largely built of limestone taken from Indiana, probably just to remind the Hoosiers who's boss, as the state of Missouri is entirely made of limestone and they're the nation's leader in lime production.


Truman having a laugh at St. Louis Union Station

In the 1970s, the station was bought by Amtrak. They ended operations soon afterward and relocated their operations to a building the unhealthily train-obsessed refer to as Amshack. Now it's a mall where tourists watch the guys at the Fudge Factory put on a show and the Footlocker has a basketball hoop with the backboard autographed by the D.O.C.

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Posted by Eric Brightwell on July 10, 2008 at 09:24pm | Post a Comment

Michelangelo Antonio Dead

Michelangelo Antonioni died yesterday. He was partially paralyzed by a stroke in 1985 and unable to speak for the last 22 years.

 


He began his career in the 1930s but really began to make a name for himself in the 1950's.  While his peers made gritty, immediate neo-realist films focusing on social issues and the struggles of the poor; Antonioni used film to examine the space between bourgeois characters with a highly refined and stylized directorial aesthetic.



In 1960 he released L'Avventura  starring the iconic Monica Vitti. It was a radical departure from European film before it. It remains an amazing depiction and evocation of alienation and dread. Its title is seemingly ironic (although "avventura" also means "fling" apparently in addition to "adventure").

His subjects were almost always aimless, wealthy and unhappy. The films invariable had very long takes, minimal dialog and a surface that prevents the viewer from coming up with easy answers to Antonioni's implied questions.  L'Avventura and his subsequent films practically filled the screen with emptiness. Il Deserto Rosso (1964), his first color film, remains one of the bleakest and most beautiful films I've ever seen. I'm sure Criterion will "present" it in the months to come. It also has one of Giovanni Fusco's best scores, mostly consisting of disconcerting electronic beeps and belches (and silence) not to mention amazing Carlo Di Palma's amazing and ground-breaking cinematography.

Posted by Eric Brightwell on July 31, 2007 at 10:05pm | Post a Comment